Review of a Rose for Emily
A Rose for Emily is a very popular short story because of its style, climax, and plot. The author, William Faulkner, was a Southern writer from Oxford, Mississippi. Faulkner bases this story on the tale of Oxford's aristocracy Miss Mary Neilson. She married Captain Jack Hume, the charming Y ankee foreman of a street-paving crew, over her family's shocked protests. The style of this story is false romance. Miss Emily's father, before his death, would run off every man that tried to court her. Because of this, she felt any man she loved would leave her. After falling in love with Homer Baron, she feared he would run off like the others. To keep this from happening, she poisoned him and kept his body upstairs in the bedroom. The climax focuses on the room where the corpse was found. After Miss Emily's death, the town people were cleaning up the house and found a room that was locked. They had to break down the door. To their surprise, they found Homer Baron's corpse lying in the bed dressed in a night shirt. As the story progresses there is no indication that he had died. When they found the toilet things sitting on the dresser with initials H.B., it was well known that the corpse was Homer Baron. I first thought it was her father in the bed, but I realized that her father was
already buried. I then knew it had to be her lover. I cringed on the thought of what she did while she was lying next to the corpse. Finally, the end of this story surrounds a woman's life from her mid twenties until her death at the age of seventy-four. It describes a prominent lady of a town who led a private life. I learned, while reading this story that this woman is crazy and had the mind of a child. She seemed to lose everything she loved.
But I still have a question. The question is “Where is the rose in the A Rose for Emily?”Emily was never given a rose, even when she died there was no mention of a rose. In the story the only time a scented thing was mentioned was lime to cover a smell. Emily like the insinuated rose is never present in the story. Even when Emily has a line of dialog it is spoken thought the filter of the narrator’s perspective. The narrator or the town is concerned with what role Emily is playing, although since Emily is not present in the story, but through hearsay, the reader has to decipher between the roll assigned to her by the narrator and actuality of the role Emily fulfills.
Everyone went to Emily’s funeral. No one went to the funeral out of respect for the dead. Emily became a person known only though hearsay between town folk. No one knew Emily. “Women went out of curiosity to see the inside of her house.” The women went to the funeral to fill a gap.
In a time where entertainment wasn’t prevalent, Emily became the late night drama and sole topic of conversation for the town. The town did not morn, the person, Emily they mourned the personified topic of conversation. The town paid respect to the topic that took up time in their conversations.
The town saw Emily as inseparable from what she was. The town saw Emily as, “…a small, fat woman in black…” as opposed to a woman with a small skeleton. The town could not separate the Emily they knew from the Emily that was present. The juxtaposition was fused into the town’s notion of Emily. T he druggist must have seen a hint of Emily’s shift in personality. The druggist either did not care about Emily or wanted her dead. The druggist gave her the poison thinking the probability that she was going to kill herself was likely. The druggist didn’t even consider another possibility before spreading the rumor to the town. The druggist would not have given up the poison to Emily before her father died, but now Emily was the same one the town sighed, “…Poor Emily…” for.
Emily was a lady when her father was alive. Emily is only a lady, because of who her father was. She is a lady out of only legacy. The narrator knows what Emily did, yet the narrator sympathies with Emily up till the end trick the reader into sympathizing along with the story. In the end the reader and the narrator know Emily is a lady no longer, not
only because she is now dead but because she killed and kept a corpse for cuddling. Ladies don’t cuddle with corpses, but up until the discovery of the corpse Emily remained a lady in the ey es of the town. “They waited until Miss Emily was decently in the ground before…” the town opened the door to the room Emily was keeping her corpse. The town waited because they knew they were going to find something off kilter in that room. Something which could and eventually force change on their opinion of Emily, the town did not wanted to keep what they knew about Emily while she was alive separate from what they knew about her when she was dead.
Upon the discovery of the body the fused juxtaposition the town carried with them was removed from their notion of Emily. Neither, the reader or the narrator can relate the Emily at the end of the story to the Emily that existed to hinted ideas of who Emily was before events of the story. There is no reconcili ation between the two Emily’s. They share different traits. The first, being the lady, the father’s daughter. The second Emily being an off kilter person struggling with craziness the only way she knows how. But because the story is not written from Emily’s perspective the reader cannot see the shift into craziness directly until the end and is left wondering with the narrator what caused Emily to defy my notion of what a lady is supposed to be?
In the end the “Rose” for Emily is just as absent from the sto ry as Emily herself. Emily is portrayed in flickers between the town folk’s skewed options about her, about her house, about her life style and about her choice in bed room arrangements. The lady Emily reveals two things about herself though out the story, she doesn’t like to pay taxes, and she is willing to kill and keep a corpse around. Creating an option based upon what Emily reveals about herself, it’s safe to say Emily was never a lady, and never thought of herself as a lady.
Reference
Brooks, Cleanth and Roert Penn Warren. Understanding Fiction, 2nd ed. New Y ork: Appleton-Century-Crofts, Inc, 1959:351
Roberts, Diane. Faulkner and Southern womanhood, Athens and London: The University of Georgia Press, 1994:158
Olga W. Vicky. The Novels of William Faulkner: A Critical Appraisal [M]. Baton Rouge: Louisiana State University Press, 1964
Review of the Cask of Amontillado
The Cask of Amontillado is a daring story by the ever-famous Edgar Allen Poe that shows the pain of hate and desire for revenge. Remember always though to not forget the Golden Rule and that prideful reaping will only bring about to you a large and painful fall. Many people have wanted to gain revenge but for a man to say that he is to conduct his action of revenge with full intention of making justice in one’s own mind is an accusation of pure madness. But what could one possibly do to receive such hate from another? The question is a mystery but you can’t tell me you aren’t interested about Poe’s story so please sit b ack and let me tell you about why it is so good. Poe makes his point clear in the Cask of Amontillado by his amazing use of literary elements such as plot, setting, and foreshadowing.
Poe uses one the very planning parts of a story to tell his tail in an amazing way through the literary element of plot. Stories can have very strong, light, and any combination of types of plots. The Cask of Amontillado has a strong plot. The Story lines up in the plot perfectly. There is an explanation of why the character is wanting to get revenge fills strongly to act upon the other character. Montresor the narrator is seeking revenge after Fortunato who is the other large character in the story. His introduction starts saying,
“The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.”The intention of your main character is clearly stated although reason is not; you have no doubt from the vocabulary that he is greatly offended. Then actions that follow bring about ability to carry out, but can he struggle past himself in morality, and can he struggle against his adversary to achieve his objectives? Poe uses the knowledge he possesses to carry his idea to the max and then fall into the next part of the story giving succession and strong plot to follow. He doesn’t introduce you with a setting but in the actions and the climax he uses foreshadowing and setting to assist the conducting of his plot properly.
With the use of his plot he also teaches you the theme of the story, that you ultimately reap what you sow. For a story to really teach a life lesson in the theme of the story the author has to stay focused on his message and the idea while he is carrying out the actual actions of the story. It takes the entire story working together for it to be a success, and to me a successful story cannot be written unless you have to pay attention to every aspect to fully understand it. The characters are realistic and there is a proven sense of seriousness throughout the story and Poe’s extensive understanding of plot and use of it proves all of this. If you are to see the revenge in a story you have to have a serious
mood, that of hate, at the beginning and on into the conflict. Then you see the madness created and the climax will show if the revenge is truly a success or a failure that all results of over flooded hatred. “Nemo me impune lacessit”, or in English no one attacks me with impunity could be a statement of assurance or a statement of ignorant pride. When you read The Cask of Amontillado remember to first look at the plot that is used Edgar Allen Poe.
Y ou can’t very well carry out a nursery rhythm in a dark mansion or a horror story in the sunny beautiful place that one would enjoy frolicking because set ting is another vital part of an author’s success in his/her story. Poe is an author that fully understood this element and used it also wisely. If you think of revenge you think of dark sinister thoughts. A story of revenge has a setting of scary eeriness and one that would cause fear because revenge is not a warm cuddly area and in composing a short story Poe knew that where the story took place was a vital piece of the puzzle and you can see that from these quotes I would like to pull out of the story:
·“. . ., bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came at length to the foot of the descent, and stood together upon the damp ground of the catacombs of the Montresors.”
·“Its walls had been lined with human remains, piled to the vault overhead, in the fashion of the great catacombs of Paris . . . From the fourth side the bones had been thrown down, and lay promiscuously upon the earth, forming at one point a mound of some size . . . It seemed to have been constructed for no especial use within itself, but formed merely the interval between two of the colossal supports of the roof of the catacombs, and was back by one of their circumscribing walls of solid granite.”
Setting pulls you in the story, and make inferences, and gives you a sign of foreshadowing on the events to follow. Symbolism is a big element that lies right within the barriers of setting and gives symbolism of things to come. The settings presented in these two quotes of the story show you signs of death and evil by describing objects surrounding, colors, and even the setup of the setting itself. Y ou can’t tell your story and have it ma ke any sense if you don’t have the proper setting.
Poe also uses foreshadowing along with his uses of plot and setting to bring across his message and to make this story one that you will read and enjoy. A well-written horror story has to have suspense or it just doesn’t give you that jumpy or that scared feeling. Poe brings to you in this story foreshadowing and that creepy suspenseful feeling. This is hard for a writer to do but Poe does it anyway with such a way that just makes his story much better. Look again at the setting quotes that I brought out of
the story and you can see the coming of death and misery but you aren’t able to see the result of the conflict because while he gives you sign of the defiant success of the main character Poe doesn’t let you know quite yet because he throws in shadows of doubt and questioning.
In Poe’s use of foreshadowing he also used the plot to aid the device by letting some of the major rising action be direct foreshadowing events to use the two device as one and enlighten ideas of mystery. Y ou read the story trying to break it apart because you want to know if Montressor will succeed in quest of receiving revenge, but you just can’t see for it to happen or to not happen. Y ou can see how just in these three elements I mentioned that Poe molded together and let each literary device hold up the other. But why would an author feel so strongly to write a story of revenge and it was just an act of justice?
Edgar Allen Poe lived a very short and tragic life that was compiled by attributes of dislike, loneliness, and death of the few people that he allowed himself to get close to and love. Poe had to experience a lot of self-conflict that defiantly pushed him to his all and all. He had a list problems compelled that consisted of gambling, drugs, alcohol, and constant depression because he could not take revenge on the thing that caused him the most pain and that was fait itself. Everyone he loved was taken by the incurable (at the time) disease of tuberculosis.
I beli eve that this story was Poe’s way of saying he didn’t know how to
deal with the inability to take revenge on his opposing force, which was fait. He seemed to hurt himself to an unreal level by taking into his life things like gambling (which he probably might have at a time was what he compared to life), drinking (to probably forget his pain), and maybe drugs (because he would probably seek a realm that had to be better than the reality that he lived in). He begins this story, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge.”I don’t know the approximate time that Edgar Allen Poe wrote this story but it was probably a time that he may had thought of suicide or even before he was found dead with alcohol in his system on a street corner. It seems that Poe could obviously not take revenge on fate and had no one to blame so he took out the bubbling hurt and made himself his own source of source of pain which would be his life itself and his own identity his outlet because he felt shut out from others because everyone he had loved left him in death. Some authors seek an inspiration for their writings but I believe that Poe just expressed his life and experiences and that is why he is notorious for his horror stories, scary isn’t it.
I have given and supported my opinion to you as best to my ability and I know that when you read this story you will enjoy. Remember when you read to get the message that something is trying to teach you and after you enjoy a piece break it down in your mind. Poe used his ability to
express himself in this story through the use of the literary element devices of setting, plot, and foreshadowing made it the story for me. I give The Cask of Amontillado my ballot and would venture to say that it is an example of how a short story should be written.
Reference
Benton, Richard P. "Poe's 'The Cask of Amontillado': Its Cultural and Historical Backgrounds." Poe Studies 29.1 (June 1996): 19-27. Bonaparte, Marie. The Life and Works of Edgar Allan Poe: A
Psycho-Analytic Interpretation. London: Hogarth, 1971.
Davidson, Edward Hutchins. Poe, A Critical Study. Cambridge: Harvard University Press, 1957.
阅读教案：写文学短评的一般方法 , [训练目的] 掌握写文学短评的一般方法。 [复习指导] 文学评论的任务，主要是分析文学作品，评论作家创作的得与失，总结艺术规律，高中生写文学评论，一般只要求对具体的作品作评论，文学评论的写作过程，是对文学作品之美——内容的精深和形式的完美——的感悟、发现过程，也是对文学作品之美的感悟、发现的个性化的传达过程。写文学评论要注意以下几点： 1．要细致地阅读作品，准确把握评论对象。 这是写好文学评论的关键。因为只有细致地阅读作品，才可能对作品的思想内容、艺术特色有真切的感觉；只有对评论对象有准确的把握，才能形成自己的见解，才能形成自己的观点或评论的中心，否则只能是泛泛而谈。 2．要确定评论点，有明确的评价。 一般的议论文要有中心论点或论述中心，文学评论也是这样。不
过，文学评论的中心论点就是对作品的评价，这个评价一定要明确；没有明确的评价，文章就没有统帅，没有灵魂。 3．采用叙议结合、评析结合的写法。 在文学评论中，叙是指对作品内容的复述、介绍或引用，议则包含分析和评价两方面。分析，是对作品的思想内容、艺术特色等进行揭示的过程；评价．则是作者通过分析得到的结论，即对作品或作者艺术创造的总的看法，也就是文学评论的中心论点。“叙”与“议”的关系，实际上是论据同论点、材料同观点的关系，“叙”是为“议”服务的，“析”与“评”的关系，实际上是论证同论点的关系，“析”是为“评”服务的。我们知道，在任何议论性的文章中，材料同观点，论据、论证与论点，都是应该统一的，所以，在文学评论中，叙、议、评这几方面应该有机地结台在一起，其中尤以边叙边议的方式较多，而评价有的是通过分析水到渠成地显现出来的。 如何在复习与考试中避免陷入写作误区，拿到理想的分数呢？ 误区一：不会选题，甚至无题 对策：扬长避短，有话可话。选题的基本原则是：根据自己对所鉴赏文章的阅读理解程度，结合自己在文学鉴赏方面的知识储备，做出恰当的选择，从自己最熟悉的角度去选题，不要选择自己看起来陌生甚至根本不懂的题目来写，要保证对所选的题目有话可说，而且能够说得准确恰当。 误区二：观点模糊，不知所云 对策：开门见山，画龙点睛。无论是鉴赏原文的主题思想，还是
教学设计 教学主 小说鉴赏之人物赏析 题 一、教材分析 小说是以塑造人物形象为中心，通过对生动曲折的故事情节的叙述和典型环境的描写来反映社会生活的一种文学体裁。可见，在小说的三要素——人物、情节和环境中，人物是最重要的。因此，深入分析并把握好人物形象是读懂小说的关键，也是深入理解小说主旨的前提。 小说的中心任务是塑造人物形象，把握人物的性格特征及刻画人物的方法是小说阅读考查的重要内容。人物形象是命题者最青睐的内容，其命题角度大致有四个方面：赏析人物形象；塑造形象方法；分析形象作用；领悟小说主题。 二、学生分析 1、高三学生在经历了两年的学习生活之后，这时学习的积极性自觉性空前高涨，学习能力相应提高。高三教师要做的就是在这个基础上必须提高学生的综合技能，讲究学用结合，不仅让学生学会，更要让学生会学。 2、出现了两极分化现象，有些学生学习基础薄弱，学习兴趣也随之下降，基本上处于"被学习"状态。 三、教学目标 一、明确高考小说人物形象分析的地位 二、掌握小说阅读人物形象分析的方法 三、熟悉高考小说人物形象题答题模式 四、教学环境 简易多媒体教学环境 五、信息技术应用思路（突出三个方面：使用哪些技术？在哪些教学环节如何使用这些技术？使用这些技术的预期效果是？）200字左右 1、在备课的时候，充分利用信息技术，查找网络有效资源，包括视频、图片、音乐等，给学生营造一个生动形象有趣的教学情境，提高对学习的兴趣。 2、下载学习思维导图软件。这是在此次研修中学习到的软件，它充分运用左右脑的机能，利用记忆、阅读、思维的规律，协助人们在科学与艺术、逻辑与想象之间平衡发展，从而开启人类大脑的无限潜能。勇于接受新的事物，逐渐熟悉并运用到教学环节中去。 3、完善对教学课件的制作。摆脱过去只体现教学内容的死板模式，将“美”“精”“实用”充分结合，逐渐提高学生的学习兴趣。 4、对于理论性较强的课程应该多多利用信息技术，理论同实践内容更好的结合才有利
平凡的世界之孙少平简介 孙少平，路遥《平凡的世界》主人公。 人物简介： 《平凡的世界》中孙少平是一个积极进取，敢于拼搏的青年。生在农村，学习相当艰苦，忍饥挨冻，始终不放弃，反而更加勤奋。小说勾刻他的求学、成长、奋斗、成熟的经历，通过对其周遭社会环境的描写，以史笔的要求记录了一个时代。从这以点上来看，一沙一世界，一个人即是一个环境，是一个时代的缩影。他的家庭、爱情、理想、朋友以及命运等等无不包涵在小说中。正因为此，我们才从一个平凡的青年身上看到一个平凡的世界。他性格的成功，在于周遭环境，周围人物这一绿叶的扶持。小说中看到的田晓霞、润叶、少安、红梅、金波、金秀、孙玉厚等系列鲜活的人物，他们的爱，他们的命运，他们的理想，他们的喜怒哀乐无一不牵动着读者，正因为这些外延，正因为少平背后的人物群，可以说少平背后有若干个世界。所以当看到少平敢于拥抱晓霞时，就同时想到少安与润叶的爱情是怎样结束的；当看到少平做工地背石头的小工的辛苦时，同时会想到少安做砖窑的熬煎。少平成了大多数人情感经历的集大成者，其纷繁的生活环境，艰辛的奋斗过程，坎坷的心路历程不正是人物丰富性的体现么？ 性格分析： 少平性格的明确性在于他对理想生活和理想自我的执著追求。 少平生在农村，如果说当初的艰苦求学是为了走出农村，寻找出路，这是可以成立的。而后期，随着年龄的渐增，他已不再只是寻求出路，而是开始构建较理想的生活。同步建设的，更深层次的是自我价值的实现。小说中并没有让他过上舒适安逸的生活，而是给他安排了丰富跌宕的情感经历，浓墨重彩写少年的心路历程。在最后的抉择中，少平选择回到大牙湾梅煤矿与那对孤儿寡母互相照顾，不能不说包含了对理想自我的取向。正因为执著，他才一路走得那么激动人心，每做一件事都能引起读者得热切关注。小说流露出的那么一股昂然向上的精神，在少平的性格中充分地体现。没有这一性格的明确性，大概难以写出少平如何挨饿上课，如何奋斗，如何扛起责任走过那么多的沟沟坎坎！ 少平的身上也具有着很强的主体性。人的性格不是永恒不变的，是丰富多彩的，变化发展的。小说把他安排在老实巴交的贫苦农民家庭中长大，成员众多，有哥有妹，有老有幼，偌大一家子，一起活过这么多年来是因为勇于担当苦难的责任，学会了彼此照顾，为家人付出。也就从小熏陶了他的品质、性格。这样的家庭出一个能吃苦、能忍耐、对人真诚的人一点也不突兀，一点也不意外。因
文学评论写作 一、文学评论的几个要求 1.要注意评论的科学性。不要以个人的直觉和偏见任意地拔高或贬低。 2.要注意见解的独创性。要深入了解准确把握评论对象，挖掘出作品的思想意义和艺术特色，从而提出自己新颖、深刻、精辟的见解；而不是浮光掠影地泛泛而谈，分析不得要领，只是发表一些陈旧、肤浅、庸俗的见解。 3.采用叙议结合、评析结合的写法。在文学评论中，叙是指对作品内容的复述、介绍或引用，议则包含分析和评价两方面。分析，是对作品的思想内容、艺术特色等进行揭示的过程，评价，则是作者通过分析得到的结论，即对作品或作者艺术创造的总的看法，也就是文学评论的中心论点。 4.要注意评论语言的生动性。评论语言与议论文的语言有相同的地方，如要求语言表达准确、严密；又有不同的地方，需要讲求适当的文采，增强表达的形象性与生动性。 文学评论与读后感有着明显的区别。文学评论是对作品作客观的评价，对象仅限于文学作品；读后感是写读了作品之后的主观感受，对象包括所有体裁的作品。 二、写作角度与内容： 1.赏析作品的主题思想及其表现。这类题目主要是评析作品的思想内容和作者的观点态度，分析作品运用了哪些主要的表现手法（如想像、联想、象征、渲染、烘托、对比、先抑后扬、托物言志、借景抒情、寓情于景），表现一个怎样的主题思想，反映了怎样的社会现实，指出作品有何积极意义或局限性。赏析主题常用的术语有：中心突出、主题深刻、言近旨远、言简意丰、意在言外、含蓄蕴藉、深化主题等。 2.分析作品的形象。文学作品的形象指的是文学作品中创造出来的生动具体的、能激发人们感情的生活图案，通常指文学作品中人物的精神面貌和性格特征。分析作品的人物形象主要应从两个方面进行分析：一是揭示人物的典型意义，二是简要分析人物主要的性格特征。 3.赏析作品的艺术手法。文学作品的艺术手法是多种多样的，主要包括以下几个方面：（1）表达方式，如叙述、描写、议论、抒情、说明；（2）表现手法，如想像、联想、象征、渲染、烘托、对比、以小见大、先抑后扬、托物言志、借景抒情、寓情于景等；（3）叙述方式，如顺叙、倒叙、插叙、补叙等；（4）描写方式，如肖像描写、心理描写、语言描写、动作描写、环境描写等；（5）描写技法，如以动衬静、动静结合、虚实结合、点面结合、明暗结合、声色结合、粗笔勾勒、白描工笔等；（6）抒情方式，如直接抒情（直抒胸臆）、间接抒情（借景抒情、寓情于景）等；（7）意境的创设、修辞的运用等。赏析作品的艺术手法，主要从以上几个方面进行分析评价。
少平与少安：平凡中的不凡 少平，负着生活的厚重，同时追逐着精神的自由。少安，既有黄土高原儿子的小农意识，也有古人“达则兼济天下”的胸怀。 《平凡的世界》在1987年定稿，我在1986年出生，书里的故事停留在1985年。我和书里的岁月没有一天交集，但在作者安排的全知视角下，我看到了黄土高原上这个小村庄和村里这一辈人十年间的成长，也仿佛看到了我国在那十年间的政治和经济的大变革大发展。从没踏上过那片高原，也从未踩过那片土地，但三本书读下来，却觉得那里的一切是那么遥远而亲切，连遥唱的信天游都带着一种苍凉和悲壮，仿佛那东拉河奔腾的河水也把自己的生命往前拉长了十几年。难怪三毛说，“我看书，这使我多活几度生命”。 少平篇
无疑，这部小说的主线是孙少安和孙少平两兄弟的青春奋斗史。他们的青春，流淌着汗水、血水和泪水，也奔涌着亲情和爱情的激流，还有各种暗涌漩涡夹杂其中，如自卑和摆脱自卑、痛苦和忍受痛苦、辛酸却苦中作乐、期待却终身遗憾等等。可以说，这是每个人青春的真实写照，每个读者都从中或多或少能照见自己的影子。换句话说，我们都是孙少平，我们又都不是。 在我看来，少平是黄土高原上一个贫困家庭走出来的知识分子的代表。他身上有这个农村家庭祖祖辈辈留下来的抹不掉的痕迹，他朴实善良、诚实忠厚、吃苦能干，他会为家里的收成而辍学，会为不相识的少女而慷慨，会为对第一次收他做工的主家表示感谢而返还应得的工钱，会为偷盗手绢的前女友解围，会在师傅死后坚持照顾师母及幼子…… 同时，他也有新一代知识分子的新思想，虽然没有机会上大学，但他一直保持着读书看报的习惯，因为他坚信，走出双水村，一定有一个更广阔的天地。所以，在和顾养民、兰香这些大学生聊天时，他的境界非但没有落后，反而比这些受过高等教育的人思路更加开阔；所以，在和田晓霞交流时，两个人才能达到思想上的共鸣，从而迸发出爱情的火花。正是他不凡的思想，才使他不同于他的哥哥少安，也指引他走上了以后的人生道路；但他又终究是个普通人，是千千万万平凡的劳动者中的一员，他也要为吃饭穿衣养家糊口而奔波，也要为了稳定的收入而当一名煤矿工人，所以他是个拥有不凡思想的平凡人。 三本书看完，合上之后，回想让自己印象最深的两个镜头。一个是少平在胡永州的工地上的一个晚上。当小霞和少安，两个他生命中最亲近的人，在烛光下看到了他晾着淤青发紫的后背，却沉醉在手里的一本书的场景。当时我哭了，我想这个充满画面感的剪影可以定格为他的一生：背负着生活的厚重，同时追逐着精神的自由。另一个镜头则是小霞死去后，他一个人登上了古塔山，去赴两个人的约。
《平凡的世界》 今年初，根据路遥原著小说改编拍摄的电视剧《平凡的世界》在多家电视台热播，从观众反响到影视口碑，均反响强烈。自从开始接触这部电视剧，不管在剧情上还是思想上，我都产生了极大的共鸣，并且史无前例地有了追剧的兴趣，电视剧看完过后，更是激发了我拜读原著的渴望，于是乎，我手不释卷、通宵达旦、一气呵成通读了这本书，掩卷反思，心里有悲悯、有感动、有崇敬、有赞叹。奇文共欣赏、好书同分享，在此，我把这本书推荐给大家。 一、书籍概况：《平凡的世界》是中国作家路遥创作的一部百万字的现实主义小说。该书全景式地表现了中国当代城乡社会生活，全书共三部。1991年3月《平凡的世界》获中国第三届茅盾文学奖。第一版于1986年12月在文联出版社出版；第二版于2012 年3月在北京十月文艺于出版社正式发行。 二、作者简介：路遥（1949—1992），原名王卫国，中国当代农村作家。1949年12月23日生于陕西榆林市清涧县石咀驿乡王家堡村一个贫困的农民家庭，7岁时因为家里困难被过继给延川县农村的伯父。文革开始后受影响直到1969年底才回到家里务农。这段时间里他做过许多临时性的工作，并在农村一小学中教过一年书。1973年进入延安大学中文系学习，其间开始文学创作。大学毕业后，任《陕西文艺》（今为《延
河》）编辑。1992年积劳成疾，英年早逝。1980年发表《惊人动魄的一幕》，获得第一届全国优秀中篇小说奖，《人生》、《在困难的日子里》也相继获奖。1991年完成长篇小说《平凡的世界》获得第三届矛盾文学奖，他的作品《人生》被改编成电影后，引起巨大的轰动。 三、主要内容：该书以中国70年代中期到80年代中期十年间为背景，全景式地反映了中国近10年间城乡社会生活的巨大历史性变迁，以孙少安和孙少平两兄弟为中心，通过复杂的矛盾纠葛，刻画了当时社会各阶层众多普通人的形象，深刻地展示了普通人在大时代历史进程中所走过的艰难曲折的道路。在这里自尊与自强、苦难与拼搏、劳动与爱情、挫折与追求、痛苦与欢乐、日常生活与巨大社会冲突纷繁地交织在一起，读来令人荡气回肠，不忍释卷。而书中最引人感动的，还是孙氏兄弟不甘为命运的玩偶，在沉重的生活中发掘自己被禁锢的价值，自强不息的命运主旋律。 第一部：1975年初农民子弟孙少平到原西县高中读书，他贫困，自卑；后对处境相同的地主家庭出身的郝红梅产生情愫，在被同班同学侯玉英发现并当众说破后，与郝红梅关系渐变恶劣，后来郝红梅却与家境优越的顾养民恋爱。少平高中毕业，回到家乡做了一名教师。但他并没有消沉，他与县革委副主任田福军女儿田晓霞建立了友情，在晓霞帮助下关注着外面
Review of a Rose for Emily A Rose for Emily is a very popular short story because of its style, climax, and plot. The author, William Faulkner, was a Southern writer from Oxford, Mississippi. Faulkner bases this story on the tale of Oxford's aristocracy Miss Mary Neilson. She married Captain Jack Hume, the charming Y ankee foreman of a street-paving crew, over her family's shocked protests. The style of this story is false romance. Miss Emily's father, before his death, would run off every man that tried to court her. Because of this, she felt any man she loved would leave her. After falling in love with Homer Baron, she feared he would run off like the others. To keep this from happening, she poisoned him and kept his body upstairs in the bedroom. The climax focuses on the room where the corpse was found. After Miss Emily's death, the town people were cleaning up the house and found a room that was locked. They had to break down the door. To their surprise, they found Homer Baron's corpse lying in the bed dressed in a night shirt. As the story progresses there is no indication that he had died. When they found the toilet things sitting on the dresser with initials H.B., it was well known that the corpse was Homer Baron. I first thought it was her father in the bed, but I realized that her father was
文学评论写作模板 1.基本格式 一般说来，文学评论写作字数要求1500左右。段落一般在6-8段。 遵循：总——分——总的格式。第一段总起，下面三个部分各一段或两段，一般遵循：分——总的模式。最后一段总括全文，可升华，可总结。 通常第一段具体概括文章内容，并定下文章写作的中心，中心突出，有一定的理论支撑。（理论支撑需要事前稍微准备并背诵一些内容，但并不是必须。） 下面三个部分尽量是同一思路的延展，避免三个触点出发，最后归不到一个点上。尽量辐射式，避免平行论述。 最后一段总括全文内容，可以是对文章思路的一个梳理总结，也可以是论点思想的升华。切记：一定要连贯通畅。 记住这个框架。框架有了就开始填充内容。 2.内容怎么写？ 切入点：人物形象/情节主题/形式结构/语言风格/写作技法/历史文化…… 落脚点：主题主题主题（重要的事情说三遍） 最后一定要落脚在你的主题上。这个主题不一定是故事要讲的道理，也可以是你想要突出的人物或者观点。
具体的写作过程，可以围绕：是什么？（选定的主题）为什么？（构建主题的过程）怎么样？（主题构建的效果）这样一个思路。 真题（05-17）分析： 05《雪地里的期盼》 06《白马》 07《青龙偃月刀》 08《民间》 09《冯前》 10《蛮师傅》 11《大师》 12《戴车匠》 13《感恩心结》 14《那个老师叫老牛》 15《汪先生》 16《变脸》 17《双琴祭》
真题归类： （1）以人物为标题。 《冯前》《蛮师傅》《大事》《戴车匠》《那个老师叫老牛》《汪先生》。 这一类直接以人物为标题，大都是围绕人物的事迹或相关故事展开。 切入点：人物形象/精神品质/文化内涵/写作技法…… （2）以故事为标题。 《雪地里的期盼》《感恩心结》《变脸》《双琴祭》。 这一类以故事为标题，而且题目中能够明确把握住故事的核心，快速读懂故事。切入点：情节结构/精神品质/写作技法/人物形象…… （3）以意象为标题。 《青龙偃月刀》《白马》。 这一类以意象为标题，直接将文本的对象摘出来。毫无疑问，这一类文本尽量围绕文本意象展开比较好。 切入点：形象特征/精神品质/文化内涵/形式结构/写作技法…… （4）其他。 《民间》。
路遥《平凡的世界》的精神价值大于文学价值引导语：《平凡的世界》出版后，并没有马上引起热烈反响，甚至文学界对它的评价还不高，下面是小编整理的其中的精神价值大于文学价值的资讯，我们一起阅读学习吧。 路遥的长篇小说《平凡的世界》因为同名电视连续剧的播映，最近一段时间成为大家热议的一个话题。很多没有读过小说的人也找来小说读。路遥这位已经逝世二十多年的当代作家，也再一次成为人们致敬的对象。但《平凡的世界》作为一部当代文学的经典作品，并非是靠这次电视剧的播出才出名的，它自出版以来，就成为一部始终受到读者喜爱的畅销书，读者的欢迎持续二十多年不减。这里有几个数据。一是中国科学院生态环境研究中心国情研究室在1999年做过一次“1978-1998大众读书生活变迁调查”。根据调查结果，评选出“到现在为止对被访者影响最大的书”，排在前三位的是《红楼梦》《三国演义》和《钢铁是怎样炼成的》，《平凡的世界》排在第六位，而且这是唯一的一部进入到这个结果的新时期以来的当代小说。广西大学的老师还做过一次“茅盾文学奖获奖作品调查”，调查结果表明，在获奖作品中，读者购买最多的是《平凡的世界》，读者最喜欢的作品也是《平凡的世界》。 2008年，新浪网做过一次“读者最喜爱的茅盾文学奖获奖作品”的调查，调查结果，《平凡的世界》以71.46%的比例高居榜首。2019年，“文明中国”全民阅读调查中，《平凡的世界》甚至超过了《红楼梦》，在读者最想读的图书中排在第二名，同样在这个年，由北京市委宣传部等十七家单位组织的“大众有奖荐书活动”中，《平凡的世界》是推荐者最多的一本图书。《平凡的世界》出版后，中央人民广播电台就将其搬上了小说连播的节目，80年代电视还没有普及，广播电台的听众远远多于电视观众，小说播出后，中央人民广播电台收到了数千封听众来信。有一封学生的来信说，他们有二百七十人住在一幢四层楼房里，约有一百部收音机、录放机，在中午12点半都同时收听《平凡的世界》。现在《平凡的世界》一共印了多少册，我没有了解到确切的数字，但不久前我去西安，听与路遥女儿熟悉的朋友介绍，出版社每年给路遥女儿的版税都有上百万，可见每年出版社重印《平凡的世界》的量都是很大的。那么，《平凡的世界》的魅力到底在哪里呢? 魅力来自作家心血之凝聚 《平凡的世界》共分三部，路遥为写这部宏大的著作耗尽了心血，路遥是1992年去世的，他去世时才43岁，英年早逝，在很大水准上是因为路遥为写这部小说而透支了生命。路遥是新时期成长起来的作家，80年代初他的中篇小说《人生》发表后给他带来了极大的声誉，《人生》获得了当时的全国中篇小说奖。紧接着，西安电影制片厂又邀请路遥当编剧，把《人
推荐一本好书《平凡的世界》 本文是关于初中作文的推荐一本好书《平凡的世界》，感谢您的阅读！ 路遥生于陕北清涧县一个世代农民家庭，其代表作《平凡的世界》以其恢宏的气势和史诗般的品格，全景式地展现了改革时代中国城乡的社会生活和人们思想情感的巨大变迁，该作获得第三届茅盾文学奖。后因肝病早逝，年仅42岁。 由于路遥出身农村，他的写作素材基本来自农村生活，他始终认定自己是一个“农民血统的儿子”，是“既带着‘农村味’又带着‘城市味’的人”，他坚信“人生的最大的幸福也许在于创作的过程，而不在于那个结果”。所以他认为“只有在无比沉重的劳动中，人才活得更为充实”。他始终以深深纠缠的故乡情结和生命的沉重感去感受生活，以陕北大地作为一个沉浮在他心里的永恒的诗意象征，每当他的创作进入低谷时，他都是一个人独自去陕北故乡的“毛乌素沙漠”，他在那里审视自己，观照社会。 《平凡的世界》这一部伟大的巨著，为我们解说了平凡和苦难，阐释了生活的意义。书中为我们描述的是一个平凡的世界，一个黄土地上的世界。这里生活着一群世世代代面朝黄土北朝天的普通人，他们演绎着一幕幕生老病死、悲欢离合、贫穷与富裕、苦难与拼搏、世事变更的戏剧。是喜剧？悲剧？正剧？也许都有一点。在这本书里，没有华丽的辞藻、没有惊险离奇的情节，没有惊天动地的场面，有的只是平凡的人平凡的生活平凡的感情平凡的故事。 关于苦难的哲学，书中这样表达"……是的，他是在社会的最底层挣扎，为了几个钱而受尽折磨；但是他已经不仅仅将此看作是谋生、活命……他现在倒很“热爱”自己的苦难。通过这一段血火般的洗礼，他相信，自己经历千辛万苦而酿造出来的生活之蜜，肯定比轻而易举拿来的更有滋味——他自嘲地把自己的这种认
The Cask of Amontillado一桶白葡萄酒 （作者埃德加·爱·伦坡（Edger Allen Poe）是19世纪美国伟大的诗人、小说家、文学评论家，他的小说主要是短篇小说，多为恐怖小说，这可能与他从小失去父母，被人收养，形成阴暗、怪异的性格有关。） 我忍受了无数福吐纳托的迫害，每当他胆敢侮辱我的时候，我都发誓要报复。如此了解我脾性的你一定不会认为我只是说说吓唬人。最终，我会报复的，这是毫无疑问的。但是，采取的方式一定不能是有风险的。我不但要报复，而且要做得不留痕迹。如果纠正者遭到了惩罚，那么错误等于没有被纠正，同样地，如果一个报复者采取的行动不能让自己满意，那也就等于没有报复。 我必须确保我的言语和行动不能让福吐纳托认为我有恶意。所以，我仍然像往常一样，朝他微笑，他没有察觉我的微笑里面隐藏着杀机。 尽管福吐纳托在其他方面是个让人尊敬甚至让人害怕的人，但他却有个弱点，他对自己在葡萄酒上的鉴赏力颇有信心。意大利人少有真正具备鉴赏家精神的人。他们把大量的热情用到了抓住时间和机会欺诈不列颠和奥地利的百万富翁上。在油画和宝石方面，福吐纳托就像他的同胞一样，是个吹嘘者，但在陈年葡萄酒的品赏上，他却是不折不扣的专家。我在这点上跟他有着很大的相似，我自己也精于对意大利陈年好酒的鉴赏，而且只要方便就会大量买入。 天几乎黑了。在这个极度疯狂的狂欢季节的傍晚，我遇到了我的朋友。他喝得醉醺醺的，热情洋溢地过来跟我搭话。他穿得五颜六色。紧身的条纹状的衣服，头上一个圆形的帽子高高拱起，挂着铃铛。看到他我太高兴了，不由得把他的手握得紧紧的。 “亲爱的福吐纳托，见到你真是太巧了！你今天看起来棒极了！我买了一大桶酒，据说是白葡萄酒（西班牙蒙蒂利亚生产的一种甜酒），我想确定一下。”我对他说。 “什么？”他说，“白葡萄酒？一大桶？真的？在狂欢节期间？” “我想确定一下，”我说，“我真蠢！没咨询你就付了全款。我没找到你，而且我怕错失了好买卖。” “白葡萄酒！” “我想确定一下。” “白葡萄酒！” “我非得确定一下不可！” “白葡萄酒！” “因为找不到你，我正要去找卢克雷西，除了他没人能鉴别优劣，他会告诉我酒是不是正品。” “卢克雷西不能将白葡萄酒和一般的葡萄酒区别开。” “可某些傻瓜说他的舌头跟你的没有分别。” “来，我们走吧！” “去哪儿？” “去你的地窖。” “不行，我不能利用你的好心，我知道你有事。卢克雷西可以——” “我没事，走吧。” “不，就算没事，我恐怕地窖里面的阴冷会让你受不了，里面非常潮湿，而且结了硝石壳。” “走吧，冷算什么，白葡萄酒！你可被骗了，卢克雷西连雪利酒和白葡萄酒都分不清。” 说着，福吐纳托挽住我的胳膊，我戴上黑绸面具，用短披风把身子裹得紧紧的，他则急
2019北京海淀区高三二模语文试卷+ 作文解析（含破题方法热点素材写作提纲） 高三语文 2019.5 一、本大题共7小题,共26分。 阅读下面的材料,完成1-7题。 材料一 路遥是我国当代文学史上一位极其重要的现实主义作家,他把目光投向变革中的现实生活,关注社会底层小人物的情感与命运。他用生命所建构的文学世界,呈现了积极向上的时代精神,也照亮了无数人前行的路。 路遥的长篇小说《平凡的世界》主要反映1975年到1985年城乡广阔的社会生活。他在《早晨从中午开始》中这样说:"这十年是中国社会的大转型时期,其间充满了密集的重大的历史事件。我的基本想法是,要用历史和艺术的眼光观察在这种社会大背景下人的生存与生活状态。作品中将要表露的对某些特定历史背景下政治事件的态度,看似是作者的态度,其实基本应该是那个历史条件下人物的态度,作者应该站在历史的高度上,真正体现巴尔扎克所说的'书记官'的职能。 现实主义作品的创作方式,要求路遥一丝不苟、全方位地占有资料,熟悉所书写时代的特征与气质。路遥用6年左右的时间,潜心阅读了一百多部长篇小说,阅读了大量政治、经济、历史、宗教、文化以及农业、工业、科技、商业等方面的书籍,
还翻阅过这十年间的各类报刊杂志,手指头翻烂了,就缠上胶布翻。他屡次重返陕北故乡,深入到工矿企业、学校、集镇等地,进行生活的"重新到位",加深对农村、城镇变革的感性体验。应该说,路遥在动笔创作这部"宏大叙事"的作品前就做足了功课。但路遥所坚持的现实主义创作方法,在当时被文学评论界认为"过于陈旧"。 在新的文学潮流面前,路遥并没有选择迎合,而是坚定地固守传统。路遥所以执拗地坚持现实主义创作方法,按他的说法:"生活和题材决定了我应采用的表现手法,文学的'先进'不是因为描写了'先进'的生活,而是对特定历史进程中的人类活动作了准确而深刻的描绘。在中国这种一貫的文学环境中,独立的文学品格自然要经受重大考验。在这种情况下,你之所以还能够坚持,是因为你的写作干脆不面对文学界,不面对批评界,而直接面对读者。只要读者不遗弃你,就证明你能够存在。就这样,路遥以极大的艺术自信向着既定的目标前行,抱病完成了《平凡的世界》的创作。198年12月30日,路遥给时任《文学评论》常务副主编蔡葵的信中,再次明确地宣誓了自己现实主义的创作观:"当别人用西式餐具吃中国这盘莱的时候,我并不为自己仍然拿筷子吃饭而害臊 事实上,路遥用最在乎读者的创作方法为读者做出的"这盘菜",果真赢得了大众的好评。《平凡的世界》于1991年3月荣获第三届茅盾文学奖,其时的路遥仍保持着高度清醒的头脑,他强调"全身心地投入到生活之中,在无数胼手胝足创造伟大历史、伟大现实、伟大未来的劳动人民身上领悟人生大境界、艺术大境界,应该是我们毕生的追求"。
好书推荐 《平凡的世界》 《平凡的世界》由路遥先生所作，是一篇百万字的长篇小说，于1991年荣获第三届茅盾文学奖。这部小说以恢弘的气势和史诗般的品格，全景式的表现了改革时代中国城乡的社会生活和人们思想感情的巨大变迁。此书共分为三部，每一部的情调都是如此的突出，有些情节就如同您身临其境，亲身体验一般。读完后就如同你到那里去和那样的人打过交道，作为一个全局式的观览者，能看到其花开花落，人聚人散，会时而感到欢愉，十二感到悲感。那样的酸甜苦辣之味，不得不说，身于这世界，却到那世界去生活了一番，不管是在精神世界上，情感世界上都是一次巨大的升华，巨大的收获。 书中的主人公们，如孙少平、孙少安、田润叶、田晓霞，还有那些处于政界的政客们，都是书中世界的脊梁，有了他们情感生活的渲染，有了这些在这个世界里叱咤风云的人物，才使得这里有了生机，有了活力，有了永垂不朽。特别是属于少安、少平的面对困难，不怕苦，不怕累，就是天压下来腿也不颤抖一下的精神。使得我的人生观有了极大地进程。 本书中的爱情、亲情、友情也是比较丰富多彩的。有生死离别之爱，有相互依偎之爱，还有孤独相思之爱。亲情呢，有少安、少平的孝敬父母之情，有玉厚老汉的爱子如海深之情，也有少平的心疼妹妹兰香之情。友情在我看来，就是少平和金波之间的那种知心友情，简直就应该叫做生死之交。 任何东西别人都可以把他说的天花乱坠，但是真正的还是要自己去体会，去深思。因此，你应该去读读这本好书——《平凡的世界》 2《活着》 《活着》是余华的惊世之作，德国《柏林日报》评论称“此书的价值无法用任何评论的词语来形容，‘伟大’这个词在这本书面前也显得渺小”。能塑造一个既能反映一代人，又代表一个名族的灵魂人物，堪称是一个罕见的文学成就。余华这部划时代的家族悲剧《活着》，你只要读到一半，就已经确信它是不朽之作了。 这部作品的题目叫《活着》，作为一个词语，“活着”在我们中国的语音里充满了力量，它的力量不是来自于喊叫，也不是来自于进攻，而是忍受，去忍受生命赋予我们的责任，去忍受现实给于我们的幸福与苦难，无聊与平庸。作为一部作品，《活着》讲述了一个人与他命运之间的友情，这是最为感人的友情，因为他们相互感激，同时也相互仇恨打；他们谁也无法抛弃对方，同时谁也没有理由抱怨对方。他们活着时一起走在尘土飞扬的道路上，死时又化作雨水和泥土。与此同时，《活着》还讲诉了人如何去承受巨大的苦难，就像中国
The Cask of Amontillado THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled --but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong. It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my in to smile in his face, and he did not perceive that my to smile now was at the thought of his immolation. He had a weak point --this Fortunato --although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part their enthusiasm is adopted to suit the time and opportunity, to practise imposture upon the British and Austrian millionaires. In painting and gemmary, Fortunato, like his countrymen, was a quack, but in the matter of old wines he was sincere. In this respect I did not differ from him materially; --I was skilful in the Italian vintages myself, and bought largely whenever I could. It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done wringing his hand. I said to him --"My dear Fortunato, you are luckily met. How remarkably well you are looking to-day. But I have received a pipe of what passes for Amontillado, and I have my doubts." "How?" said he. "Amontillado, A pipe? Impossible! And in the middle of the carnival!" "I have my doubts," I replied; "and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain." "Amontillado!" "I have my doubts." "Amontillado!" "And I must satisfy them." "Amontillado!" "As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me --" "Luchresi cannot tell Amontillado from Sherry." "And yet some fools will have it that his taste is a match for your own. "Come, let us go." "Whither?" "To your vaults." "My friend, no; I will not impose upon your good nature. I perceive you have an engagement.
平凡的世界阅读心得体会 平凡的世界里从生存到生活，不同的是在大环境下，因为你的经历不同，人生的结局也大有不同，当然，我所说的这结局也不是生命的终结，只是故事中人物命运的一个段落，如果时光继续行走，如果故事还在继续，或许一些人的人生航向也在随之转变，或精彩，或平淡，任由我们去推测。下面小编为大家带来了阅读平凡的世界后的心得体会，希望大家喜欢。 关于《平凡的世界》的读书心得体会 一百多万字的作品，竟也很快地读完了，只是因为一份真实吧。若干个家庭，若干个场景，若干个人物的命运，若干个结局，都被浓缩到那一个时代背景中。 故事终于1985年，算来我也才几岁，再向前追溯几十年，似乎离我的生活就更远了，但我不得不承认，我依然在这部作品找到了一种阅读的快感，尽管时间跨越了我所生活的时代，但总有一些人物的经历似乎可以找到我们自己生活的影子，无非是物质和精神相比丰富了些而已。所以，无论时代怎样的巨变，人的生命历程总还是有些许相似的地方。 换句话说，更多的人都是在一个平凡的世界里从生存到生活，不同的是在大环境下，因为你的经历不同，人生的结局也大有不同，当然，我所说的这结局也不是生命的终结，只是故事中人物命运的一
个段落，如果时光继续行走，如果故事还在继续，或许一些人的人生航向也在随之转变，或精彩，或平淡，任由我们去推测。所以，我只当这是故事的结束，在这平凡的世界里，那林林总总的人们都还在继续着各自不同的生活 世界本就是一本丰富的书，这书里也自然有着许许多多的人物，正是这些人物情感与命运的交织，才让这个世界变得丰富，变得精彩，当然也变幻莫测，原来谁都无法左右自己的生活，但你的学识，你的阅历，你的人生观，价值观无疑会改变人生这艘船行驶的方向的。我无法评说这《平凡的世界》中谁的生活更完美，谁的人生更精彩，我亦不想去做无味的评说，路原本就是靠自己走出来的，任何人，都不过是你生命中的匆匆过客，而你的执着，而你的追求才是最终成就你生命斑驳的主导。 回味这故事，我想有一份真实，当是来自作者路遥的生活经历的，黄土高原的贫瘠，人们曾经生活的困窘，煤矿工人的艰辛，从合作制到生产责任制，划时代的改革荡起的决不仅仅是涟漪，而是为不同的人带来了不同的人生变化与抉择。 孙玉厚一家，这个双水村最贫困的家庭，是那个背景下人们生活的一个缩影，孙玉厚这个一家之主厚道，老实，却因贫穷而变得胆怯，在他的世界里，照顾好庄稼，解决了最基本的温饱，生活就足以，以他的年纪，自然是少了冒险与挑战的，但是他的孩子们却让他最终成为双水村最自豪的人。 大儿子少安，家境的贫困让只读了初中的他无奈地选择了回家
本文部分内容来自网络整理，本司不为其真实性负责，如有异议或侵权请及时联系，本司将立即删除！ == 本文为word格式，下载后可方便编辑和修改！ == 文学评论写作万能模板 篇一：文学评论写作经验——现当代文学 文学评论写作经验——现当代文学 考研的路，走过，无意间再回首，万般滋味涌上心头。有过彷徨，也曾无助 过，千种感慨，尽在苏轼的一句词里：归去，也无风雨也无情。 暑期在家，闲下来的时候，翻看我喜爱的诗词，说到古诗词，想到了现当代文 学评论的写作。我想，没有对于古诗词所下的一番苦心，文学评论写作可能拿 不到140分。中国古代的诗歌、词，对于写作入门不失为捷径，。唐诗宋词重 意境的营构、重心绪的传达，看的多、品的多，慢慢感觉就出来了，叶嘉莹的 十五讲，还有胡晓明的《万川之月》，以及其他唐诗宋词的赏析性著作，对于 古诗词品味的提升，很有版主。现当代诗歌的品读，万象归一，与古诗词有异 曲同工之妙，都是文人的此情此景的再现。只是现代诗歌比较年轻，体式上尚 不足谓之成熟，略显涩一些。说到古诗词赏析，它可以更快的熏陶出对诗歌的 感知，籍此来赏析现代诗，也许上手比较容易些。毕竟，诗思是相通的。现代 诗评论的写作，构建在读懂诗意的基础上，大体方向要把我对。在09年考研的前一个月，我还在犹豫担心，我怕我抓不准这首诗，他具体所要传达的意思， 我怕我抓偏离。在去年夏天，我还在着急，面对一首诗歌，哇不能全一片空白，没有任何的感觉，也不知怎么评。复习时困惑厚重的像一堵墙，堆积的几近窒息。后来，我决定模仿评论写作。在图书馆借出孙玉石的两本《中国现代诗导读》，说到，说到孙玉石先生，他是诗评界的重量级人物，而这两本书中的评 论文章，均出自他和他的研究生之手，文采斐然，文笔妙曼读来是一种享受。 从暑假到考研的多半年时间，我几乎模写遍了这两本书的评论文章。模写要有 点变通，学的是笔者行文思路，如何定题的墓志铭开头的，他是从哪个角度分 析这首诗歌，人家是怎么论证的，收尾时怎么收的。先大题把他的文章熟识后，也明确了诗歌的大意，合上书本，用自己的语言，叙说作者的文章，两相对照 找不足。当然，记得重点是看人家怎 么评论这首诗。 评论的写作，是一个日积月累的过程，想一蹴而就怕不易。它考察学生对于诗 歌的感知能力、行文组织驾驭能力、逻辑思维能力，诗歌浓缩着文学的精华， 短小，读懂读透也是需要下一番功夫。我模写近十几篇时，已隐隐感觉到，诗