莎士比亚简介
威廉·莎士比亚是英国文艺复兴时期的一位伟大的剧作家、
诗人。威廉·莎士比亚于1564年4月23日生于英国中部瓦维克
郡埃文河畔斯特拉特福的一位富裕的市民家庭。其父约翰·莎士
比亚是经营羊毛、皮革制造及谷物生意的杂货商，1565年任镇民
政官，3年后被选为镇长。莎士比亚七岁时被送到当地的一个文法
学校念书，在那里读了六年的书，掌握了写作的基本技巧与较丰
富的知识，除此之外，他还学过拉丁语和希腊语。但因他的父亲
破产，未能毕业就走上独自谋生之路。1577年被父亲从学校接回，
不得已帮他父亲做了一段时间的生意。他当过肉店学徒，也曾在乡村学校教过书，还干过其他各种职业，这使他增长了许多社会阅历。
莎士比亚的戏剧大都取材于旧有剧本、小说、编年史或民间传说，但在改写中注入了自己的思想，给旧题材赋予新颖、丰富、深刻的内容。在艺术表现上，他继承古代希腊罗马、中世纪英国和文艺复兴时期欧洲戏剧的三大传统并加以发展，从内容到形式进行了创造性革新。他的戏剧不受三一律束缚，突破悲剧、喜剧界限，努力反映生活的本来面目，深入探索人物内心奥秘，从而能够塑造出众多性格复杂多样、形象真实生动的人物典型，描绘了广阔的、五光十色的社会生活图景，并以其博大、深刻、富于诗意和哲理著称。
故此，威廉?莎士比亚（William Shakespeare，1564－1616）成为了欧洲文艺复兴时期最重要的作家，杰出的戏剧家和诗人，他在欧洲文学史上占有特殊的地位，被喻为“人类文学奥林匹克山上的宙斯”。他亦跟古希腊三大悲剧家埃斯库勒斯(Aeschylus)、索福克里斯(Sophocles)及欧里庇得斯(Euripides)合称戏剧史上四大悲剧家。
关于莎士比亚 莎士比亚的代表作有四大悲剧：《哈姆雷特》（英：Hamlet)、《奥赛罗》（英：Othello)、《李尔王》（英：King Lear）、《麦克白》（英：Macbeth）。四大喜剧：《仲夏夜之梦》、《威尼斯商人》、《第十二夜》、《皆大欢喜》（《As you like it》）。历史剧：《亨利四世》、《亨利五世》、《理查二世》等。还写过154首十四行诗，二首长诗。本·琼生称他为“时代的灵魂”，马克思称他和古希腊的埃斯库罗斯为“人类最伟大的戏剧天才”。虽然莎士比亚只用英文写作，但他却是世界著名作家。他的大部分作品都已被译成多种文字，其剧作也在许多国家上演。1616年4月23日病逝。莎士比亚和意大利著名数学家、物理学家、天文学家和哲学家、近代实验科学的先躯者伽利略同一年出生。 Shakespearean representative work has 4-big tragedy: "Hamlet" (UK: Hamlet), "Othello" is (UK: Othello), "King Lear " is (UK: King Lear), "Macbeth " is (UK: Macbeth). 4-big comedy: "A Midsummer Night's Dream ", "The Merchant of V enice " ", Twelfth Night " ", "As Y ou Like It" ("As you like it "). Historical play: "King Henry the Fourth Part 1 " ", King Henry the Fifth " ", King Richard II " and so on. Had written 154 sonnets , two leading cadre poems. Our · Jonson says he is "the times soul " , Max says he and Helladic Aisiku Ross are "the greatest human being drama genius ". Although Shakespeare uses English writing only,he is a famous writer of world but. Most work of him has all already been translated into various language , whose play performs also in the lot of country. Die of illness on April 23 , 1616. Body person Galileo is the same as Shakespeare and famous Italy mathematician , physicist , astrologer with the philosopher , experiment science the modern times first being born for 1 year.
I. Introduction Any discussion of Shakespeare's life is bound to be loaded with superlatives. In the course of a quarter century, Shakespeare wrote some thirty-eight plays. Taken individually, several of them are among the world's finest written works; taken collectively, they establish Shakespeare as the foremost literary talent of his own Elizabethan Age and, even more impressively, as a genius whose creative achievement has never been surpassed in any age. In light of Shakespeare's stature and the passage of nearly four centuries since his death, it is not surprising that hundreds of Shakespeare biographies have been written in all of the world's major languages. Scanning this panorama, most accounts of the Bard's life (and certainly the majority of modern studies) are contextual in the sense that they place the figure of Shakespeare against the rich tapestry of his "Age" or "Times" or "Society." This characteristic approach to Shakespeare biography is actually a matter of necessity, for without such fleshing out into historical, social, and literary settings, the skeletal character of what we know about Shakespeare from primary sources would make for slim and, ironically, boring books. As part of this embellishment process, serious scholars continue to mine for hard facts about the nature of Shakespeare's world. The interpretation of their meaning necessarily varies, often according to the particular school or ideology of the author. Whatever the differences of opinion, valid or at least plausible views about Shakespeare, his character and his personal experience continue to be advanced. Yet even among modern Shakespeare biographies, in addition to outlandish interpretations of the available facts, there persists (and grows) a body of traditions about such matters as Shakespeare's marriage, his move to London, the circumstances of his death and the like. The result of all this is that there is now a huge tapestry of descriptive, critical, and analytical work about Shakespeare in existence, much of it reasonable, some of it outlandish, and some of it hogwash. II. Three important points about Shakespeare In examining Shakespeare's life, three broad points should be kept in mind from the start. First, despite the frustration of Shakespeare biographers with the absence of a primary source of information written during (or even shortly after) his death on 23 April 1616 (his fifty-second birthday), Shakespeare's life is not obscure. In fact, we know more about Shakespeare's life, its main events and contours, than we know about most famous Elizabethans outside of the royal court itself. Shakespeare's life is unusually well-documented: there are well over 100 references to Shakespeare and his immediate family in local parish, municipal, and commercial archives and we also have at least fifty observations about Shakespeare's plays (and through them, his life) from his contemporaries. The structure of Shakespeare's life is remarkably sound; it is the flesh of his personal experience, his motives, and the like that have no firm basis and it is, of course, this descriptive content in which we are most interested. Second, the appeal of seeing an autobiographical basis in Shakespeare's plays and poetry must be tempered by what the bulk of the evidence has to say about him. Although there are fanciful
莎士比亚生平及成就 The life of Shakespeare William Shakespeare was baptized on 26 April 1564 and died on 23 April 1616.He was a great English poet and playwright on Europe Renaissance time, and he was widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married a 26-year old woman Anne Hathaway. When not reach 21 years old he had three children: Susanna, and twins Hamnet and Judith. Years later he came to London. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appeared to have retired to Stratford around 1613. Shakespeare lived in London for more than 20 years, and during this period his wife still stayed bases. Shakespeare produced most of his known work between 1589 and 1613.His early plays were mainly comedies and histories, and he rose to the peak of sophistication and artistry by the end of the sixteenth century. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights.
莎士比亚生平大事年表 1564年4月6日，出生。 1569年5岁进入斯特拉特福学校附属幼学班学习。 1579年15岁在家跟父亲学手艺。 1582年18岁与安妮.哈撒韦结婚. 1587年21岁离开家乡,到伦敦谋生. 1590年26岁历史剧《亨利六世》问世。 1591年27岁结识他的庇护人——年方18岁的 南安普顿伯爵。 悲剧《泰特斯.安德洛尼斯》公演。1592年28岁《理查二世》《错误的喜剧》以及 长诗《维纳斯与阿都尼》写成。 伦敦流行瘟疫，政府下令关闭所有 剧院。 与南安普顿等随女王巡幸牛津大 学。 通过喜剧《驯悍记》，第一次写到 故乡的风土人情。 1593年29岁写成《维洛那二绅士》。 1594年30岁《威尼斯商人》《爱的徒劳》《仲夏 夜之梦》上演。长诗《鲁克丽丝受
辱记》出版。 女王伊丽莎白否定了枢密院禁戏 的主张。 1595年31岁写作《罗密欧与朱丽叶》。 1596年32岁丧子，写作《约翰王》。被纹章院 授予家徽。 1597年34岁写成《亨利四世》。 1598年34岁写成《温莎的风流娘们儿》《无事 生非》。 1599年35岁写成《亨利五世》《皆大欢喜》《裘 力斯.恺撒》。成为“环球大剧院” 股东。 1600年36岁写成《哈姆雷特》《第十二夜》。1601年37岁写成《特罗伊洛斯与克瑞西达》。1602年38岁写成《终成眷属》。 1604年40岁写成《麦克白》。 1605年41岁写成《李克王》。 1606年42岁写成《奥塞罗》《一报还一报》《安 东倪与克莉奥特拉》。 1607年43岁写成《雅典的泰门》《科利奥兰那 斯》，与人合作《亨利八世》。1608年44岁完成《泰尔亲王配力克里斯》。
书虫《威廉·莎士比亚》中英双语 作者：[英]芭斯特(Jennifer Bassett) 内容简介：1578年艾汶河畔的斯特拉福镇。有位男孩坐在书桌旁专心地学习，他认真听课、拼命看书。可他在想些什么呢？ 1587年伦敦。一位年轻人首次到伦敦谋生。他听着闹市的喧嚣声，看看伦敦塔雄伟的大墙，望着泰晤士河的淙淙流水。“静谧的泰晤士河，潺潺地流淌，直到我唱完心中的歌。” 1601年伦敦。泰晤士河上的船夫对人群大声喊着：“快来，快来，快来呀！‘环球剧院’快挤满人啦！”2000多观众渡过河，前来观看莎士比亚的最新一部戏剧——《哈姆雷特》。 这本讲述莎士比亚生平故事的书是由托比叙述的。托比不是一个真实的人物——或许莎士比亚也曾有过这样一位朋友，不过，我们无法确知。但是书中的其他人物历史上确有其人。他们非常熟悉这位演员、诗人兼剧作家莎士比亚。他们称他“莎士比亚缙绅”，都认为他是英国最杰出的诗人。他的朋友本·琼生曾这样写道： “他不属于一个时代，而是属于所有的时代。” 作者简介：詹妮·芭斯特是位资历很深的教师和作家。她生活在英国西南的德文郡。 威廉?莎士比亚 1 Toby remembers 1 托比的回忆 My name is Toby．I'm an old man，eighty-three this spring．My house is right in the middle of Stratford-upon-Avon，and I can watch the street market from my window．But I live very quietly now．I'm just an old man，sitting in a chair． 我叫托比，一位年迈的老人，今年春天年过83岁。家住艾汶河畔斯特拉福镇中心，透过窗户，便可以望到街道的闹市。我的生活平和宁静，毕竟我已是一位要在轮椅上安度晚年的老头子了。 I once knew the greatest man in England．For thirty years I was his friend．I worked with him in the theatre，through the good times and the bad time．He was a good friend to me．He was also the best playwright，the best poet，that ever lived in England．Will Shakespeare was his name． 我曾认识英国的一位最伟大的人物。我与他相交30年，同在剧团工作，也共同度过人生中欢乐与艰辛的岁月。他是我的好友，也是英国有史以来最优秀的剧作家，最杰出的诗人。他就是威尔·莎士比亚。 I saw all his plays in the theatre．People loved them．They shouted，laughed and CRI ed，ate oranges，and called for more．All kinds of people．Kings，Queens，Princes，great lords and ladies，poor people，the boys who held the horses…everyone．Will Shakespeare could please them all． 我看过他所有上演的戏剧。这些戏剧颇受欢迎，也一度令观众狂喜大悲，不过他们都希望能看到他更多的戏剧。形形色色的人，上自国王、王后、王子和豪富名女，下至贫苦百姓和牵马的脚夫……所有的人，威尔·莎士比亚都能令他们开心欢娱。 He put me in a play once．Well，he used my name-Toby．Twelfth Night was the play，I remember．Sir Toby Belch．He was a big fat man，who liked drinking too much and having a good time．Queen Elizabeth the First watched that play-on Twelfth Night，the 6th of January，1601．She liked it，too．
莎士比亚名言中英文 【篇一：莎士比亚名言中英文】 名人名言：莎士比亚经典语录50句（中英文对照）线话英语|2012-04-05 10:57:26 由提供 1、some rise by sin, and some by virtue fall. (measure for measure 2.1) 有些人因罪恶而升迁，有些人因德行而没落。 《一报还一报》 2、o, it is excellent to have a giant s strength; but it is tyrannous to use it like a giant. (measure for measure 2.1) 有巨人的力量固然好，但像巨人那样滥用力量就是一种残暴行为。《一报还一报》 3、i ll pray a thousand prayers for thy death but no word to save thee. (measure for measure 3.1) 我要千遍祷告让你死，也不祈求一字救你命。 《一报还一报》 4、o, what may man within him hide, though angel on the outward side! (measure for measure 3.2) 唉!一个人外表可以装得像天使，但却可能把自己掩藏在内心深处! 《一报还一报》 5、since the little wit that fools have was silenc d, the little foolery that wise men have makes a great show. (as you like it, 1.2) 自从傻子小小的聪明被压制得无声无息，聪明人小小的傻气显得更吸引眼球了。 《皆大欢喜》 6、beauty provoketh thieves sooner than gold. (as you like it, 1.3) 美貌比金银更容易引起歹心。 《皆大欢喜》 7、sweet are the uses of adversity. (as you like it, 2.1) 逆境和厄运自有妙处。 《皆大欢喜》 8、do you not know i am a woman? when i think, i must speak. (as you like it, 3.2)
莎士比亚与《罗密欧与朱丽叶》教学目标 1.通过《罗密欧与朱丽叶》的教学，领会爱情是一种美好的情感。 2.初步了解戏剧的情境与冲突的关系以及“独白”在戏剧中的作用。 教学设想 一、关于文艺复兴及莎士比亚在世界戏剧史上的重要意义，我们有必要在进入《罗密欧与朱丽叶》的赏析之前，引导学生加以认识，了解它们产生的背景及要素。由于时间有限，系统展开文艺复兴历史或莎士比亚的生平是不可能的，概略的介绍则容易流于肤浅。较好的办法可能是由学生中的少数积极分子分头准备，在课堂上讲述一些文艺复兴时期的作家作品与小故事，然后，由教师进行总结，指出文艺复兴与莎士比亚在人类思想解放过程中的里程碑意义。 二、《罗密欧与朱丽叶》的讲授，从思想层面上讲主要是引导学生进行爱情观的思考。高中学生处于青春憧憬期，对于“什么是爱情”有着强烈的兴趣，也有不少来自社会的纷繁认识。要学生领会“爱是一种美好的情感”很不容易。首先应该使用多种手段（观看录像、倾听名演员的朗诵、听有关的音乐）创造一种氛围，使学生能够进入“月夜幽会”的诗一般的意境。这一点可能是教学能否成功的关键。学生只有沉浸于其中，才有可能进一步讨论一些观念问题。在讨论中也应该提醒学生，爱情仅是人类美好情感之一。年轻人不应该沉迷于“两个人的世界”，而要走向社会，在改造自然与社会的斗争中，获得更加博大多彩的精神体验。 三、本单元戏剧理论的学习有两个方面，戏剧情境的设置只需一般性了解，“独白”是其中的重点。“独白”是戏剧艺术中卓有特色的一种手段。除了讲解独白的假定性和多种形态以外，应该通过欣赏名家的朗诵和学生自己的朗诵，领会独白的感染力和表现力。 赏析举隅 一、如何对待爱情和女人，是欧洲文艺复兴时期的一个极其重要的人文主义课题。莎士比亚通过他的作品为后世留下了一系列具有温柔、美丽、善良、机智、热情、高雅等不同性格的妇女形象。他还依照审美规律探讨了爱情感受的多样性，如一见钟情时的触电感，男女之间的神秘感，接触中的喜悦、羞怯、误会、摩擦和性格撞击，思念的甜蜜和痛苦，爱情高峰时火焰般的狂烈，“月亮式的爱”与“太阳式的爱”，失恋的感伤和绝望，自我牺牲的骑士风度等等。马克思说，根据人们对待爱情的态度“可以判断人的整个文明程度”。莎氏的作品（包括中、后期的爱情作品）使人确认，性爱已经升华进入审美领域，人的情感已经变为“美的情感”。它们在读者与观众面前展现了一个充满近代意识的爱的伊甸园。莎士比亚笔下的那些优秀的青年男女，他们在爱情上表现出一种超脱于功利的忠诚不渝的美好感情。在《罗密欧与朱丽叶》中，家族的狭隘利益不能阻止他们的爱情；近在眼前的生命危险不能阻止他们相会；他们互相把对方幻化为人间最美好的偶像；他们把对方看作是自己身体里不可缺少的部分，没有了对方自己就失去了生存的意义；他们当得知对方已经离开人世时，自己毫不犹豫地追随而去。这种情感和精神不仅是对当时存在的封建势力和宗教禁欲主义的强烈冲击，而且在这一片灿烂纯洁的情感星空照耀下，现代社会中那种将男女之情降格为肉欲享乐和金钱权势等价物的丑陋本质也暴露无遗。 第二单元莎士比亚与《罗密欧与朱丽叶》第二单元莎士比亚与《罗密欧与朱丽叶》西方现代心理学家马斯洛认为，人生的幸福在于获得情感的高峰体验。这种高峰体验可能发生于父母子女的天伦情感之中，也可能在事业获得成功或为正义而献身的时刻，也许在饱览自然、
莎士比亚生平简介 莎士比亚（W. William Shakespeare；1564～1616）公元1564年4月23日生于英格兰沃里克郡斯特拉福镇，1616年5月3日（儒略历4月23日）病逝。每年4月23日是莎士比亚的辞世纪念日，1995年被联合国科教文组织定为“世界读书日”。英国文艺复兴时期杰出的戏剧家和诗人，代表作有四大悲剧《哈姆雷特》，《奥赛罗》，《李尔王》，《麦克白》，喜剧《威尼斯商人》《无事生非》等。还写过154首十四行诗，三或四首长诗。他是“英国戏剧之父”。 莎士比亚戏剧创作三个阶段的特点 威廉·莎士比亚，文艺复兴时期最伟大的诗人和戏剧家，以他杰出的创造性劳动，给后世留下丰富的精神食粮：三十七部戏剧、一百五十四首十四行诗和二首叙事长诗。他的主要成就是戏剧。根据社会和其思想的发展变化，他二十来年的戏剧创作可分为三个时期：1590年到1600年，正值伊丽莎白统治盛年，英国一派繁盛兴旺景象，莎士比亚的创作基调也是乐观明朗的。这是他创作的早期，即历史剧、喜剧时期。他写出《理查三世》、《亨利四世》上、下篇和《亨利五世》等九部历史剧，《仲夏夜之梦》、《第十二夜》和《威尼斯商人》等十部喜剧，《罗密欧与朱丽叶》等三部悲剧。这些作品，有这样一些特点： 首先，从对待现实的态度上看，着重于讴歌赞美人文主义的新思想、新道德。喜剧尤为突出。他的喜剧突破了古希腊罗马喜剧重在社会讽刺的传统，而偏重于对理想事物的歌颂。他大多通过男女主人公在婚姻上的纠葛，来颂扬人文主义爱情自由和个性解放的思想，如《第十二夜》等。 其次，从人物形象上看，塑造了一系列理想人物。如历史剧中战功显赫、治国有术的开明君主亨利五世形象，喜剧中一大群新女性形象，例如薇奥拉，鲍西娅等。后者尤为光彩照人。通过这些形象的塑造，作者表达了他主张国家统—的政治理想和个性自由的生活理想。 再次，从戏剧冲突上看：多用误会、巧合来编织情节，表现人物。例如《错误的喜剧》，便是把整个作品的构思建立在误会和巧合上。 第四，从创作基调和风格上看，明朗乐观居主导地位。轻松的喜剧和严肃中含有诙谐的历史剧自不待说，甚至悲剧，如《罗密欧与朱丽叶》也不乏欢快的情趣。 上述特点的形式，不外乎三方面的原因： 从社会根源上看，这时期正值伊丽莎白女王统治的盛年，英国已建成一个统一的民族国家，国势强大，政局稳定，经济繁荣，举国上下陶醉在升平安乐之中。这自然在莎士比亚的创作上打上鲜明的时代印记。 从思想根源上看，他的人文主义思想这时尚未经受社会的严重考验，他坚信人文主义理想是可以在现实中实现的，因而，对现实的看法过于乐观。 从艺术规律上看，他之倾向于用历史剧的形式来反映现实，是因为他像每一个处在民族形成时期的伟大艺术家一样，出于一种用艺术形象来探索祖国历史的爱国主义热忱，而他致力于喜剧的写作，则是因为这种戏剧样式能比较自由地表现他的“有情人终成眷属”的思想主题，而且喜剧多以误会和巧合来编织情节的特点，也便于他这个经验不多的青年剧作家去把握。
WILLIAM SHAKESPEARE (1564-1616), English poet, player and playwright, was baptized in the parish church of Stratford upon-Avon in Warwickshire on the 26th of April 1564. The exact date of his birth is not known. Two. 18th-century antiquaries, William Oldys and Joseph Greene, gave it as April 23, but without quoting authority for their statements, and the fact that April 23 was the day of Shakespeare's death in 1616 suggests a possible source of error. In any case his birthday cannot have been later than April 23, since the inscription upon his monument is evidence that on April 23, 1616, he had already begun his fifty-third year. His father, John Shakespeare, was a burgess of the recently constituted corporation of Stratford, and had already filled certain minor municipal offices. From 1561 to 1563 he had been one of the two chamberlains to whom the finance of the town was entrusted. By occupation he was a glover, but he also appears to have dealt from time to time in various kinds of agricultural produce, such as barley, timber and wool. Aubrey (Lives, 1680) spoke of him as a butcher, and it is quite possible that he bred and even killed the calves whose skins he manipulated. He is sometimes described in formal documents as a yeoman, and it is highly probable that he combined a certain amount of farming with the practice of his trade. He was living in Stratford as early as 1552, in which year he was fined for having a dunghill in Henley Street, but he does not appear to have been a native of the town, in whose records the name is not found before his time; and he may reasonably be identified with the John Shakespeare of Snitterfield, who administered the goods of his father, Richard Shakespeare, in 1561. Snitterfield is a village in the immediate neighbourhood of Stratford, and here Richard Shakespeare had been settled as a farmer since 1529. It is possible that John Shakespeare carried on the farm for some time after his father's death, and that by 1570 he had also acquired a small holding called Ingon in Hampton Lucy, the next village to Snitterfield. But both of these seem to have passed subsequently to his brother Henry, who was buried at Snitterfield in 1596. There was also at Snitterfield a Thomas Shakespeare and an Anthony Shakespeare, who afterwards moved to Hampton Corley; and these may have been of the same family. A John Shakespeare, who dwelt at Clifford Chambers, another village close to Stratford, is clearly distinct. Strenuous efforts have been made to trace Shakespeare's genealogy beyond Richard of Snitterfield, but so far without success. Certain drafts of heraldic exemplifications of the Shakespeare arms speak, in one case of John Shakespeare's grandfather, in another of his great-grandfather, as having been rewarded with lands and tenements in Warwickshire for service to Henry VII. No such grants, however, have been traced, and even in the 16th-century statements as to " antiquity and service " in heraldic preambles were looked upon with suspicion. 威廉·莎士比亚(1564 - 1616),英国诗人,队员和剧作家在教区的教堂受洗的upon-Avon在斯特拉特福德瓦立克夏郡队在1564年4月的26th。他出生的确切日期还不为人所知。两个。18th antiquaries世纪中叶,威廉Oldys约瑟·格林,将其作为4月23日,但没有引用当局发表声明,而事实上,4月23日是莎士比亚去世的日子在1616年提出了一个可能的误差来源。在任何情况下他的生日不能已经迟于年4月23日,在他的纪念碑上的题字以来表明1616年4月23日,他已经开始了他的fifty-third年。他的父亲,约翰莎士比亚是一个伯吉斯最近设立公司的斯特拉特福德,已经充满了某些小市政办公室。从1561年到1563年,他的两个太监所镇财政模范。他是一位格的职业,但他似乎也涉及从时间,以时间,各种农产品,如大麦、木材和羊毛。奥布里(生活,1680)说他是一个屠夫,但是很有可能他甚至被杀死繁殖幼体皮他的操控。他有时被描述为一个yeoman正式文件,它极有可能就是他结合一定的农业与实践的贸易。他住在斯特拉特福德早在1552年,他被罚款哪一年在粪堆在亨利街,但他似乎没有是一个土生土长的小镇,在记录的名字是没有找到他的日期未到之先,他可以合理的认同了约翰莎士比亚的Snitterfield,谁给他父亲的商品,理查德莎士比亚,
简介 1578年艾汶河畔的斯特拉福镇。有位男孩坐在书桌旁专心地学习，他认真听课、拼命看书。可他在想些什么呢？ 1587年伦敦。一位年轻人首次到伦敦谋生。他听着闹市的喧嚣声，看看伦敦塔雄伟的大墙，望着泰晤士河的淙淙流水。“静谧的泰晤士河，潺潺地流淌，直到我唱完心中的歌。” 1601年伦敦。泰晤士河上的船夫对人群大声喊着：“快来，快来，快来呀！‘环球剧院’快挤满人啦！”2000多观众渡过河，前来观看莎士比亚的最新一部戏剧——《哈姆雷特》。 这本讲述莎士比亚生平故事的书是由托比叙述的。托比不是一个真实的人物——或许莎士比亚也曾有过这样一位朋友，不过，我们无法确知。但是书中的其他人物历史上确有其人。他们非常熟悉这位演员、诗人兼剧作家莎士比亚。他们称他“莎士比亚缙绅”，都认为他是英国最杰出的诗人。他的朋友本·琼生曾这样写道： “他不属于一个时代，而是属于所有的时代。” 本书作者詹妮弗·芭斯特是位资历很深的教师和作家。她生活在英国西南的德文郡。 1 Toby remembers My name is Toby．I'm an old man，eighty-three this spring．My house is right in the middle of Stratford-upon-Avon，and I can watch the street market from my window．But I live very quietly now．I'm just an old man，sitting in a chair． I once knew the greatest man in England．For thirty years I was his friend．I worked with him in the theatre，through the good times and the
莎士比亚的中英文介绍 威廉?莎士比亚 人物简介 莎士比亚(W. William Shakespeare;1564,1616)英国文艺复兴时期伟大的剧作家、诗人，欧洲文艺复兴时期人文主义文学的集大成者。 中文名:威廉 ?莎士比亚逝世日W. William 1616年5月3日外文名: 期: Shakespeare 职业: 剧作家，诗人，演员国籍: 英国 英格兰沃里克郡斯特出生地: 代表作四大悲剧《哈姆雷特》《奥赛罗》《李拉福镇品: 尔王》《麦克白》出生日1564年4月23日期: William Shakespeare(1564-1616) is one of the most remarkable playwrights and poets the world has ever known. With his 38 plays,154 sonnets and 2 long poems, he has established his giant position in world literature. He has also been given the highest praises by various scholars and critics the world over. In the past four hundred years or so, books and essays on Shakespeare and his works have kept coming out in large quantities. Shakekspeare went to London which afforded a wonderful enviroment for the development of drama. Shakespeare worked both as actor and playwright. He acted and wrote for the Lord Chamberlain's Men, which was later renamed the King's Men. Shakespeare established himself so well as a playwright that Robert Greene, one of the “University Wits”, resentfully declared him to be 'an upstart crow'.
莎士比亚的生平及其创作的各个时期与主要作品 一、生平（1564—1616） “英国戏剧之父”，文艺复兴时期英国伟大的戏剧家和诗人，代表了英国文学的最高成就，人文主义最杰出的代表，近代欧洲文学的奠基者之一，欧洲文艺复兴时期的巨人，世界戏剧史上的泰斗。马克思赞誉他为“人类最伟大的戏剧天才”，歌德评价他是“说不尽的莎士比亚”，本?琼生称之为“时代的灵魂”，说他“不属于一个时代，而属于所有的世纪。” 墓志铭：好朋友，看在耶稣的份上，切莫挖掘墓中的遗骸。爱护我墓室的人上天保佑他；动我尸骸者将受亡灵诅咒。（GOODFRENDFORJESVSSAKEFORBEARETODIGGTHEDVST ENCLOASED HARE BLESE BE FY MAN TY SPARES THES STONES AND CVRSTBE HE TY MOVES MY BONES） 二、戏剧创作 莎士比亚的创作成就主要在戏剧方面。1850年，德国学者盖尔维努斯经过多年对莎剧诗行的研究，把莎剧分为三个时期。他的这一划分法被后人相沿成习，至今依然被认为是权威的莎士比亚戏剧创作阶段的划分。 （一）历史剧和喜剧时期（1590——1600） 1、主要作品： （1）历史剧9部 由独立的“序曲”和两个“四部曲”组成，描写英国从十三世纪末到十五世纪末近三百年的历史。序曲是《约翰王》，第一个四部曲是《亨利六世》上、中、下和《理查三世》。第二个四部曲：《理查二世》、《亨利四世》上、下和《亨利五世》。其中《亨利四世》是莎士比亚历史剧的代表作。 序曲《约翰王》写12、13世纪之交约翰王一生主要经历，如他和法国王室为争夺英国王位而进行的两次战争，他对王位合法继承人的迫害，他对教会的掠夺和他与罗马教廷的冲突，贵族们对他的叛离和归顺以及他被僧侣毒害致死