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英美文学与翻译2011年真题回忆版

英美文学与翻译2011年真题回忆版
英美文学与翻译2011年真题回忆版

827英美文学与翻译2011年真题回忆版

Part one literature

第一题:someone say that “a good literary work is a combination of pleasure and disquietness”what do you think of it? Select a work and point out where u can find pleasure and disquietness.

第二题:someone say that “a good literary work is a question minus answer”,what do you think of it? Select a work or play and point out how the writer pose the question and what extent he answers the question.

第三题:this is a short passage taken from the preface of the《leaves of grass》from Walt Whitman

The Americans of all nations at any time upon the earth have probably the fullest poetical nature. The United States themselves are essentially the greatest poem. In the history of the earth hitherto the largest and most stirring appear tame and orderly to their ampler largeness and stir. Here at last is something in the doings of man that corresponds with the broadcast doings of the day and night. Here is not merely a nation but a teeming nation of nations. Here is action untied from strings necessarily blind to particulars and details magnificently moving in vast masses. Here is the hospitality which forever indicates heroes . . . . Here are the roughs and beards and space and ruggedness and nonchalance that the soul loves. Here the performance disdaining the trivial unapproached in the tremendous audacity of its crowds and groupings and the push of its perspective spreads with crampless and flowing breadth and showers its prolific and splendid extravagance. One sees it must indeed own the riches of the summer and winter, and need never be bankrupt while corn grows from the ground or the orchards drop apples or the bays contain fish or men beget children upon women.

Other states indicate themselves in their deputies . . . . but the genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges or churches or parlors, nor even in its newspapers or inventors . . . but always most in the common

people. Their manners speech dress friendships – the freshness and candor of their physiognomy –the picturesque looseness of their carriage . . . their deathless attachment to freedom – their aversion to anything indecorous or soft or mean – the practical acknowledgment of the citizens of one state by the citizens of all other states – the fierceness of their roused resentment – their curiosity and welcome of novelty – their self-esteem and wonderful sympathy – their susceptibility to a slight – the air they have of persons who never knew how it felt to stand in the presence of superiors – the fluency of their speech – their delight in music, the sure symptom of manly tenderness and native elegance of soul . . . their good temper and openhandedness – the terrible significance of their elections – the President's taking off his hat to them not they to him –these too are unrhymed poetry. It awaits the gigantic and generous treatment worthy of it.

Question1: what’s your understanding of Whitman’s view of poet?

Question2: write a comment of this passage .

第四题:this is “a very short story” written by Hemingway .then write a comment of this passage

Part two: translation

汉译英:旧王府艺术研究院的变迁

英译汉:idleness+三个短句翻译

4.2.1真题解析及技巧指导

Part one literature

注意答题书写步骤:

第一题:1.I take Mark Twain’s The Adventures of Huckleberry Finn as an example to explain the idea.

2. pleasure 体现在远离“文明”的,自然的,单纯的河上生活;disquietness体现在河岸上现实的阴暗面即血腥杀戮等

3. 总结。

第二题:1.I select Shakespeare’s Hamlet.

2.是生还是死的问题的讨论得出结论后,我们的思考过程中剩下的。

3.总结。

第三题:(1)注意解读题目:your understanding of Whitman’s view of poet,第一层是Whitman关于是诗人的观点;第二层是谈谈你的理解,二者缺一不可。

(2)写关于选段的评论,即先总结文章作者的观点,而后加以评书。

相关知识链接:Walt Whitman

1. Whitman's life:

Whitman is a giant of American letters. His Leaves of Grass has always been considered a monumental work which commands great attention because of its uniquely poetic embodiment of American democratic ideals.

He is the poet of the common people and the prophet and singer of democracy.

During the years in New York City, Whitman began to show his democratic partisanship. And this ideas governing Whit’s poetry-writing gradually took place

2. Whitman's democratic ideals:

Whitman’s democratic ideas govern his poetry-writing. In his famous poetry, openness, freedom, and above all, individualism (the belief that the rights and freedom of individual people are most important) are all that concerned him.

Whitman brings the hard-working farmers and laborers into American literature ,attack the slavery system and racial discrimination. In this book he also extols nature ,democracy, labor and creation ,and sings of man’s dignity and equality, and of the brightest future of mankind

Whitman believed that poetry could play a vital part in the process of creating a new nation. It could enable Americans to celebrate their release from the Old World and the colonial rule. And it could also help them understand their new status and to define themselves in the new world of possibilities.

3. The themes in Whitman's poetry:

His poetry is filled with optimistic expectation and enthusiasm about new things and new epoch, so the abundance of themes in his poetry voices freshness.

①He shows concern for the whole hard-working people and the burgeoning life of cities. To Whitman, the fast growth of industry and wealth in cities indicated a lively future of the nation, despite the crowded, noisy, and squalid conditions and the slackness in morality.

②He advocates the realization of the individual value. Most of the poems in Leaves of Grass sing of the “en-masse” and the self as well.

③Pursuit of love and happiness is approved of repeatedly and affectionately in his lines. Sexual 1ove, a rather taboo topic of the time, is displayed candidly as something adorable. The individual person and his desires must be respected.

④Some of Whitman's poems are politically committed. Before and during the Civil War, Whitman expressed much mourning for the sufferings of the young lives in the battlefield and showed a determination to carry on the fighting dauntlessly until the final victory

4. Leaves of Grass:

①The title:

It is significant that Whitman entitled his book Leaves of Grass. He said that where there is earth, where there is water, there is grass. Grass, the most common thing with the greatest vitality, is an image of the poet himself, a symbol of the then rising American nation and an embodiment of his ideals about democracy and freedom.

②Theme:

In this giant work, openness, freedom, and above all, individualism (the belief that the rights and freedom of individual people are most important) are all that concerned him.

Whitman brings the hard-working farmers and laborers into American literature ,attack the slavery system and racial discrimination. In this book he also extols nature, democracy, labor and creation ,and sings of man's dignity and equality, and of the brightest future of mankind. Most of the poems in Leaves of Grass sing of the "en-masse" and the self as well

③Essential purpose

His aim was nothing less than to express some new poetical feelings and to initiate a poetic tradition in which difference should be recognized.

The genuine participation of a poet in a common cultural effort was, according to Whitman, to behave as a supreme individualist; however, the poet's essential purpose was to identify his ego with the world, and more specifically with the democratic "en-masse" of America, which is established in the opening lines of "Song of Myself".

5. Whitman's poetic style and language:

①Poetic style:

To dramatize the nature of these new poetical feelings, Whitman employed brand-new means in his poetry, which would first be discerned in his style and language.

(1) Whitman’s poetic style is marked, first of all, by the use of the poetic “I.” Whitman becomes all those people in his poems and yet still remains “Walt Whitman”, hence a discovery of the self in the other with such an identification. In such a manner, Whitman invites his readers to participate in the process of sympathetic identification.

(2) Whitman is also radically innovative in terms of the form of his poetry. He adopted “free verse”

(3) Whitman is conversational and casual, in the fluid, expansive, and unstructured style of talking. However, there is a strong sense of the poems being rhythmical. The reader can feel the rhythm of Whitman‘s thought a nd cadences of his feeling. Parallelism and phonetic recurrence at the beginning of the lines also contribute to the musicality of his poems.

②Whitman's language:

(1) Most of the pictures he painted with words are honest, undistorted images of different aspects of America of the day. The particularity about these images is that they are unconventional in the way they break down the social division based on religion, gender, class, and race. One of the most often-used methods in Whitman's poems is to make colors and images fleet past the mind's eye of the reader.

(2) Another characteristic in Whitman's language is his strong tendency to use oral English.

(3) Whitman's vocabulary is amazing. He would use powerful, colorful, as well as

rarely-used words, words of foreign origin and sometimes even wrong words.

第四题:就选段写评论,先总结选段大意;然后表述自己考前准备的作家的写作风格、特色;最后,评论选段中作家的观点,一定要有自己的观点,但不可偏激,要客观。

相关知识链接:Ernest Hemingway

1. His life and writing:

Hemingway was a myth in his own time and his life was colorful. He was born in Oak Park, Illinois. Hemingway loved sports and often went hunting and fishing with his father, which

provided him with writing materials. After high school, he worked as a reporter. During World War I he served as an honorable junior officer in the American Red Cross Ambulance Corps and in 1918 was severely wounded in both legs. After the war, he went to Paris as a foreign reporter. Influenced and guided by Sherwood Anderson, Stephen Crane and Gertrude Stein he became a writer and began to attract attention. Later he actively participated in the Spanish Civil War and World War II. In 1954, he was awarded the Nobe1 Prize for literature. In 196l, in ill hea1th, anxiety and deep depression, Hemingway shot himself with a hunting gun.

2. His major works:

Greatly and permanently affected by the war experiences, Hemingway formed his own writing style, together with his theme and hero.

His first book In Our Time (1925) presents a Hemingway hero called Nick Adams. Exposed to and victimized by violence in various forms, Nick becomes the prototype of the wounded hero who, with all the dignity and courage he could muster, confronts situations which are not of his own choosing yet threaten his destruction.

The Sun Also Rises(l926), Hemingway's first true novel, casts light on "The Lost Generation." The young expatriates in this novel are a group of wandering, amusing, but aimless peop1e, who are caught in the war and removed from the path of ordinary life.

Hemingway's second big success is A Farewell to Arms (1929) wrote the epitaph to a decade and to the whole generation in the 1920s. It tells us about the tragic 1ove story about a wounded American soldier with a British nurse. Frederick Henry represents the experience of a whole nation, who is wounded in war and disi11usioned with the insanity and futility of the universe. In this novel, Hemingway not on1y emphasizes his belief that man is trapped both physically and

mental1y, but goes to same lengths to refute the idea of nature as an expression of either God's design or his beneficence and to suggest that man is doomed to be entrapped.

For Whom the Bell Tolls concerns a volunteer American guerrilla Robert Jordan fighting in the Spanish Civil War. Although fully aware of the doomed failure of his struggle, he keeps on striving because it is a cause of freedom and democracy. In the end, the manner of his dying convinces people that life is worth living and there are causes worth dying for.

The Old Man and the Sea, capping his career and leading to his receipt of the Nobel Prize, is about an old Cuban fisherman Santiago and his losing battle with a giant marlin. In a tragic sense, it is a representation of life as a struggle against unconquerable natural forces in which only a partial victory is possible. Nevertheless, there is a feeling of great respect for the struggle and mankind.

Hemingway's other important works include Men Without Women (1927), Death in the Afternoon (l932), The Green Hills of Africa (1935), The Snows Of Kilimanjaro (1936) and To Have and Have Not (1937).

3. The thematic patterns of his works:

① The Lost Generation: It refers to, in general, the post-World WarⅠgeneration, but specifically a group of expatriate disillusioned intellectuals and artists, who experimented on new modes of thought and expression by rebelling against former ideals and values and replacing them only by despair or a cynical hedonism.

② The Hemingway Code Hero: It refers to some protagonists in Hemingway's works. In the general situation of Hemingway's novels, life is full of tension and battles; the world is in chaos and man is always fighting desperately a losing battle. Those who survive and perhaps emerge victorious in the process of seeking to master the code with a set of principles such as honor, courage, endurance, wisdom, discipline and dignity are known as "the Hemingway code".

4. Hemingway's style:

His style is probably the most widely imitated of any in the 20th century. He is generally known for his "mastery of the art of modern narration." Hemingway himself once said, "The dignity of movement of an iceberg is due to only one-eighth of it being above water. Typical of this "iceberg" analogy is Hemingway's style.

According to Hemingway, good literary writing should be ab1e to make readers feel the emotion of the characters directly and the best way to produce the effect is to set down exact1y every particular kind of feeling without any authoria1 comments, without conventionally emotive language, and with a bare minimum of adjectives and adverbs. Seemingly simple and natural, Hemingway's style is actually polished and tightly contro1led, but highly suggestive and connotative. While rendering vividly the outward physical events and sensations Hemingway expresses the meaning of the story and conveys the complex emotions of his characters with a considerable range and astonishing intensity of feeling. Besides, Hemingway develops the style of co1loquia1ism initiated by Mark Twain. The accents and mannerisms of human speech are so well presented that the characters are fu11 of flesh and blood and the use of short, simple and conventional words and sentences has an effect of clearness, terseness and great care. This ruthless economy in his writing stands as a striking app1ication of Mies van der Rohe's architectural maxim: "Less is more." No wonder Hemingway was highly praised by the Nobel Prize Committee for "his powerful style-forming mastery of the art" of creating modern fiction.

小结:从2011年的文学题目可以看出以下几点:

第一二题均是给定观点自选作品论述观点,每一部作品都可以从不同的角度解读,就考题而言,考生需要选取自己熟悉的作品,只要能够自圆其说即可,其实这类型的考题本身就没有标准答案。由考题所得如何学习的问题:平时准备的时候就要从多重角度思考作品,才能做到考场上以不变应万变。

第三四题均是给出特定作家的文章选段,就所给选段评论。这类型题先总结选段大意;然后表述自己考前准备的作家的写作风格、特色;最后,评论选段中作家的观点,一定要有自己的观点,但不可偏激,要客观。

Part two: translations omit.

小结:从2011年的翻译题目可以看出以下几点:

注重应用类型的文体,英语短语谚语的考查,平时练习就得有意识的多注意言语中文的表达,及积累英语词汇。如:

idleness n.

1.懒惰;闲散;安逸

Virtue may not always make a face handsome, but vice will certainly make it ugly. 美德不一定使人漂亮,但恶行却一定使人丑陋。收藏

idleness is the key of beggary, and the root of all evil. 懒惰是行乞的敲门砖,是万恶的根源。收藏

2.失业(状态);赋闲

The closure of the large factory make many worker live In idleness. 那家大工厂的关闭使许多工人失业。收藏

3.无益,白费

短语eat the bread of idleness解析:动词讲解:游手好闲

自考英美文学选读 第一章 文艺复兴时期(英国)(课文翻译)

英美文学选读翻译(英语专业自考) 第一部分:英国文学 第一章文艺复兴时期 文艺复兴标志着一个过渡时期,即中世纪的结束和现代社会的开始。一般来说,文艺复兴时期是从十四世纪到十七世纪中叶。它从意大利兴起,伴随着绘画、雕塑和文学领域的百花齐放,而后文艺复兴浪潮席卷了整个欧洲。文艺复兴,顾名思义即重生、复苏,是由一系列历史事件激发推动的,其中包括对古希腊罗马文化的重新发现。地理天文领域的新发现,宗教改革及经济发展。因此,文艺复兴从本质上是欧洲人文主义者竭力摒弃中世纪欧洲的封建主义,推行代表新兴城市资产阶级利益的新思想,并恢复早期宗教的纯洁性,远离腐败的罗马天主教廷的一场运动。 文艺复兴浪潮影响到英国的速度比较慢,不仅因为英国远离欧洲大陆,而且还因为其国内的动荡不安。乔叟去世后的一个半世纪是英国历史上最动荡不安的时期。好战的贵族篡取了王位,使英国走上自我毁灭之路。著名的玫瑰之战就是极好的例子。后来理查三世的恐怖统治标志着内战的结束,在都铎王朝的统治下英国的民族情感又成长起来。然而直到亨利八世统治期间(1509-1547),文艺复兴的春风才吹入英国。在亨利八世的鼓励下,牛津的改革派学者和人文主义者们将古典文学引入英国。基于古典文学作品及《圣经》的教育重获生机,而十五世纪就被广泛传阅的文学作品则更加流行了。自此,英国的文艺复兴开始了。英国,尤其是英国文学进入了黄金时代。这个时期涌现出莎士比亚、斯宾塞、约翰逊、锡德尼、马洛、培根及邓恩等一大批文学巨匠。但英国的文艺复兴并未使新文学与旧时代彻底决裂,带有十四、十五世纪特点的创作态度与情感依然贯穿在人文主义与改革时代。 人文主义是文艺复兴的核心。它源于努力恢复中世纪产生的对古希腊罗马文化的尊崇。人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以"人"为中心,人是万物之灵。通过这些对古代文化崭新的研究,人文主义者不仅看到了光彩夺目的艺术启明星,还在那古典作品中寻求到了人的价值。在中世纪的社会中,个人完全隶属于封建统治,没有独立和自由可言;在中世纪的神学理论中,人与周围世界的关系仅仅是人消极适应或消极遁世,不允许追求快乐,以备死后灵魂得以超脱。然而人文主义者们却从古代文化遗产中找到了充足的论据,来赞美人性,并开始注意到人类是光荣的生命,人自己可以不断发展,至善至美,而且人们生存的世界是属于他们的,供他们怀疑、探索以及享受。由此,人文主义者通过强调人类的尊严、强调今生今世的重要性,喊出了他们的信仰,即人类不仅有权利在今生今世美好生活,而且还有能力完善自我,创造奇迹。人文主义遍布英国思想领域的。标志是荷兰学者伊拉斯谟先后到牛津大学与剑桥大学讲授古典文化研究。托马斯·漠尔、克利斯朵夫·马洛和威廉·莎士比亚是英国人文主义的代表。

2011年公共卫生中级考试真题,回忆版

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