XXXX大学本科毕业论文（设计）任务书
编号：
论文（设计）题目：论《傲慢与偏见》中所体现的爱情观和婚姻观
学院： XXX学院专业：机器翻译班级： XXXX机器翻译1班
学生姓名： XXX 学号： XXXX 指导教师： XXX 职称：中职
1、论文（设计）研究目标及主要任务
本论文的研究目标是探讨《傲慢与偏见》中四段爱情故事体现出来的爱情观和婚姻观。其主要任务是通过深入讨论小说总结出作者的爱情观和婚姻观。
2、论文（设计）的主要内容
本论文分为三章，第一章介绍小说的创作背景，第二章介绍小说中的四段爱情故事，最后一章讨论了小说体现的爱情观和婚姻观。
3、论文（设计）的基础条件及研究路线
本论文的基础条件是不同的文学家及评论学家对《傲慢与偏见》中体现的爱情观和婚姻观的研究结果。
研究路线是对文中四段爱情故事的阐述，总结出作者的爱情观和婚姻观。
4、主要参考文献
[1]Andrew Cecil Bradley(1851-1935), British literary critic, notes on Sense and Sensibility.
[2]Jane Austen. Pride and Prejudice. Shanghai World Books Press, 2007.
[3]Tanner Tony, Jane Austen.
[4]朱虹（编）奥斯丁研究[M], 北京：中国文联出版公司 1985
5、计划进度
阶段起止日期
1 确定初步论文题目4月5日前
2 与导师见面，确定大致范围，填开题报告和
任务书，导师签字
4月6日-4月15日
3 提交论文提纲4月20日-4月22日
4 交初稿和文献综述5月2日-5月4日
5 交终稿和评议书5月9日前
指导教师：年月日
教研室主任：年月
注：一式三份，学院（系）、指导教师、学生各一份
XXXX大学本科生毕业论文（设计）开题报告书XXX学院 XXXX 专业 XXX 届
学生姓名XXX
论文（设
计）题目
论《傲慢与偏见》中所体现的爱情观和婚姻观
指导教师XXX
专业
职称
中职
所属教
研室
商务英语
教研室
研究方
向
应用语言学
课题论证：通过对小说中四中爱情模式的讨论与分析，总结中作者的爱情观和婚姻观。
方案设计：第一章介绍小说写作背景，
第二章阐述文中的四中爱情模式，
第三章探讨作者的爱情观和婚姻观。
进度计划：4月5日前确定初步论文题目
4月15日前写开题报告、任务书
4月22日前提交论文提纲
5月4日前提交初稿和文献综述
5月9日前交终稿和评议书
指导教师意见：
指导教师签名：年月日
教研室意见：
教研室主任签名：年月日
XXX大学本科生毕业论文（设计）评议书
姓名XXX 学院XXX学
院
专业
机器
翻译
年级（班）
XXXX机器翻
译1班
论文题目论《傲慢与偏见》中所体现的爱情观和婚姻观完成时间XXX/5/6
论文内容摘要
《傲慢与偏见》是简·奥斯汀的代表作。这部作品以日常生活为素材，一反当时社会上流行的感伤小说的内容和矫揉造作的写作方法，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世态人情。这部社会风情画式的小说不仅在当时吸引着广大的读者，时至今日，仍给读者以独特的艺术享受。
本文通过对简·奥斯汀代表作《傲慢与偏见》的解析和探讨，结合小说写作大环境，也就是十九世纪初的英国乡绅文化，解读小说中所描写的四种不同婚姻和爱情，通过对这四段婚姻的详细分析，来探讨《傲慢与偏见》中作者想要体现的爱情观和婚姻观。作者认为，恋爱、婚姻与财产和社会地位相互关联，但恋爱和婚姻不能仅取决于这两方面, 正确的婚姻应当建立在相互爱慕、相互尊重的基础上。她既反对为钱而结婚，也反对轻率结婚，强调婚姻中感情因素的重要性。
指
导
教
师
评
语
年月日指导教师职称初评成绩
答辩小组
姓名职称教研室组长
成员
答辩记录：
记录人签字：年月日答辩小组意见：
组长签字：年月日学院意见：
评定成绩：签章
年月日
XXXX大学本科生毕业论文（设计）文献综述
Literature Review
Many people simply regard Pride and Prejudice as a love story, actually this book is an illustration of the society at that time. The author Jane Austen perfectly reflected the relation between money and marriage at that time and demonstrated her own views towards love and marriage, that is marriage should based on both money and love, while the latter enjoys the more important position.
Pride and Prejudice is one of the masterpieces of Jane Austen. This work selects material from daily life and vividly reflects the conservative and occlusive British town life and world during the period between the end of the eighteenth century and the beginning of the nineteenth century. It is different from other literature work at that time, during when the sentimental novels and artificial method were popular in society. Pride and Prejudice not only attracted plenty of readers at that time, but also gave the readers a unique art experience at present.
This thesis combines the writing background, the British gentry culture at the beginning of the nineteenth century, and discuss the four kinds of attitudes towards love in Pride and Prejudice, then describe author’s view of love and marriage. The author believes that love and marriage are interrelated with property and social status, but love and marriage do not only depend on these two aspects. The correct marriage should be established on the basis of mutual love and mutual respect. She opposes marriage for money, also opposes hasty marriage, and stresses the importance of emotional factors in marriage.
In the novel Pride and Prejudice, the author describes four love stories of young men and women and clearly expressed her views on love and marriage through comparison, identification and judgment. The marriage arrangements between Jane and Bingley, Elizabeth and Darcy fiercely criticize the social phenomenon of the concept of the institution of marriage and the family status, so that people seem to have heard women demanding an independent personality and the earnest voice for equal rights. The arrangement of the combination between Charlotte and Collins
mercilessly ridicules women who treated marriage as the meter making compromises of food and clothing, holding the concept of fatalistic marriage. Through the marriage of Lydia and Wickham, the author expresses her contempt to marriage for moment erotic and impulse. Jane Austin has repeatedly stressed that the mercenary marriage is never desirable, and the marriage without love will not be happy. Her forethought and boldness rarely can be compared. The current institution of marriage pays more attention on the perfect match, status and wealth, which acts as a great obstacle to the conclusion of a happy marriage between young men and women. This social issue can not be ignored.
In the novel Pride and Prejudice, the author does not take the simple frontal attack to approach this serious social problem, but in a roundabout way for side attack. The language of this book is witty, but it is a ruthless character behind a gentle appearance. British literary critic Andrew Cecil Bradley said: "Jane Austen has two distinct tendencies. She is a moralist and a humorist. These two tendencies tend to mix up together, even fully integrated."
Austen’s marital morality has important social and historical significance. It lashes the immoral view on marriage, which is based on money, status, and all kinds of ugly behavior influenced by this concept. At the same time, it emphasizes the independence and dignity of women on the marital problems. Austen emphasizes marriage must be based on love, which is consistent with the spirit of Engels: "Only the love-based marriage is ethical".
As an female novelist, Jane Austen expressed her rejection of marriage funded on money and social status. To a large extend, women married not husbands, but the money. That is the sadness of women at time. In this novel, the author clearly demonstrated her point of view toward love and marriage, that is only combined economic situation and mutual love can bring happiness to marital life. By description and discussion of these four kinds of love patters, it is easily to see that the author strongly appreciates the marriage funded on mutual understanding and true love, but satires the marriage based on desire and lure. Only true love can bring happiness to marital life. it is also suitable in today’s soci ety.
In modern era, women have an improved situation in society and they can choose husband by themselves. Nowadays, marriage for women are no longer the way to survive, but the way the achieve their marital desire. But that not means the novel Pride and Prejudice has no use for us. On the contrary, this novel still possesses an important status in people’s mind. Because every woman are longing for the marriage between Elizabeth and Darcy, and the independent character of modern women gives them chances to achieve. People read this novel, imagining the beautiful love between Elizabeth and Darcy, hoping that one day this can be achieved in their own life. While the most important thing for readers is that they can feel the pure love in it, which gives them confidence and encouragement to pursue their own desirable marriage.
In face of marriage, people always have their own choice to make their own judgments, intending to make plans for later life. In modern society, people indulge in passion and pursue momentary happiness like Lydia and Wickham, or be content with the status and position, like Charlotte to live a boring life, or daring to pursue their love and struggle to the establishment of happy family, like Elizabeth and Darcy? Different people have different views, but no matter how to choose, people will have their own reasons. It may be the eternal topic left by Jane Austen’s Pride and Prejudice.
本科生毕业论文册
题目：论《傲慢与偏见》中所体现的爱情观和婚姻观
学院 XXX学院
专业机器翻译
班级 XXX级
学生 XXX
指导教师 XXX
On the View of Love and Marriage in
Pride and Prejudice
By
XXX
XXXX, Tutor
A Thesis
Submitted to the Foreign Language
Institute in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts at XXXXUniversity
May 6th, XXX
摘要
《傲慢与偏见》是简·奥斯汀的代表作。这部作品以日常生活为素材，一反当时社会上流行的感伤小说的内容和矫揉造作的写作方法，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世态人情。这部社会风情画式的小说不仅在当时吸引着广大的读者，时至今日，仍给读者以独特的艺术享受。
本文通过对简·奥斯汀代表作《傲慢与偏见》的解析和探讨，结合小说写作大环境，也就是十九世纪初的英国乡绅文化，解读小说中所描写的四种不同婚姻和爱情，通过对这四段婚姻的详细分析，来探讨《傲慢与偏见》中作者想要体现的爱情观和婚姻观。作者认为，恋爱、婚姻与财产和社会地位相互关联，但恋爱和婚姻不能仅取决于这两方面, 正确的婚姻应当建立在相互爱慕、相互尊重的基础上。她既反对为钱而结婚，也反对轻率结婚，强调婚姻中感情因素的重要性。
关键词:傲慢偏见爱情观婚姻观
Abstract
Pride and Prejudice is one of the masterpieces of Jane Austen. This work selects material from everyday life and vividly reflects the conservative and occlusive British town life and world during the period between the end of the eighteenth century and the beginning of the nineteenth century. It is different from other literature work at that time, during when the sentimental novels and artificial method were popular in society. Pride and Prejudice not only attracted plenty of readers at that time, but also gave the readers a unique art experience at present.
This thesis will combine the writing background, the British gentry culture at the beginning of the nineteenth century, and discuss the four kinds of attitudes towards love in Pride and Prejudice, then describe author’s view of love and marriage. The author believes that love and marriage are interrelated with property and social status, but love and marriage do not only depend on these two aspects. The correct marriage should be established on the basis of mutual love and mutual respect. She opposes marriage for money, also opposes hasty marriage, and stresses the importance of emotional factors in marriage.
Key words: pride prejudice love marriage
Table of Contents
Introduction (1)
Chapter 1. Writing Background (3)
A. Squire Culture in Northern England Between the End of 18th
Century and the Beginning of 19th Century (3)
B. Marital Status of the Author Jane Austen (4)
Chapter 2. Four Love Patterns in the Novel (6)
A. Prince and Princess Pattern------ Jane and Bingley (6)
B. Flat but Permanent Pattern------ Elizabeth and Darcy (8)
C. A Pattern Full of Desire------Lydia and Wickham (10)
D. A Pattern Going with the Stream------Charlotte and Collins (12)
Chapter 3. Author’s View of Love (15)
A. Base of Marriage (15)
B. Moral View of Marriage (15)
C. Marital Desire of Jane Austen (16)
Conclusion (18)
Notes (20)
Bibliography (21)
Introduction
Jane Austen (1775-1817), born in Steventon, Hampshire, England, died when she was only 42 years old and never married. But in her brief but brilliant life, she created six realism novels which were popular all over the world. Pride and Prejudice is one of them and is included in the World's Top Ten Novels. It is easy to see the great charm of this novel.
Generally speaking, Jane Austen was a writher of the 18th-century, although she lived mainly in the 19th century. As a realistic writer, she believed that it is her duty to express a discriminated and serious criticism of life in her works, and expose the follies and illusions of mankind. She showed contemptuous feelings towards snobbery, stupidity, worldliness and vulgarity through subtle satire and irony. As for style, she was a advocator of neoclassicism, upholding those traditional ideas of order, proportion, reason and gracefulness in the novel writing.
Austen's literary works mainly concerned about human beings in their personal relationships. Because of this, her novels had a great significance among the world. It is her conviction that a man's relationship to his wife and children is at least as important as his concerns about his belief and career. It can reveal his moral quality accurately and truthfully. If one wants to know about a man's talents, one should see him at work; but if one wants to know about his nature and temper, one should see him at home. Austen shows a human being not at moments of crisis, but in the most trivial incidents of everyday life.
In the novel Pride and Prejudice, the author describes four love stories of young men and women and clearly expressed her views on love and marriage through comparison, identification and judgment. The marriage arrangements between Jane and Bingley, Elizabeth and Darcy fiercely criticize the social phenomenon of the concept of the institution of marriage and the family status, so that people seem to have heard women demanding an independent personality and the earnest voice for equal rights. The arrangement of the combination between Charlotte and Collins mercilessly ridicules women who treated marriage as the meter making compromises of food and clothing, holding the concept of fatalistic marriage. Through the marriage of Lydia and Wickham, the author expresses her contempt to marriage for moment erotic and impulse. Jane Austin has repeatedly stressed that the mercenary marriage is never desirable, and the marriage without love will not be happy. Her forethought and boldness rarely
can be compared. The current institution of marriage pays more attention on the perfect match, status and wealth, which acts as a great obstacle to the conclusion of a happy marriage between young men and women. This social issue can not be ignored.
In the novel Pride and Prejudice, the author does not take the simple frontal attack to approach this serious social problem, but in a roundabout way for side attack. The language of this book is witty, but it is a ruthless character behind a gentle appearance. British literary critic Andrew Cecil Bradley said: "Jane Austen has two distinct tendencies. She is a moralist and a humorist. These two tendencies tend to mix up together, even fully integrated." [1]
Chapter 1. Writing Background
A. Squire Culture in Northern England between the End of 18th Century and the Beginning of 19th Century
During the period between late 18th century and early 19th century, Europe underwent a series of political, economic and social events: the French Revolution, the War in Europe, the Industrial Revolution, and so on. In turbulent times, the country where Austen lived, still remained relatively stable, and the majority of the population were still engaged in traditional agricultural labor and handwork. But later, the machine gradually replaced the manual labor, and the system of economic activity tended to emphasis on efficiency, division of labor and organization of the process of production, which had changed the traditional pattern. The extension of rail, road and canal provided favorable conditions for acceleration of movements of social and population, and the city was emerging and gradually into scale.[2] Industrialization not only promoted the production organization to continue to divide, but also made the job market more diversified, along with the social structure began to integrate and restructure, and the modern bourgeois’ political and economic base were formed. However, the emergence of a new economic factors or institution inevitably required the spiritual level updated accordingly, and called for the pursuit of life and values, eventually leading to the conflict of the original human coordinate.
The opening sentence in Pride and Prejudice is “It is a truth universally acknowledg ed, that a single man in possession of a good fortune must be in want of a wife.”[3] This well-known sentence vividly reflects the popular concept of marriage in British middle-class male--the rich man must be married, while to get married you have to have money. In 19th-century, British social and cultural realities determined people in marriage must take property into account. In this day and age, women were, whether in economic, social or family status attached to the male, and strict social hierarchy resulted in marital stressing good match.
“At that time, according to the social conditions in Britain, a good marriage for a young woman was critical. This phenomenon was closely associated with the British society and the
status of women in the society. In the 19th century, women were not well respected compared with the ones in the present society. There was no equality between woman and man. Women were considered to be inferior to men in terms of intelligence and capacity. The central life of women was forced to be staying at home; their roles were to deal with the family affairs, such as taking care of the children and serving for the husband.”[4]
Like Elizabeth, a knowledgeable woman originated in middle-class but meager property, in order to obtain a decent standard of living and status, the only way is to marry a good man. As Austen wrote: "A single man of large fortune, four or five thousand a year. What a fine thing for our girls!"[3] Marriage is a way for people to seek economic security and social status. In this novel, the Bennet couple deliberately find rich men for their daughters, and arrange their nephew to pick one of their daughters for marriage. All of these episodes reflect the close contact between marriage and money at that time. Marriage is like a market, while young women are like commodities for men to select. In terms of marriage, money is more important than the feelings of love. A western critic once said:
“Even David Richard (a British economist) had an unlikely clearly understanding about the function of money in daily life than Jane Austen did.”[4]
B. Marital Status of the Author Jane Austen
Jane Austen had created so many beautiful love stories, but how was her love situation then? In her 42 years life, her marital life is a blank, but she had traveled a love course filled with sweet and bitter.
From the time point of view, the process of her love course was quite closely linked with the creation of this novel Pride and Prejudice. She created First Impression, which was the blueprint of Pride and Prejudice,when she was only 21 years old, the same age with her preference heroine Elizabeth. In this year, she fell in love with a young Irish man, Tom Lefroy. However, the priest family of Jane Austen hoped the future son-in-law had enough economic
strength, while at that time Lefroy was a poor boy. Meanwhile, the Lefroys who had six children insisted on the marriage to a rich family, thus requiring Lefroy to return to Ireland. From then on, they had never meet each other again. That year, in the letter Austen wrote to her sister Cassandra, she expressed her deep sadness and sorrow, “Finally, this day came. I will bid farewell to Tom Lefroy. When you receive this letter, it is all over now. Thinking of this, I can not help tears.” Later, Tom Lefroy married a young lady from a rich, noble family and became the Chief Justice of the Supreme Court of Ireland. Until his late years, he admitted to his nephew that he had a young love story between writers.
In 1801, when she was 26 years old, she fell in love with a handsome youth in Bath, and their emotion was very strong, but unfortunately this young man died from a sudden attack of serious illness.
In 1802, 27-year-old Austin (the same age with Charlotte in this novel) met a Manor heir with production who proposed to her. After a long sleepless night, she adamantly refused in the next morning.
When she was 33 years old in 1808, she almost agreed to marry a middle-aged priest, but with no further specifics. Jane Austen rewrite Pride and Prejudice when she was 35 to 37 years old (1801-1812) and published this novel in 1813. Puppy love from the age of 21 to heart-to-heart love in 33 years old, the author went through her most beautiful life, but failed to find the happiest life partner and finally gave up her love’s real home. At the same time, it also achieved her most important work Pride and Prejudice. After all this, the author reviewed her love course from a view of mature female. She borrowed a few of middle-class women to perform all sorts of feelings and marriage that have been and may appear during the 12 years, to express her thought of marriage at that time.
Chapter 2. Four Love Patterns in the Novel
Jane Austen's Pride and Prejudice is about love between men and women. Although male and female in the vast majority of scenes can perform the love in the eyes of Jane quite perfect, after all, Elizabeth does not have Jane’s kind of woman feelings, and Darcy is not as cute as Bingley's. In this novel, four pairs of couple reveal love between men and women from a variety of aspects.
“Darcy and Elizabeth’s love and marriage is the main theme of this work. After undergoing many setbacks, Darcy’s arrogance and Elizabeth’s prejudice eventually eliminates, the lovers finally get ma rried. The marriage of Elizabeth’s sister Jane and Darcy’s friend Bingley is another clue. They deeply love each other, but they are many things hinder between them. After their departure, Jane misses Bingley very much. The two marriages reflects another point of view in positive way that marriage should be based on true love, which is the ideal marry in the author’s opinion. The stories seem to be the ordinary lives, feelings and persons linked up in a harmonious order under the others meticulous concepts. However, the marriage between Charlotte and Collins is a negative example with the marriage between Lydia and Wickham, which helps to make the plots more tortuous and richer.”[4]
A. Prince and Princess Pattern------ Jane and Bingley
Jane has very good characters, just as kind as an angel. Among the five sisters, she is considered to be the most beautiful one, even arrogant Darcy says that she is the most beautiful girl in the dancing party. She is flattered toward the twice invited by Bingley, while if it were for Elizabeth, she would not think so. Elizabeth describes her sister as:
“Oh! you are a great deal too apt, you know, to like people in general. You never see a fault in anybody. All the world are good and agreeable in your eyes. I never heard you speak ill
of a human being in your life.”[5]
Jane is always with a very indifferent smile, and hides her love towards Bingley successfully, so that in the letter Darcy wrote to Elizabeth, Darcy explains that he cannot see Jane’s love towards Bingley, which leads to the departure of Bingley and almost ruins his own happiness. When other sisters says ill words about Darcy because of Wickham’s narration, only Jane thinks things are strange. Due to her soft temper and just character, she always persuades others to observe things carefully. She treats equally to all the people, and has no perceive of Miss Bingley’s intention, nor the reason for her apathy. It is easy for readers to see the naive character of Jane, and the people around her also have a good impression on her. She is not as assertive as Elizabeth, nor taking the initiative to pursue her own happiness. Fortunately, Bingley really loves her, and asks her to marry him. She finally achieves her ideal marriage.
Mr. Bingley is a handsome and agreeable gentleman, and not contrived. He is gentle and frank, but is a bit of assertive, depending on his friend very much, which is easy to be controlled by others. He is not sure exactly how much he loves Jane, then left Jane confusedly. Although he is well-born, he does not look down upon the people than people under him. Taking Elizabeth visiting Jane for example, when his sister laughs at Elizabeth embarrassment, he says she is very cute. Miss Bingley also says that Elizabeth has some very low-level relatives; he believes that these relatives of Elizabeth can not explain anything. Both Bingley and Jane have good characters, but they do not have their own views, so they take a lot of detours in front of the marriage. Fortunately, they come together at last.
Analyzing their characters, Jane stands for the small women who extremely longing for love and have no other desires for man. While Mr. Bingley is handsome, warm and friendly, also has quite good family background. Every girl is yearning to find such a man. Actually, Jane has a good impression on him from the moment she saw him. It happens that Mr. Bingley has preference for beautiful Jane. In Jane’s sick days, Mr Bingley takes care of her meticulously. When Jane gets better and put forward home, Mr Bingley repeatedly detains and presses her to stay. Their feelings develop calmly and slowly, until when Mr. Bingley leaves Mud Ze Villa, and Jane knows that he will not come back any more. Jane begins to lose heart and holds out little hope for this relationship. When things happen, Jane does not look for reasons nor find a
way to solve the problem, but simply to accept, doing nothing. Similarly, Mr. Bingley does not have his own ideas, and listens to the words of his friend blindly. He begins to suspect whether Jane really loves him, and also questions Jane's parents and sisters vulgar and offensive performance. Although he is deeply in love with Jane, his feelings are too easy to shake. Later, through the help of Darcy, Bingley is finally proposed to Jane. For them, both being ideal companion candidates. Jane admires Bingley for his gentleman poise and solid wealth, while Bingley admires Jane for her sensible and considerate virtue. This kind of wife will be both a career woman and a house wife after marriage. Both of them are the ideal partners for each other.
Their marriage is based on beauty, virtue and fortune. According to Mrs. Bennet, Jane’s marriage to Bingley has the following advantages:
“His being such a charming young man, and so rich, and living but three miles from them, were the first points of self-gratulation; and then it was such a comfort to think how fond the two sisters were of Jane, and to be certain that they must desire the connection as much as she could do. It was, moreover, such a promising thing for her younger daughters, as Jane's marrying so greatly must throw them in the way of other rich men; and lastly, it was so pleasant at her time of life to be able to consign her single daughters to the care of their sister, that she might not be obliged to go into company more than she liked.”[5]
Actually, Jane Austin is the sinking Venus before the dawn of British realism literature is coming. She creates the shapes of Jane and Bingley with the purpose of using realism to deconstruct this kind of love pattern which could only exist in people's imagined world.
B. Flat but Permanent Pattern------ Elizabeth and Darcy
Elizabeth and Darcy are the real protagonists in the novel Pride and Prejudice. The man is extremely missish while the woman is very clever.
Elizabeth is a lovely girl and has a keen sense of observation. She is not as submissive as
傲慢与偏见人物特点 1.伊丽莎白·班内特（Elizabeth Bennet）：班内特家二小姐，二十岁，故事的主角。活泼，聪明，机智，经常由第一印象来判断别人。她对于婚姻有着和当时社会不一样的看法，认为只有爱情才能带来幸福，不肯为钱随便找个有钱人结婚。她也看不起上流社会的虚伪和做作。因为达西先生的高傲脾气，加上韦汉先生散播的谣言，对达西先生产生种种误会，对他的人格打了极低的分数。但随着时间的过去、事件的发生，伊莉莎白对达西先生的看法开始有了改变。从原来的鄙视转为满心的钦佩和感激。 2.达西先生（Mr. Darcy），全名费兹威廉·达西（Fitzwilliam Darcy）：一位富有的年轻人，故事主角。他是宾利先生的好友，外表英俊且风度翩翩的绅士，个性内敛和高傲，对宾利先生打算跟不适合的女子结婚一事十分不满，同时也看不起其他人的趋炎附势。因不习惯和人打交道，所以经常表现出高高在上的姿态，引来不少的毁谤声。但被伊莉莎白拒绝求婚后，也开始反省自己的行为，改掉了高傲的脾气。在莉蒂亚一事上，给予不少的帮助，使莉蒂亚的名声没有败坏。 3.班内特先生(Mr. Bennet)：一个住在英国德福郡的绅士.他已婚并育有五名女儿。但他的财产需要由男性继承，所以在他死后，他的遗产将会由和他有着差劲关系的柯林斯先生（Mr Collins）继承。班内特先生是一个温柔而体贴的人，对他的两位大女儿，珍和伊丽莎白宠爱有加。不过，他不喜欢他的妻子和三位小女儿的愚昧和不理性，经常说她们愚蠢以及嘲笑她们。对自己失败的婚姻已绝望，是个沉默而善变、幽默却善讽的人。对于妻子的愚昧，保持着冷眼旁观的态度。 4.班内特太太(Mrs. Bennet)：班内特先生的太太。她人生中最关注的事，是她将来的财产和屋子将会由柯林斯先生继承。因为这件事，她非常渴望她的五个女儿能嫁得好，并尽力撮合新邻居宾利先生和其中一个女儿。她亦希望能够令其中一个女儿和柯林斯先生结婚。是个非常平庸、见识浅薄而又长舌的女人。她的生活重心在于女儿的终生大事，想利用女儿钓金龟婿。 5.珍·班内特(Jane Bennet)：伊莉莎白的姊姊，班内特五姐妹中最年长的，也是公认最美丽的一个。她温柔、善解人意，但性格矜持，经常收藏自己的情感。她相信人性本善，凡事都往好处想，认为世界上没有坏人。和宾利先生一见钟情，最后排除万难结为夫妻。 6.玛莉·班内特(Mary Bennet)：排行第三，性格并不讨好,是一名书呆子。她鄙视其他姊妹的兴趣，并经常希望能展视自己的音乐才华，及以警世格言来警告身边的人。 7.凯瑟林（凯蒂）·班内特(Catherine "Kitty" Bennet)：排行第四，十七岁，经常跟随妹妹丽迪亚。 8.丽迪亚·班内特(Lydia Bennet)：排行最小，十五岁。她非常喜欢调情，个性天真而鲁葬。最终和韦克翰私奔，在达西的大力帮助下两人才能结婚。 9.查尔斯·宾利（Charles Bingley）：一个单身的有钱人，在班内特的住宅附近租了房子。达西先生的朋友。性格温和，活泼，但易受人影响，所以常被朋友牵着鼻子走。一直爱慕珍·班
毕业论文 题目：《傲慢与偏见》中的女性形象分析Title:An Analysis of the Imagery of Woman Characters in Pride and Prejudice 2009年 5 月 20 日
Acknowledgements I acknowledge with gratitude the various critical guidance and substantial assistance, which are indispensable to the completion of my thesis. First of all, I should express my gratitude to my family who supported me heart and soul，I would also like to extend my heartfelt thanks to the numerous other teachers in my four study years, who teach me much essential knowledge . Then I want to thank my friends in my academy, whose help and inspiration have benefited me much. Finally, I am greatly indebted to my supervisor Han Yaqiong, who, with invariable kindness and patience, has carefully scrutinized and corrected my draft, which makes this thesis less imperfect. But for their great help in collecting the reference materials, giving me valuable advice and encouragement at different stages of its conception, I can not finish my thesis.
本科毕业论文（设计）开题报告书 题目浅析小说《傲慢与偏见》折射出 的婚姻决定因素及其现实影响
4.Conclusion
4.主要参考文献 [1]A usten. Pride and Prejudice[M]. Shanghai Sanlian Book store, 2010. [2]H e Xiaohua. On Marriage Standards in Pride and Prejudice[J]. Overseas English, 2010. [3]J iang Peiming. Between Romance and Realism: patterns of fulfillment in Ann Radcliffes? ,A Sicilian Romance? and Jane Austen?s ,Pride and Prejudice?[D]. The HKU Scholars Hub 1999. [4]L ina Widlund. A Comparative Analysis of the Marriage Ploy in JaneAusten?s Pride and Prejudice and Helen Fielding?s Bridget Jones?s Diary[D].- Cessay, 2004 [5]L i Xueqin, Zhang Yangyue. Views on Marriage and Happiness in Pride and Prejudice [J Overseas English, 2012. [6]L i Yuanyuan. Money and Marriage—attitudes towards love in pride and Prejudice[J]. Qin Congsuiyue, 2013. [7]M a Kun. Love and Marriage in Pride and Prejudice[J]. Overseas English, 2013. [8]M ei Zhixin. On Jane Austen?s Views on Marriage in Pride and Prejudice[J]. Overse English, 2013. [9]W ang Lili. An Analysis of Jane Austen?s Outlook on Marriage in Pride and Prejudice[J]. Overseas English, 2013. [10]Yao Manzhen. Money and Marriage—attitudes towards love in Pride and ]. Prejudice[J Science & Technology Information, 2011. [11]Zhao Wei, Xiao Lili. Marry for What: Different Attitudes Toward Marriage in Pride and Prejudice[J]. Kewai Yuedu, 2013. [12]Zhong Weixuan. Three Key Factors of Marriage in Pride and Prejudice[J]. Overse English, 2010. [13]陈艳, 孙娜. 重读傲慢与偏见，细读女性意识对婚姻观的影响[J]. 科教导刊，2013 第10 期. [14]董娜. 奥斯汀的爱情婚姻观—傲慢与偏见与爱玛中的爱情解析[J]. 山西广播电视大学学报，2013年第4期.
傲慢与偏见电影观后感英文本文为傲慢与偏见电影观后感英文范文，让我们通过以下的文章来了解。 Pride and Prejudice ", a novel a pleasure to behold, a beautiful and moving story. The article describes a number of daughters Bo Nate story. Ji-an eldest daughter, gentle kind-hearted, beautiful Keren, Bentley and rich kids at first sight, but at the crucial moment has brought a twist. Second daughter, Elizabeth, Qingli intelligent, ambitious, assertive, consistent with the property of the nobility million youth met Darcy. Can be as arrogant Darcy eccentric, Elizabeth for his prejudice are serious, they love but refuse to recognize the obvious, but also continue to hurt each other with words, but fortunately dispelled the last mistake, married lovers. Reading this novel, I have benefited greatly. In our people, there are many very modest, but there are some arrogant people. These arrogant people who sometimes annoying, they have eyes in the head long, others are dismissive. Indeed, the arrogance is a shortcoming in the environment to develop a character.
傲慢与偏见读后感1000字 读了奥斯汀的《傲慢与偏见》让我知道了原来在遥远的欧洲不仅有罗密欧与朱丽叶那样悲壮的爱情，像莎翁那样的古典哥特式的美，原来也有市井家，回归生活的美。简单，精致，如同“两寸牙雕”，却窥视出了整个社会。 弗兰克奥康纳说：“我认为简。奥斯汀是英国文学史上最伟大的技巧局将一样，她在文学方面炉火纯青，就像莫扎特在音乐方面的完美无缺一样。”《傲慢与偏见》的语言如同掠过竹林的风，带给我竹林般的清凉，泉水般的清澈，让人可以随时随地的沉浸其中。那细腻的语言，缜密的思维，为我拉开了英国田园风光的帷幕，不经意间勾勒出了一个浪漫纯美的童话，却又那么的贴近生活。 这是一部描写爱情与婚姻的小说。小说围绕班奈特太太如何把五个女儿嫁出去的主题展开。书中一共写了四队青年男女的结合，作者一一加以比较，批判，爱憎分明的阐述了自己的爱情与婚姻观。富有傲慢的达西和睿智具有反叛精神的伊丽莎白，温柔体贴的简和有权有势的宾利，以及莉迪亚和威克姆，夏洛蒂与柯林斯。 贝内特夫妇五个女儿待字闺中，没有子嗣，依照当时的法律，他们死后家产须由远房内侄柯林斯继承，因此把五个女儿嫁到有钱人家，成了贝内特太太最大的心愿。于是在这样的背景下展开了整个故事的架构。虽然作者在作品中没有重大的社会矛盾，但她以女性特有的细致入微的观察力，真实的描绘了她周围世界的小天地，尤其是绅士淑女间的婚姻和爱情风波。其实小说中的班奈特太太是当时社会大多数人的缩影，爱情对她们来说是不可靠的奢侈品，她们只看重物质，看重权势。所以当富有单身的宾利来到内瑟菲尔德庄园，便成了众人注目的焦点和谈论的话题，以及小说中对军官们到来，小镇人民细微的表情和言语的描写，将当时社会风气展现的淋漓尽致。 然而作者奥斯汀是一个具有批判精神的女性，于是她塑造了一个追求纯粹的爱情，多少有些藐视权贵的伊丽莎白。虽然小说写于19世纪初叶，但是她所阐述的爱情观与婚姻观放在当下中国却也依旧是那么热点的问题。看到社会中充斥着的拜金主义，炫富事件，小三，包养等心中竟升起一种荒凉，但这也并非真爱的缺失，而是社会问题。我个人认为这种狂热的拜金主义是因为社会制度的不够完善，本来在一个市场经济国家，对金的崇拜，对物质的追求是很正常的事，然而在中国却显得有些病态了，因为在中国没钱你便
高级英语学期论文 汉语题目：《傲慢与偏见》中的婚姻观 姓名高娜娜 学号200804410620 年级08级本科6班 专业英语 2010年12月
《傲慢与偏见》中的婚姻观 摘要：简·奥斯丁在这部小说中通过班纳特女儿对待终身大事的不同处理，表现出乡镇中产阶级家庭出身的少女对婚姻爱情问题的不同态度，从而反映了作者本人的婚姻观：为了财产、金钱和地位而结婚是错误的；而结婚不考虑上述因素也是愚蠢的。从小说看, 伊丽莎白聪敏机智, 有胆识, 有远见, 有很强的自尊心,并善于思考问题。就当时一个待字闺中的小姐来讲, 这是难能可贵的。正是由于这种品质, 才使她在爱情问题上有独立的主见, 并促使她与达西组成美满的家庭。 关键字：婚姻，金钱，社会地位 简·奥斯汀(Jane Austen，1775—1817)常被二十世纪的文学评论家们和文学史家们誉为真正伟大的英国小说家，因为她使英国小说更臻完美，因此她的小说是最具经典意义的小说。英国著名文学家和评论家基布尔(T．T．Kebble)说“简·奥斯汀是一位喜剧艺术家”，并认为她“在纯粹喜剧艺术方面仅次于莎士比亚”。英国十九世纪著名史学家、诗人和政论家托马斯·马科莱(Thomas Macauley)称她为“写散文的莎士比亚”。 人们的择偶动机决定人们的择偶标准。择偶动机不同，人们的择偶标准也不会相同。自古以来，人们的择偶标准既要遵循婚姻的自然属性，又不得不受婚姻社会属性的影响。婚姻的自然属性决定了人们择偶时要考虑对方的身体、经济、宗教、道德等因素。人们在选择婚姻伴侣时不可能只有单一的动机，而是几种动机同时存在，只是侧重点不同罢了。而这种侧重点的差异表现出来便是人们择偶标准的差异。根据择偶标准的差异，历史学家劳伦斯·斯通，在其名著《1500-1800年英国家庭、性和婚姻》中将当时英国人的择偶动机分为四类：为了巩固家庭的经济、政治或社会地位；为了个人的感情、友爱和情谊；性的吸引；激情之爱。 在《傲慢与偏见》里，作者所塑造出的几种婚姻关系，大都可以从中找到相符合的类型。例如夏洛特和柯林斯的结合，就符合“为了巩固家庭的经济、政治或社会地位”这一类型。简·奥斯丁用一种轻松的方式对《傲慢与偏见》里的婚姻与婚姻相关的一系列活动进行了诙谐的描述。男士们如何挑选妻子，年轻的女子以及她们的母亲如何为其挑选未来的夫君，构成了这部小说许多精彩的场景。在这部探讨婚姻关系的作品中，作者着力刻画了几种不同的婚姻和爱情关系，除了上面提到的夏洛特和柯林斯的婚姻，还有几对比较重要的婚姻：莉迪亚和威克姆；伊丽莎白和达西等等。尽管他们都走进了婚姻的围城，但是婚姻的幸福度却各不相同。这是因为奥斯丁笔下的婚姻，不仅涉及到感情，而且还和经济紧密相关。“凡是有财产的单身汉必定要娶位太太，这已经成为了一条举世公认的真理。”本书的第一句话就点出了影响婚姻的一个重要因素—金钱，然而果真是一条真理吗？我们对小说进行分析，可以将书中的婚姻划分为三种不同的境界，通过比较，我们就会有自己的判断。 （一）莉迪亚和威克姆的婚姻：盲目的激情追求享乐在《傲慢与偏见》中，如果要选出一桩最荒诞且最不被看好的婚姻，无疑就是莉迪亚和威克姆的婚姻了。婚姻的基础是婚姻最终成立的根据，决定着婚姻的特性。西方的婚姻更加注重性的因素，在他们看来男女的结合“主要报偿是性关系的满足。”长久以来，西方人有这样的观念，婚姻是为了爱情和寻求伴侣，还有的是为了性的和谐，避免孤独。莉迪亚习惯沉醉在男人的追捧中，而且一向用清不专，“只要受到人家的勾引，对谁都会上钩。”她对人的好恶，选择男人的标准，只是看对方的脸蛋漂不漂亮。当有漂亮的男人出现时，她的注意力马上就会集中过去。至于自己是不是爱上对方，她一点也不在乎，也更不会在乎对方是否真的爱她。这种以性爱为基础的带有鲜明个人性的婚姻是缺乏稳定性的。婚姻是个人的事，与别人没有直接关系，这样做出决定和采取行动就比较容易，没有什么牵制和挂碍。爱情本身是不稳定的，是人类情感中最难以捉
为你如花美眷，似水流年 《傲慢与偏见》身着亚麻色布裙，手捧一本书，快速穿过草原，对着远方的夕阳浅浅一笑，Elizabeth的优雅从她回眸时露出的洁白锁骨流露无疑。 背景音乐是流动的钢琴曲，如丝带连缀起小屋里静坐熟读圣经的Mary，因争夺好看帽子而拌嘴的Lydia和Kitty，而玻璃上总是会浮现她们的大姐Jane平静倾城的面容。 电影“傲慢与偏见”的开场便以唯美的手法嵌入这五个鲜活的生命，阳光湖泊树，中世纪欧洲田园风光如一帧不真切的画像舒缓展开。静谧蔓延到那个信奉“凡是有财产的单身汉，必定需要娶位太太”的妈妈惊呼着尼日斐花园来了一位公子哥而戛然。 记得初中那会儿，班上青春疼痛小说泛滥，我们在作业本遮掩的空隙如饥似渴地阅读那些撩人心弦的剧情，前排一个女生旁若无人地读着这本名著，时不时还捂嘴笑。 我向来对外国文学的长名头晕眼花，对那些排斥插图密密麻麻全是字的泛黄书籍敬而远之。 那时我不懂读名著的乐趣，因为害怕无法承受严肃的思想而下意识抗拒，家里买的高尔基和雨果都被束之高阁。 直至今日，泡在图书馆同夏绿蒂和奥斯汀幸福共处一个个午后，我才真正开始震慑于经典的力量。
那些印刷的字码飘浮空中，钻入波澜肆意的脑海，看见Jane手执鹅毛笔给妹妹写信时睫毛低垂的投影，或是Darcy在花园凝视同众人嬉笑的心爱之人时那道沉默眼神。 花费漫长两周的时日，断断续续地读。最后阖上书页时，揉揉疲惫的眼球，满意地微笑。 奥斯汀太聪明，这个和知识缠绕一生的女子仿佛是女主角Elizabeth 的化身，她鬼马而幽默，在书籍字间狡黠穿梭，因而笔下的男主角Darcy示爱时诚实地说“我爱你的脑子灵活”。 俗话说，“男怕入错行，女怕嫁错郎”，婚姻是女子后半辈子的主题。奥斯汀深谙此理，其著作几乎都是和婚姻有关，而她对于爱情横溢的描述却源于自己终身未嫁的干涸，此事古难全。 或许也不失为一种幸运，正是因了现实中遇人不淑，书写中傲慢与偏见的灵魂才能相遇。 Elizabeth和Darcy的相吸很特别，两个自恃清高的人由厌恶结缘，愈发有成见而愈发想了解，愈了解愈爱慕，但被那份特别的相憎钝化了情感，所以Darcy说“等我发觉我自己开始爱上你的时候，我已经走了一半路了”。 影片里Darcy表现最多的是无声。茫茫舞池的娇艳翠容都不及Elizabeth折射于眼中的大笑，借陪同朋友之由翻山越岭只为看她一眼却没有问候，帮她的糊涂妹妹处理了所有烂摊子却把功劳移给他人，鼓起勇气闯入她的房间竟又忽而无语凝噎。
浅析《傲慢与偏见》中 的 爱情观和婚姻观 ： 班级： 总计：18页 完成日期：2012年7月2日
目录 前言 (3) Abstract (5) 摘要 (6) 关键词 (7) 文献综述 (7) 1、《傲慢与偏见》爱情观与婚姻观研究 .. 7 1.1《傲慢与偏见》的爱情观 (7) 1.1.1奢华与享乐的爱情观 (7) 1.1.2与现实相结合的感情 (8) 1.1.3充满理智与浓厚感情的爱情 (8) 1.2《傲慢与偏见》的婚姻观 (9) 2、结论 (15) 随笔 (16) 参考文献 (19) 作者简介 (22)
前言 《傲慢与偏见》是英国小说家简奥斯汀的一部早期作品。 简?奥斯丁是英国小说史上最著名的女小说家之一，她的作品再现了18—19世纪之交的社会关系和风貌。她以女性特有的细腻和敏锐的洞察力，展现和描绘了小村镇里的人情世态，以及她周围小天地里中产阶级的绅士、淑女间的婚姻爱情风波。她的作品格调诙谐轻松，富于喜剧色彩。英国著名作家斯哥特称她为“英国摄政时期最明锐的观察家”。 简?奥斯丁擅长描写青年男女的感情纠葛和婚姻嫁娶，并着力刻画男人和女人感情和理智的冲突。其中最具代表性的作品就属《傲慢与偏见》。《傲慢与偏见》叙述了四桩不同的婚姻，并以这四条婚姻为主线，情节错综复杂地交织在一起。故事时而扑朔迷离，山穷水尽；时而又峰回路转，柳暗花明，误会百出，冲突迭起。在这部作品中，奥斯丁通过贝纳特太太对待五个女儿的终身大事的不同处理，展现出乡镇中产阶层家庭出身的少女对婚姻爱情问题的不同态度和取向，进而反映了作者本人的婚姻观，即为金钱、财产和地位因素而结婚是错误的，而结婚不考虑上述因素也是愚蠢的。奥斯丁用理性又刻薄的语言讽刺了那些只靠金钱来维护婚姻的人。小说男女主人公最后美好的结合，透露出奥斯丁对婚姻观念理想化的追求和诠释：她反对为金钱而结婚，反对把婚姻当儿戏；她强调理想婚姻的重要性，把男女双方真正的感情因素作为缔结理想婚姻的基石。
论《傲慢与偏见》中作者的婚姻与爱情观On the Marriage and Love view of author of Pride and Prejudice 浅析《傲慢与偏见》中作者的爱情与婚姻观 摘要 《傲慢与偏见》是18世纪末、19世纪初英国女作家简·奥斯汀的代表作。在这部作品中作者精心描绘了一系列栩栩如生的女性形象。 通过对班纳特家的二女儿伊丽莎白与贵族达西婚姻的描述，以及伊丽莎白的几个姐妹和女友的婚事终身大事的不同处理，透露出来作者的婚姻观：为了财产、金钱和地位而结婚是错误的；而结婚不考虑上述因素也是愚蠢的。她既反对为金钱而结婚，也反对把婚姻当儿戏。她认为感情是缔结理想婚姻的基石。 关键词：傲慢与偏见；简·奥斯汀；婚姻；财产；地位；爱情 On Jane Austen’s View of Love and Marriage on Pride and Prejudice ABSTRACT Pride and Prejudice is Jane Austen’s masterpiece which was written at the end of the 18th century and the early of 19th century. It is in this work that the author portrayed a series of vivid image of women. Through the description of the Bennet family’s second daughter Elizabeth and noble Darcy’s marriage, and how Elizabeth’s sisters and her girlfriend's treat their marriage differently , it reveals the author's views on marriage: with the aim to get
傲慢与偏见电影观后感5篇650字 “凡是有钱的单身汉，总想娶位太太，这已经成了一条举世公认的真理。这样的单身汉，人们总是把他看作自己某一个女儿理所应得的一笔财产。”简·奥斯汀在《傲慢与偏见》中描述了几对年轻人的感情故事，小说没有重大的.历史事件为背景，而是以幽默细腻的笔触展现了18世纪末19世纪初英国乡村中产阶级生活的画面，这里给大家整理了一些有关傲慢与偏见的观后感,希望对大家有所帮助. 傲慢与偏见电影观后感1 闲来无事就想着看一些经典的电影，一来打发时间，二来充实下自己，毕竟是经典，我想看一看对自己还是非常有好处的，起码不落伍。 看的是1940年版本的，还是黑白的画面，看这部电影说实话并没有想象中一样产生什么震撼的感觉，但是印象比较深刻的就是里面人物的表情，非常丰富，这也是外国片比国产片好的地方，国外的电影演员表情都非常丰富夸张，很带感。 这部电影讲述的是一个英国小镇的普通乡绅家庭，家里有五个女儿，都正处于妙龄时期，因此乡绅的太太非常着急的想为五个女儿找到好的夫婿，然而由于自己处于中产阶级，家境不算优
越不能为女儿们准备丰厚的嫁妆，并且乡绅太太也非常势力，爱慕虚荣，因此急切地想寻找有钱的富贵人家。恰好在附近的尼日斐庄园里来了两个伦敦过来的年轻人。两个人不仅英俊潇洒而且还多金，这可乐坏了乡绅太太。 赶紧想方设法的想认识两位有钱人，于是回家想方设法的想让乡绅去拜访两位公子哥，谁知乡绅早已经做好安排，给了两位公子哥一场舞会的入场券，舞会那天乡绅太太带着打扮的花枝招展的五个女儿一起去参加舞会，在舞会上其中一位叫宾格利的有钱人一眼就看中了大女儿简，而另一个叫达西的有钱人却对宾格利说不喜欢跟这样行为粗鲁的中产阶级交往，恰好这些话被简的妹妹伊丽莎白听到了，从此他就对达西产生了很深的偏见，认为他太傲慢。 可是正是由于伊丽莎白并不像其他女人那样对达西很恭维讨好，反而引起了达西对他的注意和好感，开始追求她，然而他依旧不能完全放下他高傲的姿态，依旧采用一种很高傲的态度来追求伊丽莎白，因此导致第一次求婚被伊丽莎白毫不留情的拒绝，然而随着妹妹莉迪亚跟克鲁特军官的私奔以及达西给伊丽莎白写的信告诉他克鲁特军官的为人，并且表明自己的想法，以及之后在达西的努力下莉迪亚和克鲁特的顺利结婚，这些事让伊丽莎白改变了对达西的看法，最后两个有情人终成眷属。这部电影就是围绕着年轻人之间的情感恋爱件讲述了英国中产阶级和贵
论《傲慢与偏见》中的爱情观和婚姻观 摘要：《傲慢与偏见》由简·奥斯汀创作完成，是一个伟大的女性作家，她用自己独特的视角和敏锐的才思创作出与当时物欲横流的物质世界相悖的类型小说，描写出了淳朴的爱情，爱情与婚姻不是建立在金钱与权力之上，而是自由与坚贞的象征，又用了对比的方法，来诠释自己的观点，其才气和思想在作品中体现的淋漓尽致……奥斯丁通过在全知视角下具有限制性的叙述模式向我们展示了灰姑娘的浪漫爱情故事，描绘出作者所处时代的社会道德风貌，表达了作者的女性抗争意识及对当时社会婚姻观的批判。本文以小说中人物婚姻的发展过程为主线，通过班纳特五个女儿对婚姻爱情问题的不同态度，探究了简·奥斯丁理想的婚姻观，并指出了小说的现实意义。 关键词：爱情、婚姻、淳朴、追求、矢志不渝 《傲慢与偏见》的作者简·奥斯汀，这个女作家生活在18世纪末到19世纪初，当时“感伤小说”和“哥特小说”充斥整个英国文坛，而这位年轻的女作家没有受过正规的教育，当却有着过人的敏锐才思，独树一帜，摒弃对这类流行小说的滑稽模仿，创作出了有自己风格的讽刺意味浓厚的小说，《傲慢与偏见》就是这类小说的代表。体现了这位伟大的女性对婚姻，对爱情，对社会独特视角，不仅思想具有魅力，同时小说的艺术风格也是极其值得我们学习和推崇的。 《傲慢与偏见》是以日常生活为素材，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世态人情。简·奥斯丁描写了不同的婚姻关系，用最透辟的眼光表明，资产阶级婚姻的实质是金钱、利益的结合。从她的作品中体现出一桩好的婚姻对一个年轻妇女来说是至关重要的，这与当时的英国社会以及妇女的社会地位是分不开的。在19世纪，妇女不像现在这样受尊重。男女之间无平等可言，妇女生活的中心是家庭，认为妇女应当顺从她们的丈夫，妇女的美德就是忍耐和恭顺。婚姻是她们获得尊重、安定与社会地位的唯一出路。 总结起来，《傲慢与偏见》中有以下几种爱情观。 一种浪漫式爱情：莉迪亚盲目地追求民兵团,沉迷在幻想里寻找她的伴侣。她爱上了有着潇洒外形的军官威克姆,无知地认为私奔很有趣,并且相信威克姆会对她负责。然而,品德操守都不及格的威克姆则抱着一种轻佻的,为了娱乐而娱乐的爱情态度与莉迪亚交往。由于莉迪亚缺乏对威克姆的深入了解,她的浪漫式爱情遭遇威克姆所抱持的游戏式爱情,无疑将演变成一场游戏!只有瞬间的真诚,而没有现实生活的真实印记。这种爱情通常是人被对方的某方面强烈吸引住,并高度激发其情感的萌生。使自己处于迷幻中不能自拔,严重脱离现实基础。这种爱情无疑是一时冲动,缺乏理智制约。 再一种则是占有式爱情，它被认为是一种畸形的爱恋。这种爱情是单方面的,具有强烈的永远排他性,对于爱的对象满怀强烈的占有欲望,特别是对于自己的情敌,过高地估计情敌的胜利和由此产生的傲慢,于是受到了最残酷的折磨:处于因抱着一线希望而受害更深的彻底绝望状态。彬格莱小姐对达西的爱情即是如此。她费尽心机缠着达西,想引起达西对她的兴趣,并且经常毁谤伊丽莎白。这种占有其实是把人视作物品,而不是情感的拥有,一旦达到目的,会有失落之感,从而造成精神的空虚。 还有一种是所谓的现实式爱情。这是以现实为基础的,生存是第一准则,选择这种爱情的人其实是选择了面包。作品中表现最明显的莫过于夏绿蒂和柯林斯这一对。资产阶级的思想完全渗透进了夏绿蒂的思想里,她并不怎么喜欢柯林斯,之所以嫁给他,完全是为了让自己将来的生活有保障。 这几种爱情方式都是不应该被认可的促成婚姻的爱情，真正的爱情是不应该凌驾于任何杂念以上的，应该是自己人生中最纯洁最美好的一部分。是一种品德贞操的体现，更加体现出了伊丽莎白和达西的爱情是那么的难能可贵，在经历了一系列波折后,他们的感情会更加坚不可摧,平淡中见真情,最终有一个幸福圆满的结局。这样的圆满是包含信任的,即一辈子的忠贞。这种爱情理性和感性相结合而形成一种无尽的人性关怀,还在一定程度上为读者提供了一种辨别爱情真假的范例。恋爱结婚不仅要使自己幸福,还要承担家庭责任,对社会有益,这才是令人称道的。 简·奥斯丁在这部小说中通过班纳特五个女儿对待终身大事的不同处理，表现出乡镇中产阶级家庭出身的少女对婚姻爱情问题的不同态度，从而反映了作者本人的婚姻观：为了财产、金钱和地位而结婚是错误的；而结婚不考虑上述因素也是愚蠢的。因此，她强调理想婚姻的重要性，并把男女双方感情作为缔结
浅谈《傲慢与偏见》中地婚姻观 摘要：《傲慢与偏见》是英国女小说家简.奥斯丁地代表作之一.在这本小说中,一共描述了五桩不同地婚姻,通过这五桩婚姻折射 出了作者地婚姻观念：完美地婚姻应当建立在爱情和物质地基础上. 关键词：《傲慢与偏见》；简·奥斯丁；婚姻观； 简·奥斯丁<1775－1817）,生长于英国南部有文化教养地牧师 家庭,在她一生四十多个年头里,完成了六部作品——《理智与情感》、《傲慢与偏见》、《诺桑觉寺》、《曼斯斐尔德庄园》、《爱玛》以及《劝导》.在这六部作品中,《傲慢与偏见》是极具 代表性也是最为大家所熟知地作品.小说中,简·奥斯丁描述了各 种不同地婚姻关系,班纳特夫妇地相互煎熬、柯林斯牧师与夏绿蒂·卢卡斯地利益交换、韦翰与丽迪雅地情欲放纵、吉英与彬格 莱两情相悦、达西与伊丽莎白完美结合.通过这五桩婚姻关系也反映出作者地婚恋观：婚姻中只是因为对方地财富和地位而结婚,虽然理智,但是错误；另外,在结婚地时候不考虑对方地经济基础也 是得不到幸福地. 一、《傲慢与偏见》中地婚姻关系 1、班纳特夫妇：表面上很幸福美满,实际上在相互煎熬 班纳特夫妇一家住在浪搏恩村,班纳特先生地年收入是两千镑, 而班纳特太太在年轻地时候也是小有姿色,这样地结合在外人看来应当是一桩幸福美满地婚姻,可谓是“郎财女貌”.但是,在结婚之
后,班纳特先生才发现他们两人地性格是天壤之别,并且是话不投机半句多.班纳特先生本是一个性格古怪地人,一方面喜欢开玩笑,挖苦别人,他讥笑班纳特太太比她所有女儿都漂亮,或许彬格莱先生会挑中她；另一方面却是不拘言笑,捉摸不定,当所有人都以为他不会去拜访彬格莱先生地时候,他却是第一批去拜访彬格莱先生地人.相对于班纳特先生,班纳特太太则是一个智力贫乏,喜怒无常地女人,稍有不顺心就认为他人不体谅她地神经衰弱.在她不知道班纳特先生已经去拜访了彬格莱先生之前,她非常地生气,但是得知班纳特先生已经拜访过彬格莱先生地时候,马上又乌云转晴,不断地称赞她地丈夫,喜怒之色,流于言表.由于两人在结婚地时候只注重金钱和美貌,而忽略了双方之间性格地相差甚远,导致他们地婚姻长久以来只是为了维系道德而存在,事实上婚姻中地两人却是相互折磨,互相煎熬. 2、柯林斯夫妇：金钱上地婚姻,为了迎合双方地利益 柯林斯牧师在《傲慢与偏见》中是一个极具喜剧色彩地人物,他作为班纳特姐妹们地远方表兄,同时作为班纳特家财产地唯一男性继承人,为了减少班纳特家地损失,所以决定娶一位班纳特小姐为自己地妻子.首先,柯林斯牧师向吉英求婚,由于彬格莱地关系,吉英拒绝了他地求婚,于是柯林斯牧师马上转向伊丽莎白,他自以为女性在受到求婚时都会比较含蓄,言行不一,虽然伊丽莎白一再拒绝他,他却将其当作鼓励他地话语,直到最后才发现伊丽莎白根本没有答应他地意思.受到两次拒绝地柯林斯牧师并没有气馁,在他
Number: 2010051614 Word count: 1061 Style Comparison between Book and Movie on Pride and Prejudice Most people hold the view that a film based on a famous novel should be the same as the original work. However, the film, another form of new literature creating, just as translation, must have some differences from the book. A French writer Marcel states that the film version is not restricted by loyalty to the original story, nor the simple repeat of the content as a literature creating activity (2005, p.22).This thesis aims at comparing the style between the well-known novel pride and prejudice by Jane Austen with the 2005 film adaptation by Joe Wright to discover that the movie adaptation has its own profound meaning and understanding as a new work creation without entire copy of original work. The original work takes on an irony and realistic style. Jane Austen lived her life among the landed gentry. Her realism, biting irony and social commentary have gained her historical importance among scholars and critics. The novel Pride and prejudice deals with Mr. Darcy’s pride leads to Elizabeth’s prejudice, and how the prejudice and misunderstanding are removed as they learn more about each other. As we know, Austen’s work s have little narrative or scenic description and contain much more dialogues. Take the marriage of William Collins and charlotte Lucas to analyze the irony style. The reasons why Mr. Collins wants to marry are: first, “a single man in possession of a good fortune must be in want of a wife” (Austen, 2001, p.3).Second, he thought that it is a right thing to set the example for matrimony in his parish. Third, he gets advice and recommendation from his patroness. This is a humorous and piercing description. Obviously, there is not love in this married couple. Charlotte clear knows that she is at the age of 27, without a good fortune. She clearly knows that she has no other way to improve her social position except to marry a husband with a good fortune. In her eye, marriage has been her object, without considering either man or matrimony. It is clear that they get married for duty, for consideration of life guarantee, not for love. Through the descriptions of Mr. Collins and Charlotte’s marriage, the novel perfectly shows an irony style. Furthermore, we can find the realistic style in the book, because money is an unavoidable topic to the theme of marriage in it. At that time, Britain is at the period of transition from Capitalism to Capitalist Industrialization. Money is getting more and more important in people’s mind about social value. A western literature critic shows that “even David Ricardo had an unlikely clearer understanding about the function of money in daily life as Jane Austen.”(Zhu, 1985, p.178) Women have to rely on marrying a rich man to improve their social status. Mrs. Bennett’s eager to get her daughters married is a good example to support this idea. Her daughters cannot guarantee their life, when Mr. Bonnet passes away. And also in the novel, there are many times mentioned about one’s property, such as “four or five thousand a year”“ten thousand a year”, which implies people will judge others not by quality but by money. In short, the novel reflexes how great the money affects on people’s life, people’s marriage, people’s value. Through it, the novel successfully creates a realistic
《傲慢与偏见》人物关系介绍 1.伊丽莎白·班内特（Elizabeth Bennet）：班内特家二小姐，二十岁，故事的主角。活泼，聪明，机智，经常由第一印象来判断别人。她对于婚姻有着和当时社会不一样的看法，认为只有爱情才能带来幸福，不肯为钱随便找个有钱人结婚。她也看不起上流社会的虚伪和做作。因为达西先生的高傲脾气，加上韦汉先生散播的谣言，对达西先生产生种种误会，对他的人格打了极低的分数。但随着时间的过去、事件的发生，伊莉莎白对达西先生的看法开始有了改变。从原来的鄙视转为满心的钦佩和感激。 2.达西先生（Mr. Darcy），全名费兹威廉·达西（Fitzwilliam Darcy）：一位富有的年轻人，故事主角。他是宾利先生的好友，外表英俊且风度翩翩的绅士，个性内敛和高傲，对宾利先生打算跟不适合的女子结婚一事十分不满，同时也看不起其他人的趋炎附势。因不习惯和人打交道，所以经常表现出高高在上的姿态，引来不少的毁谤声。但被伊莉莎白拒绝求婚后，也开始反省自己的行为，改掉了高傲的脾气。在莉蒂亚一事上，给予不少的帮助，使莉蒂亚的名声没有败坏。 3.班内特先生(Mr. Bennet)：一个住在英国德福郡的绅士.他已婚并育有五名女儿。但他的财产需要由男性继承，所以在他死后，他的遗产将会由和他有着差劲关系的柯林斯先生（Mr Collins）继承。班内特先生是一个温柔而体贴的人，对他的两位大女儿，珍和伊丽莎白宠爱有加。不过，他不喜欢他的妻子和三位小女儿的愚昧和不理性，经常说她们愚蠢以及嘲笑她们。对自己失败的婚姻已绝望，是个沉默而善变、幽默却善讽的人。对于妻子的愚昧，保持着冷眼旁观的态度。 4. 班内特太太(Mrs. Bennet)：班内特先生的太太。她人生中最关注的事，是她将来的财产和屋子将会由柯林斯先生继承。因为这件事，她非常渴望她的五个女儿能嫁得好，并尽力撮合新邻居宾利先生和其中一个女儿。她亦希望能够令其中一个女儿和柯林斯先生结婚。是个非常平庸、见识浅薄而又长舌的女人。她的生活重心在于女儿的终生大事，想利用女儿钓金龟婿。 5.简·班内特(Jane Bennet)：伊莉莎白的姊姊，班内特五姐妹中最年长的，也是公认最美丽的一个。她温柔、善解人意，但性格矜持，经常收藏自己的情感。她相信人性本善，凡事都往好处想，认为世界上没有坏人。和宾利先生一见钟情，最后排除万难结为夫妻。 6.玛莉·班内特(Mary Bennet)：排行第三，性格并不讨好,是一名书呆子。她鄙视其他姊妹的兴趣，并经常希望能展视自己的音乐才华，及以警世格言来警告身边的人。 7. 凯瑟林（凯蒂）·班内特(Catherine "Kitty" Bennet)：排行第四，十七岁，经常跟随妹妹丽