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以下是启德教育美国中心资深顾问Max Qiao近日拜读网上一位国内美国院校申请人和美国本土教授就美国研究生申请的一些直接对话,并加上Max多年留学工作经验,对美国研究生申请十大问题进行了进一步的补充和解读,给予了我们的学生一些非常中肯的建议。

1.GRE作用远大于TOEFL。

Note:其实这一点非常重要,很多时候,网络上的评论都混淆视听,使大家无所适从,到底该重视GRE,还是别的什么,完全低估了GRE 的作用。去年我帮助人大的一位学生申请到密歇根大学,她告诉我一个情况,她们班有 2 位同学被芝加哥大学录取,一个申请的是硕士,一个申请的是博士,而且都获得了半奖以上的offer,细问她才得知,这二位的GRE 都超过1400分,而且写作部分达到 5 分,这很说明问题,GRE的作用非常明显。确实,托福只是一个语言考试,但

要说不重要也是不客观的,毕竟名校的录取人都是GT成绩超高的人,不过这也不难理解,GRE高的人,托福一样不会低,这二者毕竟都是英语类考试,还是相辅相成的。所以,GRE并不像论坛传说的那么没用,申请前50的学校,1200分的GRE也只能是低分。诚然,很多美国院校并没有对GRE 做出一个明确的分数限制(cutoff),好像只要参加了这项考试就可以了,似乎他们对申请人的GRE没有任何要求,但实际上,很多学校都会有一个过往录取学生的统计数据(statistics),这里面会清楚看出录取学生的GRE分数范围,这个数据才是具有严格的参考价值的。所以,想入读前50 名校的学子们,GRE才是重中之重,千万不要怠慢。

2. 大部分美国研究生申请分第一和第二轮。

Note:大部分美国研究生申请分第一和

第二轮,第一轮决定录不录取你,第二轮看值不值得给钱。一般来讲,第一轮主要看硬件条件,如GPA、TOEFL、GRE、CV、个人陈述(PS或SOP),推荐信、获奖情况、实习或工作经验;而第二轮着力看实验室工作或研究经验和论文发表情况。做过若干实验,获得研究成果才是获得offer的关键。实验室经验主要也是参看申请人在专业课程里面的实验占多大比重,有多少小时的实验操作学习。而论文方面,只要有些技术含量,不管是在什么类型的刊物发表,都是很有帮助的。

3. 85分(百分制)的平均分(GPA)是一个门槛值。

Note:85 分(百分制)的平均分(GPA)是一个门槛值,过了这个坎,奖学金好申得多。通常,美国研究生院硬性规定:只有GPA达到3.5/4.0才可以有资格申奖。其它各个方面再强,拿奖几乎都是不可

能完成的任务。而上了 3.5 这个分水岭,3.6 和3.8 几乎没有什么实质性的差别。据我过往的申请经验,class rank还是很重要的,老美比较相信年级排名。如果排名能在top 3 或top 5,可以考虑开一个年级排名证明,连同成绩单一起邮寄给所申请的院校。另外,即便真的过不了 3.5,也不用过度担心,因为只是部分奖学金申请不到,助研和学费减免还是可能的。

4. 个人陈述(PS)无需强调成绩。Note:个人陈述(PS)无需强调成绩多

牛,而要突出自己遇到了什么困难,如何克服和解决的。老美建议:一定要在PS中把自己说得接近完美、无可挑剔。中国传统的谦虚尽可以抛开。只要把你自己的特点和优势亮出来,可以适度拔高一下,但也不要太离谱。有的事可以写,但没有的事千万别编纂。老美一般都会相信你所做的陈述。但是,你千万

不要老美傻,万一让人家发现你造假,你死期就不远了。

5. 未来发展方向没必要说回国报效祖国。

Note:写未来发展方向的时候,要专注于自己接下来几年的一个人生和职业规划,毫无必要说“学成后,我要回中国报效祖国”。老美的胸怀比较宽广,他们认为,读研学习科学是为全人类服务的,并没有必要动辄爱国主义,中国特色的爱国主义不要也罢。“回国”那是面对签证官的时候该说的,而不是在申请材料中。 6. 研究生申请的推荐信尽可能找老外写。

Note:推荐信尽可能找老外写,但最好是你的任课老师,而且还要强调已经教授了你多年或多个学期,如果找了一些牛人,但没有直接的关系,毫无必要。但是毕竟我们周围没有那么多的老外,

这个时候推荐人的选择就还要以任课教师为主,而且对推荐信的质量更要保证质量,正因为老美不太信服国人的推荐,所以我们的推荐才更应该值得提高。老美确实更相信自己人写得东西,他们觉得中国人写的一般都千篇一律,全是褒奖,如果没有什么特别出彩或吸引力的地方,老外非常看淡这些推荐信。起码,推荐人有美国留学背景,这样也会更好一些。写推荐信的时候一定要注明推荐人哪个学校毕业的,和你关系的密切程度,名校毕业的推荐人在美国也会更有份量。申请材料审查老师拿到一定会认真看的。所以寻找合适的推荐信也可以化为一种优势。7. 辅助证明材料寄不寄两可。

Note:一些辅助申请的证明材料可以不寄,因为老美一般相信你的说法,只要简历里面陈述了,他就会认可的。但是如果你的一些获奖证书或补充材料确实有很强的辅助作用,也可以邮寄过去,

大多数学校是会参考的。例如实习证明之类的东西,如果这个实习和申请专业密切相关,开一个证明也是可以的,但是如果开起来很麻烦,那就在简历当中陈述一下就好,没有必要非要开一份,所以不要因为没有开具一份实习证明而耿耿于怀。如果学校需要,老美会主动问你要的。但对于一些学校,这些材料有可能被招生办公室拦下来,因为在这样的学校,谁可以审阅什么材料是严格规定的,他们的录取过程非常规范。

8. 寄送材料因“校”制宜。

Note:材料寄送方面要求不一,有些学校历来有“先到先得”的录取传统,这时候学生就要第一轮截止日前把所需申请材料邮寄过去,但是对于一部分院校,根本不用早把材料寄过去,寄过去也被锁在招生办保险箱里面。审阅材料的教授不能提前接触学生申请材料,这个规定非常严格。过了申请的截止日期,所

有参与审阅材料的教授都会来到学校,启封、相互交换审阅,一揽子审核有条不紊地展开。

9. 老美清楚中国各个大学的排名情况。Note:关于中国各个大学的排名情况,

其实老美并不是毫不知情。在开始审核申请材料前,老外手里都有各个国家的学校排名列表,他们的确会查你所在学校的排名。但是在中国,除了清华、北大、中科大、浙大、复旦、上海交大等几所学校,其实大多数学校相差不是很大,基本在同一水平面上,但是对于部分优势专业,一些大学有有各自的优势,例如中国传媒大学的传媒专业,中国人民大学的金融和统计专业,北京师范大学的数学、心理学专业,在他们看来这些学校的这些专业也是知名的,所以申请的时候最好还是找准自己学校在美国的匹配学校,这样对申请的成功率就更有把握。如果相差太远,也确实会有些

困难。毕竟,像清华、北大出去的学生已经在美国获得了大范围的成功,所以老美对他们的青睐有加也是不无道理的。前人铺路,后人乘凉啊!

10. 套磁作用很大,但主要限于学术研究领域的专业。

Note:套磁的作用很大,但主要限于学术研究领域,而商科、传媒、教育、艺术、社会科学类学科去套磁意义就不大了。申请Phd套磁作用会更加明显,申请硕士除了极个别专业外几乎不用套,套也没有用,展开套磁也要在拿到录取后在开始。前期套磁一般需要学生亮出自己的学术背景,而且要对所套教授进行背景方面的研究,而且最好读过教授的一些著作和出版物,然后就一些学术问题展开询问,希望教授给与解答,而后从学术方面慢慢切入。如果教授发现你对专业相关的问题很有见解或颇具潜力,教授也就会主动和你进行接下来的

对话。但套磁更多的是后期套磁,也就是先拿到录取,否则教授一般不会理你。而录取后通过套磁拿奖的机会就大增,这样的套磁意义就更大。

最新The_Monster课文翻译

Deems Taylor: The Monster 怪才他身材矮小,头却很大,与他的身材很不相称——是个满脸病容的矮子。他神经兮兮,有皮肤病,贴身穿比丝绸粗糙一点的任何衣服都会使他痛苦不堪。而且他还是个夸大妄想狂。他是个极其自负的怪人。除非事情与自己有关,否则他从来不屑对世界或世人瞧上一眼。对他来说,他不仅是世界上最重要的人物,而且在他眼里,他是惟一活在世界上的人。他认为自己是世界上最伟大的戏剧家之一、最伟大的思想家之一、最伟大的作曲家之一。听听他的谈话,仿佛他就是集莎士比亚、贝多芬、柏拉图三人于一身。想要听到他的高论十分容易,他是世上最能使人筋疲力竭的健谈者之一。同他度过一个夜晚,就是听他一个人滔滔不绝地说上一晚。有时,他才华横溢;有时,他又令人极其厌烦。但无论是妙趣横生还是枯燥无味,他的谈话只有一个主题:他自己,他自己的所思所为。他狂妄地认为自己总是正确的。任何人在最无足轻重的问题上露出丝毫的异议,都会激得他的强烈谴责。他可能会一连好几个小时滔滔不绝,千方百计地证明自己如何如何正确。有了这种使人耗尽心力的雄辩本事,听者最后都被他弄得头昏脑涨,耳朵发聋,为了图个清静,只好同意他的说法。他从来不会觉得,对于跟他接触的人来说,他和他的所作所为并不是使人产生强烈兴趣而为之倾倒的事情。他几乎对世间的任何领域都有自己的理

论,包括素食主义、戏剧、政治以及音乐。为了证实这些理论,他写小册子、写信、写书……文字成千上万,连篇累牍。他不仅写了,还出版了这些东西——所需费用通常由别人支付——而他会坐下来大声读给朋友和家人听,一读就是好几个小时。他写歌剧,但往往是刚有个故事梗概,他就邀请——或者更确切说是召集——一群朋友到家里,高声念给大家听。不是为了获得批评,而是为了获得称赞。整部剧的歌词写好后,朋友们还得再去听他高声朗读全剧。然后他就拿去发表,有时几年后才为歌词谱曲。他也像作曲家一样弹钢琴,但要多糟有多糟。然而,他却要坐在钢琴前,面对包括他那个时代最杰出的钢琴家在内的聚会人群,一小时接一小时地给他们演奏,不用说,都是他自己的作品。他有一副作曲家的嗓子,但他会把著名的歌唱家请到自己家里,为他们演唱自己的作品,还要扮演剧中所有的角色。他的情绪犹如六岁儿童,极易波动。心情不好时,他要么用力跺脚,口出狂言,要么陷入极度的忧郁,阴沉地说要去东方当和尚,了此残生。十分钟后,假如有什么事情使他高兴了,他就会冲出门去,绕着花园跑个不停,或者在沙发上跳上跳下或拿大顶。他会因爱犬死了而极度悲痛,也会残忍无情到使罗马皇帝也不寒而栗。他几乎没有丝毫责任感。他似乎不仅没有养活自己的能力,也从没想到过有这个义务。他深信这个世界应该给他一条活路。为了支持这一信念,他

新版人教版高中语文课本的目录。

必修一阅读鉴赏第一单元1.*沁园春?长沙……………………………………毛泽东3 2.诗两首雨巷…………………………………………戴望舒6 再别康桥………………………………………徐志摩8 3.大堰河--我的保姆………………………………艾青10 第二单元4.烛之武退秦师………………………………….《左传》16 5.荆轲刺秦王………………………………….《战国策》18 6.*鸿门宴……………………………………..司马迁22 第三单元7.记念刘和珍君……………………………………鲁迅27 8.小狗包弟……………………………………….巴金32 9.*记梁任公先生的一次演讲…………………………梁实秋36 第四单元10.短新闻两篇别了,“不列颠尼亚”…………………………周婷杨兴39 奥斯维辛没有什么新闻…………………………罗森塔尔41 11.包身工………………………………………..夏衍44 12.*飞向太空的航程……………………….贾永曹智白瑞雪52 必修二阅读鉴赏第一单元1.荷塘月色…………………………………..朱自清2.故都的秋…………………………………..郁达夫3.*囚绿记…………………………………..陆蠡第二单元4.《诗经》两首氓采薇5.离骚………………………………………屈原6.*《孔雀东南飞》(并序) 7.*诗三首涉江采芙蓉《古诗十九首》短歌行……………………………………曹操归园田居(其一)…………………………..陶渊明第三单元8.兰亭集序……………………………………王羲之9.赤壁赋……………………………………..苏轼10.*游褒禅山记………………………………王安石第四单元11.就任北京大学校长之演说……………………..蔡元培12.我有一个梦想………………………………马丁?路德?金1 3.*在马克思墓前的讲话…………………………恩格斯第三册阅读鉴赏第一单元1.林黛玉进贾府………………………………….曹雪芹2.祝福………………………………………..鲁迅3. *老人与海…………………………………….海明威第二单元4.蜀道难……………………………………….李白5.杜甫诗三首秋兴八首(其一) 咏怀古迹(其三) 登高6.琵琶行(并序)………………………………..白居易7.*李商隐诗两首锦瑟马嵬(其二) 第三单元8.寡人之于国也…………………………………《孟子》9.劝学……………………………………….《荀子》10.*过秦论…………………………………….贾谊11.*师说………………………………………韩愈第四单元12.动物游戏之谜………………………………..周立明13.宇宙的边疆………………………………….卡尔?萨根14.*凤蝶外传……………………………………董纯才15.*一名物理学家的教育历程……………………….加来道雄第四册阅读鉴赏第一单元1.窦娥冤………………………………………..关汉卿2.雷雨………………………………………….曹禹3.*哈姆莱特……………………………………莎士比亚第二单元4.柳永词两首望海潮(东南形胜) 雨霖铃(寒蝉凄切) 5.苏轼词两首念奴娇?赤壁怀古定风波(莫听穿林打叶声) 6.辛弃疾词两首水龙吟?登建康赏心亭永遇乐?京口北固亭怀古7.*李清照词两首醉花阴(薄雾浓云愁永昼) 声声慢(寻寻觅觅) 第三单元8.拿来主义……………………………………….鲁迅9.父母与孩子之间的爱……………………………..弗罗姆10.*短文三篇热爱生

高中外研社英语选修六Module5课文Frankenstein's Monster

Frankenstein's Monster Part 1 The story of Frankenstein Frankenstein is a young scientist/ from Geneva, in Switzerland. While studying at university, he discovers the secret of how to give life/ to lifeless matter. Using bones from dead bodies, he creates a creature/ that resembles a human being/ and gives it life. The creature, which is unusually large/ and strong, is extremely ugly, and terrifies all those/ who see it. However, the monster, who has learnt to speak, is intelligent/ and has human emotions. Lonely and unhappy, he begins to hate his creator, Frankenstein. When Frankenstein refuses to create a wife/ for him, the monster murders Frankenstein's brother, his best friend Clerval, and finally, Frankenstein's wife Elizabeth. The scientist chases the creature/ to the Arctic/ in order to destroy him, but he dies there. At the end of the story, the monster disappears into the ice/ and snow/ to end his own life. Part 2 Extract from Frankenstein It was on a cold November night/ that I saw my creation/ for the first time. Feeling very anxious, I prepared the equipment/ that would give life/ to the thing/ that lay at my feet. It was already one/ in the morning/ and the rain/ fell against the window. My candle was almost burnt out when, by its tiny light,I saw the yellow eye of the creature open. It breathed hard, and moved its arms and legs. How can I describe my emotions/ when I saw this happen? How can I describe the monster who I had worked/ so hard/ to create? I had tried to make him beautiful. Beautiful! He was the ugliest thing/ I had ever seen! You could see the veins/ beneath his yellow skin. His hair was black/ and his teeth were white. But these things contrasted horribly with his yellow eyes, his wrinkled yellow skin and black lips. I had worked/ for nearly two years/ with one aim only, to give life to a lifeless body. For this/ I had not slept, I had destroyed my health. I had wanted it more than anything/ in the world. But now/ I had finished, the beauty of the dream vanished, and horror and disgust/ filled my heart. Now/ my only thoughts were, "I wish I had not created this creature, I wish I was on the other side of the world, I wish I could disappear!” When he turned to look at me, I felt unable to stay in the same room as him. I rushed out, and /for a long time/ I walked up and down my bedroom. At last/ I threw myself on the bed/ in my clothes, trying to find a few moments of sleep. But although I slept, I had terrible dreams. I dreamt I saw my fiancée/ walking in the streets of our town. She looked well/ and happy/ but as I kissed her lips,they became pale, as if she were dead. Her face changed and I thought/ I held the body of my dead mother/ in my arms. I woke, shaking with fear. At that same moment,I saw the creature/ that I had created. He was standing/by my bed/ and watching me. His

人教版高中语文必修必背课文精编WORD版

人教版高中语文必修必背课文精编W O R D版 IBM system office room 【A0816H-A0912AAAHH-GX8Q8-GNTHHJ8】

必修1 沁园春·长沙(全文)毛泽东 独立寒秋, 湘江北去, 橘子洲头。 看万山红遍, 层林尽染, 漫江碧透, 百舸争流。 鹰击长空, 鱼翔浅底, 万类霜天竞自由。 怅寥廓, 问苍茫大地, 谁主沉浮。 携来百侣曾游, 忆往昔峥嵘岁月稠。

恰同学少年, 风华正茂, 书生意气, 挥斥方遒。 指点江山, 激扬文字, 粪土当年万户侯。 曾记否, 到中流击水, 浪遏飞舟。 雨巷(全文)戴望舒撑着油纸伞,独自 彷徨在悠长、悠长 又寂寥的雨巷, 我希望逢着 一个丁香一样地

结着愁怨的姑娘。 她是有 丁香一样的颜色, 丁香一样的芬芳, 丁香一样的忧愁, 在雨中哀怨, 哀怨又彷徨; 她彷徨在这寂寥的雨巷,撑着油纸伞 像我一样, 像我一样地 默默彳亍着 冷漠、凄清,又惆怅。她默默地走近, 走近,又投出 太息一般的眼光

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彷徨在悠长、悠长 又寂寥的雨巷, 我希望飘过 一个丁香一样地 结着愁怨的姑娘。 再别康桥(全文)徐志摩 轻轻的我走了,正如我轻轻的来; 我轻轻的招手,作别西天的云彩。 那河畔的金柳,是夕阳中的新娘; 波光里的艳影,在我的心头荡漾。 软泥上的青荇,油油的在水底招摇; 在康河的柔波里,我甘心做一条水草! 那榆荫下的一潭,不是清泉, 是天上虹揉碎在浮藻间,沉淀着彩虹似的梦。寻梦?撑一支长篙,向青草更青处漫溯, 满载一船星辉,在星辉斑斓里放歌。

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她彷徨在这寂寥的雨巷, 撑着油纸伞 像我一样, 像我一样地 默默彳亍着 冷漠、凄清,又惆怅。 她默默地走近, 走近,又投出 太息一般的眼光 她飘过 像梦一般地, 像梦一般地凄婉迷茫。 像梦中飘过 一枝丁香地, 我身旁飘过这个女郎; 她默默地远了,远了, 到了颓圮的篱墙, 走尽这雨巷。 在雨的哀曲里, 消了她的颜色, 散了她的芬芳, 消散了,甚至她的 太息般的眼光 丁香般的惆怅。 撑着油纸伞,独自 彷徨在悠长、悠长 又寂寥的雨巷, 我希望飘过 一个丁香一样地 结着愁怨的姑娘。 再别康桥(全文)徐志摩 轻轻的我走了,正如我轻轻的来;我轻轻的招手,作别西天的云彩。 那河畔的金柳,是夕阳中的新娘;波光里的艳影,在我的心头荡漾。 软泥上的青荇,油油的在水底招摇;

在康河的柔波里,我甘心做一条水草! 那榆荫下的一潭,不是清泉, 是天上虹揉碎在浮藻间,沉淀着彩虹似的梦。 寻梦?撑一支长篙,向青草更青处漫溯, 满载一船星辉,在星辉斑斓里放歌。 但我不能放歌,悄悄是别离的笙箫; 夏虫也为我沉默,沉默是今晚的康桥。 悄悄的我走了,正如我悄悄的来; 我挥一挥衣袖,不带走一片云彩。 记念刘和珍君(二、四节)鲁迅 二 真的猛士,敢于直面惨淡的人生,敢于正视淋漓的鲜血。这是怎样的哀痛者和幸福者?然而造化又常常为庸人设计,以时间的流驶,来洗涤旧迹,仅使留下淡红的血色和微漠的悲哀。在这淡红的血色和微漠的悲哀中,又给人暂得偷生,维持着这似人非人的世界。我不知道这样的世界何时是一个尽头! 我们还在这样的世上活着;我也早觉得有写一点东西的必要了。离三月十八日也已有两星期,忘却的救主快要降临了罢,我正有写一点东西的必要了。 四 我在十八日早晨,才知道上午有群众向执政府请愿的事;下午便得到噩耗,说卫队居然开枪,死伤至数百人,而刘和珍君即在遇害者之列。但我对于这些传说,竟至于颇为怀疑。我向来是不惮以最坏的恶意,来推测中国人的,然而我还不料,也不信竟会下劣凶残到这地步。况且始终微笑着的和蔼的刘和珍君,更何至于无端在府门前喋血呢? 然而即日证明是事实了,作证的便是她自己的尸骸。还有一具,是杨德群君的。而且又证明着这不但是杀害,简直是虐杀,因为身体上还有棍棒的伤痕。 但段政府就有令,说她们是“暴徒”! 但接着就有流言,说她们是受人利用的。 惨象,已使我目不忍视了;流言,尤使我耳不忍闻。我还有什么话可说呢?我懂得衰亡民族之所以默无声息的缘由了。沉默啊,沉默啊!不在沉默中爆发,就在沉默中灭亡。

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