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王力宏牛津大学演讲

王力宏牛津大学演讲
王力宏牛津大学演讲

王力宏牛津大学演讲

Thank you all for being here today, and the late comers as well. Thank you for coming in quietly.

I want to start off today just to take a moment of silence for the victims of the Sichu an earthquake and for the victims of the Boston American bomb. So let’s just take a minute to pay our respect to them. Thank you.

I never thought I would be addressing you, the esteemed members of the Oxford U nion, without guitar or Erhu, without my crazy stage hair, costumes. But I did perform at the O2 Arena in London last week. I am not sure any of you would make that. But i n many ways, that would be similar to what I am talking about today, that is, introduci ng Chinese pop music to you. I am actually a Chinese ambassador of Chinese pop wh ether you like it or not. Both music and movies. And today I am here to give you the s tate of the union address. It’s not the Oxford Union. It’s the union of east and west. I want to frankly, openly and honestly talk about how we ’ve done a good job or how we’ve done a bad job of bringing Chinese pop to the west. And I also want to press upon all of you here today the importance of that soft culture, that soft power’s change and how each of us is involved in that change.

Soft power, a term I am sure you are all familiar with this famous quote ?ing by Rh odes Scholar (全称:Team Rhodes Scholars

中文名:罗氏奖学金,罗氏高端学历者,高端文艺青年 首次登台:2012年9月26日

成员:Cody Rhodes,Damien Sandow)

and Oxford Lum Joseph Nine is to find the ability to attract and persuade. Shaxi Thro ugh called it in a recent Tat Talk the ability for a culture to tell a compelling story and influence others to fall in love with it. I like that definition. But I want to put it in cllig e(2:

41) terms for all you students and you audience. The way I see it, east and west are k ind like freshman roommates. You don’t know a lot about each other but suddenly you are living together in the same room. And each one would be scared that the others would steal the shower time or wants a party then the other one wants to study. It has the potential to be absolutely hell, doesn ;t it? We all had horror stories of that roommate without heard about those stories. I kn ow for a lot of students here in Oxford have your own separate bedrooms. But when I was a freshmen at Williams College, I was not so fortunate.

(You are kidding me. All right, all right!Great. )Well, I had a roommate, and he was that roommate. Let’s just call him Frank. So Frank was my roommate and Frank liked nothing more than t o smoke weed. And he did it every day. And Frank had a two-foot long bung under his bed that was constantly being fired up. For those Chiese speakers and audience. Fran k would “火力全开” on that bong every day. So, yes I was kind of opposite of Bill Clinton who tried America but didn’t in hell. I didn’t try a but I did in hell. Every single day, second hand. And strangely enough every ti me I go into our bedroom, I mysteriously end up late for calss. I don’t know what happened. It was like “Due, it is already ten o’clock.”. So, how many of you have lived with a Frank, or could be a Frank Gat? Hav ing a roommate can be a recipe for disater, but it has the potential for being the greate st friendship you have ever had. See, Frank, he didn’t make it to a second year. And I had two new roommates in the second year, Stephen and Jason. And till this day, the three of us are the best friends. So going back to my a nalogy, of east and west, and roommates. Do we want to be Frank, or do we want to b e Stephen and Jason? And I think, in this year of 2013, we should all be striving for th e later, shouldn’t we? I mean I am assuming that we all agree that this is the goal that we should all be strving for.

Let’s look at where we are in reality. Recent headlines in the media include foreign policy magazine. Chinese victim conplex. Why are Chinese leaders so paranoid(多疑的) about the United States? Or the AFP, Agence France-Presse, human rights in Chin a worsening US fines? Blumer says, in the cover of this magazine, Yes, The Chinese Army is Spying on You. ( And in such a great. I just want to show you the cover of the magazine.) So, it actually in extremely high mount (5:56)of negative fear and anxiety about China, Sinophobia, that I think is not just missing f orm, but also misleading and also it’s ?dangerous, very dangerous. And what about how westerners are viewed by Chinese ? Well, we have terms for westerners. The most common of which are “鬼佬”, in Cantonese, which means the “old devil”, “老外”, meaning the outsider in Madraine, “阿毛”, which means the “red hair one” in Taiwanese. The list goes on and on. So are these roommates headed for a best-friend relationship? I think we need a little help. A nd as China arises to be a global power, I think it’s more imperant than ever for us to be discerning about what we believe, because after all, I think that’s the purpose of a higher education. And that’s why we are here to be able to think for ourselves and make our own decisions. Chin a is not just those headlines, the butgeoning(蓬勃发展的) economy, the unique politics. It’s not. Just the world’s factory or the next big superpower, it’s so much more. A billion people, with rich culture, amazing stories and as a product o f both of those cultures. I want to help faster understanding between the two and help create that incredible relationship. Because knowing both sides of the coin, I really thi nk that there is a love story willing to be told, willing to be unfold. And I am only havi ng joking when I say love story because I believe it is, the stories that will save us, wil l bring us together. And my thesis statemtn for today’s talk is that, the relationship between the east and west needs to be and can be fixed v

ia pop culture. That’s a big fat claim.

And I am going to try to back it up. The UN Secretary Journal, Bunki Boo, “No lang uage required in musical world.” That is power of music and that is the power of the heart. Through this promotion of arts, we can better understand that the culture and ci vilization of other people in this era of instability and intolerance, we need to promote better understanding through the power of music. Now the UN Secretary Journal said we need more music, and I think he is right. Music and arts have always played a key role in my life in building relationships, replacing what once was the ignorance-fearin g hatred with acceptance, friendships and even love. So I have a strong keens in prom oting misic between cultures because it happened to me early in life.

I was born in Rochester in New York. I barely spoke a word of Chinese. I didn’t know the difference between Taiwan or Thailand. (I was. It’s true.) I was a Americanas an apple pie. Until one day, on the third grade playground, the inevitable finally happened. I got tease for being Chinese. Now we can get tease f or making fun on the playground, but this was foundamentally different. And I knew r ight there. This kid, let’s call him Brian. He started making fun of me, saying “ Chinese, Japanese, dirty kne es, look at this.” (I can’t believe you are laughing at it. It hurts. OK, I am just kidding.) I can still remember h ow I felt. I felt ashamed. I felt embarrassed. But I laughed along with them, with ever yone. I didn’t know what else to do. It was like having a out-of-body experience, as if I could laug h at that Chinese kid on the playground with all the Americans because I was one of t hem. Right? Wrong. On may levels. And I was facing the first, but definitely not the la st time, the harsh reality that I was in minority in Rochester, which in those days, an A sian population of one person. And I was confused. I wanted to punch Brian. I want to hurt him for putting me in that situation. But he was faster than me and he was strong er than me. And he would kick my ? (10:19)and we both knew that. So I just took it in . And I didn’t tell anyone, I didn’

t share with anyone these feelings. I just held them in and I let them fester(融化,溃烂). And those feelings would surface in a strangly therapied way for me through mus ic. And I wan coincidence that around that time I started getting good at violin, and gu itar, and drums. And I soon discorved that by playing music or singing, other kids wo uld, for brief moment, forget about my race and color and accept me and be able to se e me for who I truly am, a human being, who’s emotional, spiritual and curious about the world and has the need for love, just like e veryone else. By the six grade. Guess who asked me if I would be the drumer for his b and? Brian. And I said yes. That’s when we together formed our elementary rock band called Je

t'aime . I am not kidding. I wan in the rock band called Je t'aime before that every one knows. So when Je t'aime came, Brain and I were like “Hey, he is still in our na me.” But, really what attracted me to music at this young age was just this and it still work. I love about music is that it breaks down the wall between us and shows us so quickly the truth that we are much more alike than we are different. And in high schoo l, I learned that music wasn’t just connecting with other, like Brian and I were connected through music. It was a p owerful rool of influence and inspiration. Sam was my high school genitor(12:04), He was an immigrant from Vietnam who barely spoke a word of English. Sam scraped th e floors and cleaned the bathrooms in our high school for twenty years. And he never t alked to the kids and the kids never talked td Sam. But one day, before our opening ni ght of our school’s annual musical, he walked up to me, holding a letter. And I was taking a back. I was taking, “Why is Sam approaching me? And he gave me this letter that I have kept to this day. It was scrolled in a shaky hand written in all capitals. And it read: “In all m y years of working as a genitor at (), you are the first Asian boy to play the lead role. I am going to bring my six-year-old daughter to watch you perform tonight. Because I want her to see that Asians can be inspiring.” And that letter just floored me. I was fi fteen years old and I was absolutely stunned. That’s the first time I realized how music was so important.

With Brian, music helped two kids who were initially enemies become friends. But wi th Sam, music went beyond the one on one. It was a in a higher level. It influenced ot hers I didn’t even know in ways I can never imagine. I can’t tell how grateful I am, just to Sam, the genitor, to this day. He really is one of the pe ople who helped me discover my life’s purpose. And I had no idea that something I did could mean more than I ever imagin ed to an immigrant from Vietnam who barely spoke English. Pop culture, music, and other methods of story teller, movies, TV dramas, they are so key and they do connect us like me and Brian and do influence us and inspire us.

Then let’s take another look at the stated union. The east-west union with this soft power bias. How is soft power exchanged between these two roommates? Are the songs in Englis h that become hits in China? Sure. How about movies? Well, there are so many, that t he China has the a limit of the number Hollywood movies imported in the country so t hat local movies can even have a chance at success. What about the flips(14:20) at tha t. The Chinese songs that have hit on the west. (YES!) And movies. Well there was Cr ouching Tiger, that was thirteen years ago. And, well I think there is a bit of an imbala nce here. And I think that’s soft power deficit, let’s call it then we look in this direction. That is to say, the west influences the east more than the vise versa. (And forgive me for using east and west kind of loosely but I thin k it’s easier to say to understand English-speaking language or the Ansian speaking langua ge of Chinese, I hope you can go with me.). And is this intrici the problems, this imbal ance in pop culture influence. And I think so. I think in any healthy relationship or frie ndship or marriage, is it important for both sides to mak efforts to understand the othe r? And that exchange needs to have healthy balance. And how do we address this as a n ambassador for Chinese pop nusic and movies, I have to ask myself the question, W hy does this deficit exist? Is it because Chinese music is just lame? (Don’t answer that, please.) (Yeah, I can stop complaining song! Sided!?)

But actually there is truth in that. And the argueent being that the content we’ve created just isn’t as internationally competitive, and why should be? Well look at Korean pop, look at K pop for example. Korean is an export-based economy and they are outward looking . And they must be outward looking. Chinese pop, on the other hand, can just stay do mestic, tour all over Chinese-speaking territories and comfortably sustain. So when w e are, that big in powerful, over 160 cities in China with a million or more people. It t urned in kind of turn-inward and be complacent(自满的). So it certainly can be an arguement made for Chinese pop being not marked with international sensibilities in mind. But the other side of the arguement, I think is more interesting and thought provoking and even more true that ears aren’t familiar with, therefore don’t really understand how to appreciate Chinese music.Ouch! The reason I think the arg uement hold water though(17:00) is because that’s exactly what I went through. So I happen to know a thing or two about learning to a ppreciate Chinese pop as a westerner. Cause I was 17 years old when I went from bein g a Asian kid in America to being an American kid in China. And the entire paradise I was in suddenly got flipped on its head.(17:24) I grow up listening to BC Boys, Roses . And I found myself in Taiwan, listening to the radio and thinking,, “where is the B? Where is the screeching(呼啸声) guitar solos?” Here I am a American kid in Asia, listening to Chiness music for t he first time and thinking “this stuff is lamb. I don’t like it.” I thought it was cheesy, production volum is low, the singers couldn’t bell like Axe or Rose, or Maria Carrie. But then one day, I went to my first Chinese p op concert and it was Yu Chengqing, performing in the Taibei Music Center. And as h e performed, I looked around the audience and I saw their faces. And I looked in their eyes and their responses to his music. And it was clear to me, finally, where the proble m lay. It wasn’t that the music was lacking. It was my ability to appreciate it and to hear it in the righ t way. The crowd, they were singing along and be totally inmmersed in his music and

I had an epiphany(顿悟) that I was missing the point. And from now on, I was going to, somehow, learn h ow to get it. I was going to learn how to hear with local ears and I deconstructed and a nalysed what it was made Chinese audiences connect with certain type of melodies, rh ythems and song structures and lyrics. That’s what I’ve been doing for the past almost twenty years. And it took me a long time and I am st ill learning. But to some point, I not only began to be able to appreciate the music, but also I started to be able to contribute to it and create my own fresh spins on the try of truth. And I think this happens to everyone, really, who is on the outside looking in, it always looks strange. If you look at things from your perspective, you will always thi nk these people are weridoes(古怪的人).What’s wrong with them? Why are they listening to this stuff? And I am saying that you can make an effort and get it. It can be done and I am a living proof of that. And as an am bassador of Chinese pop, I am trying to get people to open up to a sound that they ma y not feel as palatable(使人愉悦的,随人心愿的) as they first listen.What else should we do to reduce imbalance in our popular cu ltures. Well maybe give a talk to Oxford union. Tour more outside of China. But serio usly, actually I think the ties are already starting to change very slowly, very cautiousl y, almost calculatingly. You see more cross-culture now more exchange interest in Chi na definitely a lot of joint ventures, a lot of co-productions in recently years, AM3, Tr ansformers 53 . It’s beginning to be kind of a world pop. And that’s what I am looking forward to, that’s what I am focusing on these days. There was J-pop(日流), there was K-pop(韩流), there was C-pop(Chinese pop华流). And there is like this W-pop(宏流?)That’s kind of starting to emerge. This world pop. And I think. Yeah, I love that idea. It’s not world music. It’s not. There used to be a section HIV called world music (WORLD MUSIC(世界音乐)是西方角度观点的词汇,意思指非英、美及西方民歌 /流行曲的音乐,通常指

发展中地区或落后地区的传统音乐,例如非洲及南亚洲地区的音乐,有些地区如拉丁美洲的音乐,则能普及到自成一种类型。)Now it’s like ethnomusicology(人种音乐学) musical class in college. But world pop is more about breaking and tearing down age-old stereotypes, the artificial confines(限制)that have kept us apart for a way too long.It’s a melting pot and it’s mozic(21:00) that even when we look up close we will still see the colors and flavor s of each culture in detail. And where can we go to listen to the world pop? I don’t think there is a world pop station or a magazine unfortunately. Of course, there are n one. There should be. But there is an Internet and Yutoob has proven to be a drving fo rce for world pop and Britain has got Talent, made Susan Boil (英国达人秀)the hottest act in the world. And she achieved that not through the record labors or the networks, but through grass-root sharing. Gonna Style (江南style) is another great example. How that just took over and became a huge worldwid e world pop phenomenon. So world pop also suggests a worldide pop culture and som ething that can be shared by all of us and give us a lot of common ground.

So today, what’s my called action? I want to help to prove and promote cultures exchange between th e east and the west. I think I’ve made that clear. But how? I think you can all be a pop singer. That’s the answer.( I am just kidding, unless that’s really what you want to do.) My called action is to build and protect that roommate-r elationship between the east and the west. Value this relationship and take ownership of it. Don’t come to Oxford as an exchange student from Taiwan and only hang out with other C hinese students. Why would you do that? You could do that back in Wuhan or Nanjing or wherever you came from.

牛津大学介绍(英文)

Oxford University Oxford University is the oldest university in Britain and one of the world's most famous institutions of higher learning. Oxford University was established during the 1100's. It is located in Oxford, England, about 80 kilometers northwest of London. The university has over 16,300 students (1999-2000), almost a quarter of these students are from overseas and more than 130 nationalities are represented. It consists of 35 colleges, plus five private halls established by various religious groups. Three of the five private halls are for men only. Of the colleges, St. Hilda's and Somerville are for women, and the rest are for men and women. At Oxford, each college is a corporate body distinct from the university and is governed by its own head and fellows. Most fellows are college instructors called tutors, and the rest are university professors and lecturers. Each college manages its own buildings and property, elects its own fellows, and selects and admits its own undergraduate students. The university provides some libraries, laboratories, and other facilities, but the colleges take primary responsibility for the teaching and well-being of their students. Each student at Oxford is assigned to a tutor, who supervises the student's program of study, primarily through tutorials. Tutorials are weekly meetings of one or two students with their tutor. Students may see other tutors for specialized instruction. They may also attend lectures given by university teachers. Students choose which lectures to attend on the basis of their own special interests and on the advice of their tutors. The university, not the individual colleges, grants degrees. The first degree in the arts or sciences is the Bachelor of Arts with honors. Oxford also grants higher degrees, diplomas, and certificates in a wide variety of subjects. The Rhodes scholarship program enables students from the United States, Canada, and many other nations to study at Oxford for a minimum of two years. The British government grants Marshall scholarships to citizens of the United States for study at Oxford and other universities that are located in Britain. The competition for scholarships and grants is, however, extremely strong and there are usually strict requirements. Students should check carefully that they are eligible to apply for a particular scholarship before making an application as most of the schemes are restricted to certain

王力宏牛津大学演讲稿.doc

王力宏牛津大学演讲稿 第一篇:王力宏牛津大学演讲稿中英文全篇 leehom wang oxford union speech exception 。。。because knowing both of a coin i really think thatthere’s a love story willing to be told and willing to unfold。i’m willing to tointerpret the love story because i believe it is the story that will save us,will bring us together。 and my thesis statement for today’s talk is that the relationship between east and west needsto be and can be fixed via pop culture。 (laughing。。。) i’m going to try to back it up! the united nations secretary general ban ki-moon said:“there are no languages required in a musicworld。that is the power of music and that’s the power of the

heart。through this promotion of arts we can better understand the culture and civilizations of the other people。in this era ofinstability and intolerance we need to promote better understanding throughthe power of music。” the un secretary general thinks we need more music,and i think he’s right。 music and arts have always played the key role in my life,in building relationships,replacingwhat once was ignorance fearing of hatred with acceptance,friendship and even love。 so i have strong case for growing in music between cultures because it happened to me earlier inlife。 i was born and raised up in new york,barely spoke a word of chinese。i didn’t know the difference between taiwan and thailand。

王力宏演讲稿

王力宏演讲稿 王力宏演讲稿 Thank you, Plena. Thank you, Jun. Thank you, Peishan for helping this set up. Thank you all for being here today and the late comers as well. Thank you for coming in quietly. 谢谢在座的各位,谢谢晚来的同学,也谢谢你们悄悄的进来。 I wanna start off today just to take a moment of silence for the victims of the Sichuan earthquake and also for the victims of the Boston marathon bombing. So let’s just take a minute to pay our respect to that. Thank you. 今天开始之前,我想要先为四川地震的灾民们以及波士顿马拉松爆炸事件的受害者们默哀。让我们用一分钟时间,为他们祈福。 谢谢你们。 I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an Erhu, without my crazy stage hair, costumes. But I did perform in the O2 Arena in London last week. I am not sure if any of you were able to make that. But in many ways, that was similar to what I’m talking about today, that is, introducing Chinese pop music here. 尊敬的各位牛津大学辩论会和牛津大学亚太学生会的同学们,万万想不到会以这样的方式跟你们相聚。没有吉他和二胡,没有夸张的舞台装也没有“火力全开”头。不过上周确实在伦敦的O2体育馆表演

【中英对照】王力宏牛津大学演讲稿:认识华流(1)

【中英对照】王力宏牛津大学演讲稿:认识华流(1)

王力宏牛津大学演讲稿中英对照: Thank you, Plena. Thank you, Jun. Thank you, Peishan for helping this set up. 谢谢波琳娜,谢谢君,谢谢珮姗帮我组织这一切。 Thank you all for being here today and the late comers as well. Thank you for coming in quietly. 谢谢在座的各位,谢谢晚来的同学,也谢谢你们悄悄的进来。 I wanna start off today just to take a moment of silence for the victims of the Sichuan earthquake and also for the victims of the Boston marathon bombing. So let’s just take a minute to pay our respect to that. 今天开始之前,我想要先为四川地震的灾民们以及波士顿马拉松爆炸事件的受害者们默哀。让我们用一分钟时间,为他们祈福。 Thank you. 谢谢你们。 I never thought I would be addressing you, the esteemed members of the Oxford Union, without a guitar or an Erhu, without my crazy stage hair, costumes. But I did perform in the O2 Arena in London last week. I am not sure if any of you were able to make that. But in many ways, that was similar to what I’m talking about today, that is, introducing Chine se pop music here. 尊敬的各位牛津大学辩论会和牛津大学亚太学生会的同学们,万万想不到会以这样的方式跟你们相聚。没有吉他和二胡,没有夸张的舞台装也没有“火力全开”头。不过上周确实在伦敦的O2体育馆表演过了。不知道大家有没有去看呢。但是,从各方面来说,这些跟我们今天的话题都有密切的关联。那就是-介绍华流音乐。 See, I am actually an ambassador of Chinese pop, whether I like it or not, both music and movies. And today I’m here to give you the state of union address. It’s not the Oxford Union. It’s the union of east and west. I wanna frankly, openly and honestly talk about how we’ve done a good job or how we’ve done a bad job of bringing Chinese pop to the west. And I also want to press upon all of you here today the importance of that soft culture, that soft power exchange and how each of us is involved in that exchange. 其实无论我喜不喜欢,我都被认为在代表者华流音乐以及电影。那么今天,我就要来做一次“国情咨文”报告了。但是,这个“国”不是牛津,而是东西方的一

王力宏牛津‘认识华流’英文演讲稿

力宏在牛津大学以“认识华流”主题演讲的英文演讲稿。 【Leehom Wang Full Address Oxford Union】 Thank you all for being here today, and the late comers as well. Thank you for coming in quietly. I want to start off today just to take a moment of silence for the victims of the Sichuan e arthquake and for the victims of the Boston American bomb. So let?s take a minute to pay our respect to them. Thank you. I never thought I would be addressing you, the esteemed members of the Oxford Union, without guitar or Erhu, without my crazy stage hair and costumes . But I did perform at the O2 Arena in London last week. I am not sure any of you would make that. But in many ways, that would be similar to what I am talking about today, that is, introducing Chinese pop music to you. I am actually a Chinese ambassador of Chinese pop whether you like it or not. Both music and movies. And today I am here to give you the state of the union address. It?s not the Oxford Union. It?s the union of east and west. I want to frankly, openly and honestly talk about h ow we?ve done a good job or how we?ve done a bad job of bringing Chinese pop to the west. And I also want to press upon all of you here today the importance of that soft culture, that soft power?s change and how each of us is involved in that change. Soft power, a term I am sure you are all familiar with coined by Rhodes Scholar and Oxford alumnus Joseph Nye is to defined as the ability to attract and persuade. Shashi Tharoor called it in a recent TEDTalk, …the ability for a culture to tell a compelling sto ry and influence others to fall in love with it?. I like that definition. But I want to put it in college terms for all you students and you audience. The way I see it, east and west are kind like freshman roommates. You don?t know a lot about each other but suddenly you are living together in the same room. And each one is scared the others gonna steal his shower time or wants a party then the other one wants to study. It has the potential to be absolute hell, doesn?t it? We all had horror stories of that roommate without heard about those stories. I know for a lot of students here in

演讲稿一苇以航

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