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中国当代文学作品选 真题 2016年10月

中国当代文学作品选 真题 2016年10月
中国当代文学作品选 真题 2016年10月

2016年10月高等教育自学考试全国统一命题考试

中国当代文学作品选试卷

(课程代码00531)

本试卷共5页,满分l00分,考试时间l50分钟。

考生答题注意事项:

1.本卷所有试题必须在答题卡上作答。答在试卷上无效,试卷空白处和背面均可作草稿纸。2.第一部分为选择题。必须对应试卷上的题号使用2B铅笔将“答题卡”的相应代码涂黑。3.第二部分为非选择题。必须注明大、小题号,使用O.5毫米黑色字迹签字笔作答。4.合理安排答题空间,超出答题区域无效。

第一部分选择题

一、单项选择题(本大题共30小题,每小题l分,共30分)

在每小题列出的四个备选项中只有一个是符合题目要求的,请将其选出并将“答题卡”的相应代码涂黑。未涂、错涂或多涂均无分。

1.“衣食是本,自有人类,就是每日在忙这个。可囿在其中,终于还不太像人。”

这段话出自

A.《哦,香雪》

B.《棋王》

C.《鞋》

D.《拾婴记》

2.严歌苓小说《少女小渔》中,小渔男友江伟所持的主要价值观是

A.实利主义

B.人与自然的和谐

C.热爱祖国

D.舍己为人

3.王安忆小说《喜宴》描写了一场无声无息的喜宴,运用的笔调是

A.忧伤的

B.冷峻的

C.激烈的

D.淡漠的

4.刘庆邦小说《鞋》的主人公守明是

A.与洋老头假结婚的农村少女

B.渴求科学文化知识的农村少女

C.情窦初开的农村少女

D.双目失明的农村少女

5.史铁生散文《我与地坛》中,以“艰难的命运,坚忍的意志和毫不张扬的爱”这一句话描述的人物形象是

A.小弟

B.朋友

C.母亲

D.祖父

6.张晓风散文《母亲的羽衣》中,与少女华美浪漫的羽衣相对的、表现母爱神圣而伟大的物象是

A.砧板

B.北平画片

C.冰糖豆浆

D.集邮本

7.以下诗人中,有“农民诗人”美誉的是

A.余光中

B.公刘

C.臧克家

D.流沙河

8.穆旦诗歌《智慧之歌》全诗的节奏是

A.由激切转为舒缓

B.由舒缓转为激切

C.舒缓低沉

D.激越高亢

9.舒婷诗歌《双桅船》中最主要的一对意象是

A.船与岸

B.船与风暴

C.岸与灯

D.风暴与灯

10.海子诗歌《麦地》最后一节中写道,“月亮下/一共有两个人”。这句诗中“两个人”指的是

A.男人和女人

B.穷人和富人

C.家人和友人

D.仇人和友人

11.宗璞散文《哭小弟》采用的主要表现手法是

A.细节描写和侧面烘托

B.塑造典型环境中的典型性格

C.通过日常生活画面托物言志

D.心理描写

12.西西散文《致西绪福斯》中,主要以第一人称叙述的形象是

A.奥德修

B.西绪福斯

C.奥菲尔斯

D.石头

13.柯灵散文《回看血泪相和流》控诉和批判了“文革”带来的灾难,叙述的对象是

A.夫人国荣

B.朋友波外翁

C.小弟钟越

D.邻居癞六伯

14.牛汉散文《童年二题》中,“我”对“早熟的枣子”所持的态度是

A.苦涩与悲悯

B.自豪与炫耀

C.冷漠与憎恨

D.欣喜与崇拜

15.“卑鄙是卑鄙者的通行证/高尚是高尚者的墓志铭”。创作了以上诗句的诗人是

A.公刘

B.北岛

C.绿原

D.西川

16.张贤亮小说《邢老汉和狗的故事》所叙邢老汉命运场景的次序是

A.入社一一被编入炼钢大军——和要饭女人的离合一一黄狗之死

B.被编入炼钢大军——入社——和要饭女人的离合——黄狗之死

C.入社——被编入炼钢大军——黄狗之死——和要饭女人的离合

D.被编入炼钢大军一入社一一黄狗之死——和要饭女人的离合

17.莫言是第一位获得诺贝尔文学奖的中国本土作家,他创作的长篇小说是

A.《生死疲劳》和《蛙》

B.《丰乳肥臀》和《风云初记》

C.《沉重的翅膀》和《天堂蒜薹之歌》

D.《檀香刑》和《妻妾成群》

18.下列作品中,具有强烈的宗教色彩,体现出崇高的、悲剧性的、神圣的审美效果的小说是

A.《棋王》

B.《马桥词典》

C.《广陵散》

D.《残月》

19.下列作品中,以“超过伟大的/是人类对伟大己感到茫然”为题记的是

A.《就是那一只蟋蟀》

B.《红玉米》

C.《麦坚利堡》

D.《日记》

20.张学东小说《送一个人上路》中,被送“上路”的人物是

A.袓父

B.杨三老汉

C.母亲

D.韩老七

21.下列作品中,书写了对亡妻的哀悼,并把个人的不幸遭遇与整个民族的劫难一起进行思考的是

A.《怀念萧珊》

B.《髻》

C.《秦腔》

D.《记波外翁》

22.孙犁散文《黄鹂一一病期琐事》中,用来与黄鹂太湖之滨天阔任飞的极致之美进行对照的是

A.被拴黄鹂的凄惨神情

B.天空中海鸥的受惊远飏

C.光背马的怜悯和抱怨

D.种马无与伦比的强壮和美丽

23.中华人民共和国国歌《义勇军进行曲》歌词的作者是

A.田汉

B.郭小川

C.巴金

D.丰子恺

24.韩少功小说《马桥词典》中,人物志煌身上“宝气”的内涵是

A.对权力的屈从

B.对民间正道的坚守

C.木讷迟钝的性格

D.喜同恶异的心理

25.陈翔鹤小说《广陵散》中,嵇康与之绝交但又彼此心意相通的人物是

A.向秀

B.吕巽

C.山涛

D.吕安

26.杨绛的散文《干校六记》被钱钟书称为

A.大背景的小点缀,大故事的小穿插

B.大背景的小穿插,大故事的小点缀

C.大背景的大点缀,大故事的大穿插

D.大背景的大点缀,小故事的小穿插

27.老舍话剧《茶馆》众多人物中,试图走“实业救国”道路的民族资本家是

A.常四爷

B.马五爷

C.秦仲义

D.王利发

28.白先勇小说《游园惊梦》将戏剧与人生交织在一起,小说中人物所唱“游园”、“惊梦”这些曲目是

A.秦腔

B.昆曲

C.越剧

D.京剧

29.王蒙小说《组织部来了个年轻人》中,充满了革命理想,朝气蓬勃,对旧观念、旧事物抱着质疑和批判态度的人物形象是

A.林震

B.韩常新

C.王清泉

D.魏鹤鸣

30.张洁散文《拣麦穗》叙述了两个“拣麦穗”的故事,前一部分写了旧时农村姑娘“我”拣麦穗时的“美丽的梦”及其破灭;后一部分写了

A.卖灶糖老汉又回到了“我”身边

B.“我”和卖灶糖老汉之间的纯真情意以及“我”对老汉的思念

C.树梢上最后一个火柿子的喜气映衬了“我”的喜悦心情

D.“我”找到了那个皱巴巴的像猪肚子的烟荷包

二、多项选择题(本大题共5小题,每小题2分,共l0分)

在每小题列出的五个备选项中至少有两个是符合题目要求的,请将其选出并将“答题卡”的相应代码涂黑。未涂、错涂、多涂或少涂均无分。

31.下列属于20世纪80年代“寻根文学”的代表作家有

A.韩少功

B.刘庆邦

C.阿城

D.迟子建

E.陈染

32.周涛散文《巩乃斯的马》中用来衬托马的优良品性的动物有

A.牛

B.骆驼

C.猫

D.毛驴

E.狗

33.洛夫诗歌《长恨歌》塑造了一个全新的杨贵妃形象,选取的主要意象有

A.水

B.黑发

C.云

D.杨絮

E.海棠

34.下列作家中,台湾诗人有

A.罗门

B.曾卓

C.余光中

D.痖弦

E.绿原

35.王家新诗歌《日记》的艺术特征有

A.采用比照的手法表现出对生命与死亡的深沉思索

B.日常情景和想象的境界融为一体

C.韵律和谐,增添了诗的审美情趣

D.全诗气韵流畅,有着内在的天然的整体气息

E.运用多种意象,形成时空交错的审美效果调

第二部分非选择题

三、简答题(本大题共4小题,每小题7分,共28分)

36.简析郭路生诗歌《相信未来》的艺术特征。

37.简析傅雷散文《致傅聪》所体现的人生态度。

38.简析汪曾棋小说《受戒》的风格特征。

39.简析话剧《陈毅市长》中陈毅的性格特点。

四、论述题(本大题共l小题,共l2分)

40分析郭小川诗歌《望星空》的主题意蕴与艺术特点。

五、阅读分析题(本大题共l小题,共20分)

41.阅读《大山与小溪的对话》,结合作品实际,写一篇不少于600字的文学评论短文。要求:

(1)紧紧围绕本文的思想内容与艺术特点来写。

(2)不要写成读后感。

(3)表达通顺、书写规范、卷面整洁。

大山与小溪的对话

——“生与死”的遐想

从维熙

巍峨是大山的肖像,威严是大山的华装。大山常以巍峨和威严,显示它至高无上的存在和生命的永恒。

跳跃是山溪的形影,嬉闹喧哗是溪水的性格。她唱着歌儿从大山脚下流淌而过,对大山都有点玩世不恭。

大山说:“你不能安静点吗?”

小溪说:“那我的生命就结束了。”

大山不以为然:“你姐姐湖也是水,她庄淑贤雅,像个大家闺秀,你怎么总是疯疯癫癫地乱蹦乱跳?”

小溪回答:“她是被你锁在山峦里一泓漂亮的死水,永远流不出山峦的闺帏。我不喜欢做姐姐的叠影。”

“湖里有片片白帆。”大山说,“还有游人的彩艇。”

“可是姐姐快乐吗?”溪水询问大山说,“我怎么总听不见她的歌声?”

“她日子比你过得安闲多了。”大山以洪亮的声音回答,“多少游人恋栈忘返,多少照相机为她倩影拍照。”

溪水在乱石中跳蹦着,咯咯地对着大山笑了:“她自由吗?她能像我这么无拘无束地撒欢吗?她知道山外世界的色彩吗?她一一”

大山怏怏不快地打断了小溪流的话:“你要的是哪家的自由?你疯疯癫癫地要流淌到哪儿去?你诞生在大山脚下,就该有山的遗传基因,我站在这儿一动不动,与天上日月星辰为伍,已然有几千年了。我看见只有咱们这座大山的后代,最安分守己,最克己让人;最文明古老,最恪守山规。”

小溪依然笑着,一束束浪语向大山提出质询:“您是挺高的,高得可以和天穹媲美。可是您看见月亮上有飞船着陆过吗?您看见过您头顶上的‘太空行人’吗?”

大山仿佛得了聋耳症的人瑞,反问脚下的小溪说:“你说什么一一你说什么——月亮上只有捣药的兔儿和嫦娥,什么时候有过‘飞船’落脚?几千年来,除了太阳、月亮、星星和云彩出现在我的头冠之上,再没有别的东西比我高了,哪儿有过什么‘太空行人,?”

“您确实是太老了。”小溪歌声里出现了几分忧伤,“只知采昔日天地日月之精华,不知汲吮今日宇宙天穹之甘露,这样下去,您的灵魂会枯萎的,直到没了大山的魂魄!”大山愤怒了,向小溪狂吼道:“站住一一你给我停下奔跑的脚步。”

小溪被大山的施威吓哭了。每束跃起的浪花,都是她晶莹的泪雨。是的,她生于斯长于斯,山涧里不断奔涌而出的泉水,是生养她的母体;沟壑中挡路的嶙峋怪石,又赋予她一往无前的勇气。但是,像远祖大山那么僵直、一动不动地站立,与其说它活着,还不如说它已然死去。因而,她泪花飞溅地向大山告别说:“不,我没有姐姐的安分,我向往山外的江,山外的河——我要和流淌着的大江、大河并肩挽臂,在流动中燃烧自己,发热、发电、发光!”大山急了,向小溪发出最后告诫:“你知道吗,大江大河最后的归宿是大海,那你就完全没了‘大山家族’、‘山不可移’的本性了!”

“只有流动的东西,生命才能永恒。”小溪的泪雨,化作摇撼山岳的涛声,“再见——我的远祖”

(选自《中国当代散文经典》北京工业大学出版社2009)

2016年考研英语一真题及答案

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